BOOKINGS (ex US & Canada)
Navi Jankie
Navi@aceagency.com

BOOKINGS US & Canada
David Gordoni
E: david.gordoni@unitedtalent.com

MANAGEMENT
Dwayne@Smashthehouse.com

Bookings: contact@overwerk.com
Licensing: sync@overwerk.com

For the past decade, Mad Decent has been invading your ears with fresh sounds. With humble beginnings in Diplo’s Philadelphia studio, Mad Decent’s unwavering mission is to highlight underground, genre-blurring sounds. Mad Decent tops iTunes, Beatport and Shazam charts worldwide with #1 Dance tracks and albums with releases from artists like Major Lazer, Dillon Francis, Grandtheft, Party Favor, NGHTMRE and Yellow Claw. Mad Decent is also home to Good Enuff, a launchpad for artists breaking the norm; notable releases include Bauuer’s “Harlem Shake” and DJ Snake’s “Bird Machine.” As an extension of the Mad Decent sound, Mad Decent Block Party was established in 2006 and now spans across North America and India.

Join our community: https://drop.cobrand.com/d/SpinninRecords/Official

You might know us through some of your favourite tracks in dance music.

Shop SPACE ISLAND Merch & Vinyl: https://linktr.ee/broodsmusic

The fourth full-length from BROODS, Space Island is an exploration of grief and all its many dimensions. In keeping with the New Zealand-bred duo’s unfettered imagination—an element they’ve brought to multiple platinum-and gold-certified records so far—the album’s 10 tracks exist in a surprisingly radiant sonic realm, its aesthetic equally inspired by ’60s sci-fi B-movies and the balmy exotica of composers like Les Baxter.The most high-concept output yet from BROODS—a ten-time New Zealand Music Award-winning act who’ve amassed over a billion streams to date, collaborated with the likes of Lorde and Tove Lo, toured with HAIM and Taylor Swift, and taken the stage at major festivals such asCoachella and Lollapalooza—Space Island came to life during a period of serious upheaval for lead vocalist Georgia Nott. Having married at the age of 21, she went through a difficult divorce soon after the release of BROODS’ previous album Don’t Feed the Pop Monster(a 2019 effort that led to appearances on“Late Night with Seth Meyers” and“The Late Late Show with James Corden”). As Georgia turned to songwriting as a means of processing her grief, she and her brother/bandmate Caleb Nott discovered an unlikely but wholly fitting vessel for that emotional outpouring: the album’s gorgeous constellation of otherworldly beats, swooning guitar tones, and effervescent synth lines. As a result, Space Island introduces a dazzling new intensity into BROODS’ atmospheric indie-pop while providing a powerful conduit for catharsis. 

MANAGEMENT:
Slush Management - Neal O'Connor / Sam Luria

BOOKINGS:
THE AMERICAS - mhayes@apa-agency.com
AUSTRALIA / ASIA - swald@wmeentertainment.com
NEW ZEALAND - reuben@banishedmusic.com

Agenda-setting Stockholm-based duo Daleri have the full-strength sounds and precision studio skills that will take them all the way to the top of the electro premier league. 
Describing their studio technique as “sweat, blood, bruises, tears and joy”, fittingly Eric and Robert first met on the football pitch. Trading goals for grooves, the boys were inspired by the waves of progressive electronic music happening at the turn of the century. Eric’s first sonic investment was Kai Tracid’s ‘Trance & Acid’, Rob’s was Daft Punk’s ‘Discovery’. Armed with a copy of Fruity Loops, the earliest stage of their quest for the perfect dancefloor dynamics began…
After years of experimentation they served their first Daleri dishes in late 2011/early 2012, at the age of 20. Their self-campaigned free download ‘Eavesdrop’ and debut commercial release ‘Touché!’ (on Armada’s Trice) broadcasted their entry message loudly and proudly, instantly raising eyebrows among the DJ elite. Within a matter of two releases, Eric and Robert had already received personal props from none other than Hardwell, Axwell and Ferry Corsten. 
‘En Route’ followed. Developing a life of its own it became ‘Somebody Told Me’ with vocalist Vice and proceeded to smash every dance and every download chart in the process…. Paving the way for more unapologetically vibrant and demonstratively alluring big room sounds such as the funk-bumped ‘Curare’, the rush-soaked spine-tingler ‘Pitch Please’ and a high profile remix of Rebecca & Fiona’s ‘Taken Over’ on Ultra. By now Daleri tracks were being fronted and maxed by a roll call of electronic music’s biggest and brightest: Wolfgang Gartner, Zedd, Gareth Emery, Dyro, Thomas Gold, Swanky Tunes, Matisse & Sadko, Cedric Gervais, W&W, John Dahlback, Morgan Page and Hook N Sling… The list goes on.
In the summer of 2013 the Swedish house success story also added to their impressive reputation as genuine scene statesmen with a canny slab of commentary. A rare moment of successful scene satire, Eric and Robert poked fun at the similarity of the Beatport top 100 chart, ruffling EDM feathers by fusing 16 of the season’s biggest hits into one long identikit minute-long ‘mashleg’. Triggering support from Tiesto, Kaskade, Deadmau5 and Sebastian Ingrosso it inspired heated debate and online discussion about the scene and its need to progress, elevating Daleri’s pedigree as thoughtful contributors who aren’t afraid to question the scene and its direction, progressing with enlightened ideas, dynamics and arrangements. 
Now at the controls of their own label Dalerious, Eric and Robert promise more progression, development and unchartered audio explorations and it kicks off with their own launch release ‘Hysteria’. Tried and tested across their international shows since spring 2013, it’s yet another full-strength, precision engineered chapter on their journey to the electro premier league. Stay tuned…

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