Another Life

After en el mar

After En El Mar

Photo: Orkney, 2024.

Not my usual genre so hope you enjoy.

Drums: Ableton Carbon kit.
Bass: Warwick 5-string Corvette through NI Guitar Rig.
Guitars: Suhr Custom Classic through a few instances of NI Guitar Rig.
Keys: various NI, Karanyi Lofi Keys, Crow Hill Small String Gestures, Arturia Juno and CS-80, Spitfire BlankFor.
Mastering: Ozone 10 Standard.
DAW: Ableton 12.

Room 2A

A-Innocent Parade

Recording sessions from 02/04/2024 - 14/04/2024.
*** MOOG Modular V2 (vst Arturia),
presets, mixing, processing and editing: Pier WILL.

- A very old title that I completely reworked, an experimental atmosphere, particularly in terms of the complex sound processing... let yourself be lulled into the depths of the twists and turns of MOOG Modular.

- Un titre très ancien que j'ai entièrement retravaillé, une ambiance expérimentale notamment au niveau complexe du traitement sonore... laissez-vous bercer au plus profond des méandres du MOOG Modular.
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork - Pier WILL
- Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite,   Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
- #Ambient #Movies #Experimental 
________________________________________________________________________
❤️🕊️🙏

Iteration

UnBoxed May 2024

[ d o w n l o a d a b l e ]

Please

Luminescence

Lune 3 est l'aboutissement  de  plus de 3  ans d'évolution de ' lune '. ici une version  dans l' esprit du live  un seul violoncelle, un seul violon , et une batterie prise live . Le violon de rosin dust nous envoûte. 
la video ici: 
https://www.youtube.com/watch?v=mr23mfojczs

Lune 3

Lune ( avec Rosin Dust )

foam

Berjiloqua

Ethan Ball - The Rest of Us

I started playing around with digital music creation in my early twenties, but I have always been haunted by a quote from Theo Parrish who said that he is "not comfortable with convenience replacing artistry", meaning that you need to put effort into learning and mastering the skills in order to bring something good. I studied computer science and have a passion for logics and programming and somehow my lack of any musical background has kept me from publishing any of my works.

Many years later I got inspired by an interview with Thomas Fehlmann where he explained how the focus in his work is not on the result so much but on the process itself. How the process is a "source of expression" and something he just feels he has to do. This resonated with me and I realised that it's ok to be an autodidact in music and it's ok to make music just for the sake of making music. I make music for me and if you, dear listener, like it along the way I'm very happy about that.

I am inspired by nature, natural processes and the interaction we have with them. Organic asymmetric fractal patterns that are rooted in logic but unpredictable as they express. How a particular stormy night can affect the shape and growth of a plant for years to come.

I use Bitwig Studio to create my tracks.

(I don't always respond with "thanks" to each comment but I read and appreciate all. If you have a question or really need a reply send me a message)

(With a few artists we run a little group on discord to discuss ideas and what not. The link is below if you're interested in joining)

Luminescence

Derk Bell