Dive into the explosive depths of "Alchemical [Inferno]," a heavy metal anthem that fuses blistering instrumentals with haunting historical echoes. Featuring visceral guitar riffs and thunderous drums, Jason Langvee delivers a relentless sonic assault that captures the chaos and urgency of our modern age.

The track weaves in powerful recordings of Reagan, Bush Jr., Obama, and Trump, each politician’s voice cutting through the fray with urgent pleas to confront the looming threat of nuclear warfare. These stark reminders of our past collide with Langvee's raw energy, creating a chilling tapestry of sound that challenges listeners to reflect on the fragility of peace.

As the song builds to a cataclysmic crescendo, it serves as a clarion call—urging us to confront the "Alchemical Inferno" of our choices and the volatile path we tread. With its mix of historical gravity and unrelenting metal fury, this track is a poignant exploration of power, fear, and the quest for redemption in a world on the brink.

Alchemical [Inferno]

Dumpster Dwellers Bounce

A spontaneous jamsession in our Ochsenfurt rehearsal cellar. 
Some 40 years ago... Recorded by Teddy Götz.

Mandy Riedelbauch - soprano sax
Evert Fraterman - drums
Bernhard Mros - bass
Rob Terstall - guitar

Happy Ochsenfurt Jam

Blue Light

A really wonderful short piece from Gérald Olivieri. I just wrote down and sang a few simple words, and the result warms my heart. I guess I'm getting old and sentimental...

*** DOUCEMENT ***

S'il te plaît, 
reste encore un moment pour garder la tendresse.
Doucement, doucement…
Faut surtout pas bouger, faut rester embrassés.
Viens arrêter le temps.
Raconte-moi tes vingt ans, et nos rêves éveillés,
la maison, nos enfants, nos victoires éblouissantes, 
nos défaites partagées...
Vieillissons doucement.
Vieillissons doucement.
Ne pars pas. Ne pars pas…
Reste encore un moment…

Doucement (Based on Gérald Olivieri's "A Simple Melody")

Drifting through my mind trying to focus but I keep being distracted by all life's shit and immeasurable beauty.

Changed my mind as I am happy with how this sounds so this is the final version but I might do a vocal version soon. I hope you enjoy it and feel free to leave a comment as your feedback is always appreciated.

Swamped

Used samples:

Title: Tape Rip 1
Author: Geoff-Bremner-Audio
Link: freesound.org/people/Geoff-Bremner-Audio/sounds/786354/

Towards the rustle

🛏🌆🌛🌗🌜⁂©All Rights Reserved 04-2025
©Mixer, Mastering, Pro License & Creator: Lady ElectroTrek
***

Dreamwave's Night Escape

Free Spirited

NEW ALBUM ALERT💽👀
Deep House Lofi🔥🔥🔥distributed via Tunecore🎶Stream this track on: 

🎧 Spotify: https://open.spotify.com/artist/3hYADkdLIpGFJn7g57LEcX?si=hXcqXf5VTu-CWJlM8NrlAA 
🍎 Apple Music: https://music.apple.com/us/artist/talilofi/1754853121
🎶Pandora: https://pandora.app.link/kWVHhiHgrYb

Downtown Spark

A jazzy funky minimal piece with trip hop beats and a smug vibe from my new album : The Soundpharmacy - DAW (Dogs And Whistles) (Mastered by Elwyn Smellwin Lear)

Ahh Oui...

Log 190 Arp

I started playing around with digital music creation in my early twenties, but I have always been haunted by a quote from Theo Parrish who said that he is "not comfortable with convenience replacing artistry", meaning that you need to put effort into learning and mastering the skills in order to bring something good. I studied computer science and have a passion for logics and programming and somehow my lack of any musical background has kept me from publishing any of my works.

Many years later I got inspired by an interview with Thomas Fehlmann where he explained how the focus in his work is not on the result so much but on the process itself. How the process is a "source of expression" and something he just feels he has to do. This resonated with me and I realised that it's ok to be an autodidact in music and it's ok to make music just for the sake of making music. I make music for me and if you, dear listener, like it along the way I'm very happy about that.

I am inspired by nature, natural processes and the interaction we have with them. Organic asymmetric fractal patterns that are rooted in logic but unpredictable as they express. How a particular stormy night can affect the shape and growth of a plant for years to come.

I use Bitwig Studio to create my tracks.

(I don't always respond with "thanks" to each comment but I read and appreciate all. If you have a question or really need a reply send me a message)

(With a few artists we run a little group on discord to discuss ideas and what not. The link is below if you're interested in joining)

Towards the rustle

Derk Bell