A collection of classical works arranged for cello ensemble by Deryn Cullen

Classics for Cello Ensemble

sasa

موسيقا تسجيلات

EZClassic

fantasy orchestral classical score

Epic

classique.

SoundTrack de la película 1492: La conquista del paraíso(1992)

VANGELIS - Conquest of Paradise

Shadow of the sun (part 2)

Performed, produced and arranged by Deryn Cullen

Delibes - Flower Duet

My Live orchestra demo reel with musics composed and recorded these last 2 years.

Live Orchestra Soundtracks - Demo Reel

From Alessandro Marcello's Concerto for Oboe, arranged for solo keyboard by J S Bach
Cello arrangement and performance by Deryn Cullen

Adagio BWV 974 - Marcello-Bach

Continuing from my piece “The Time To Run”, this track is all about what happens when you have succeeded in the goal of starting a new life. The excitement, relief, and thrill. All entwined in the ongoing hard work and forever changing ideas but never faltering determination for a great life.

From the updated version of The Score (Part One). The Score features over an hour of soundtrack themes from the gentle opening through to full and epic hollywood.
 
Download at Bandcamp: http://dexterbritain.bandcamp.com/

www.dexterbritain.co.uk
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To license this music for your project please contact The Music Bed, or see dexterbritain.co.uk for information.

Having Run

The opening theme to Andante from trio in E-flat, opus 100 by Schubert. Arranged for cello quintet and performed by Deryn Cullen.
Full track available to purchase as a download here:
https://deryncullen.bandcamp.com/track/andante-from-trio-in-e-flat-op-100-franz-schubert

Download

Schubert - Theme From Andante

Erik Satie - The Essential Collection represents the very best and notable works of this timeless French composers work. Simply Sublime. Timestamped for track jumping below!

Track List:

1. Jazzopédie - 0:00
2. Sarabande No.1 - 3:10
3. Je te veux - 9:45
4. Gnossienne No.1 - 16:28
5. Gnossienne No.2 - 21:09
6. Gnossienne No.3 - 24:16
7. Du fils des étoiles - 28:03
8. Gymnopédie No.1 - 32:05
9. Gymnopédie No.2 - 35:48
10. Gymnopédie No.3 - 39:34
11. Embryons Desséchés - 42:11
12. Morceau en Forme de Poire - 43:36
13. Valse Ballet - 47:21
14. Aperçus Désagréables - 49:09
15. Ogives - 50:22
16. Sonatine Burocratique - 52:19
17. En Habit de Cheval - 56:23

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Erik Satie - The Essential Collection

<I>"And some there be who no memorial have;
Who perished are as though they’d never been.
For our tomorrows their today they gave,
And simply asked that in our hearts they'd live.
We heed their call and pledge ourselves again,
At dusk and dawn - we will remember them!"</I>

- extract from A Poem for Remembrance Day by Charles Henrywood

<B>Please email me at mail@oliversad.ie for licensing enquiries.</B>

Composed, performed and produced by Oliver Sadie.

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War Farewell

Live performance of the 'Avatar: the Last Airbender Suite'. Performed September 14, 2014 at the Playfest animation and game music festival in Malaga, Spain. Orchestrated by Christopher Rozé. Conducted by Oscar Senen. Erhu and Dizi performed by Hong Wang.

Choir text:
'water
earth
fire
air

four nations
balanced by one
balanced by one

(ah--)
four nations balanced by one

(ah--)
waiting to return,
to return to harmony again (again)

waiting to return again
(ah!)'
-Jeremy Zuckerman


Avatar the Last Airbender Suite - Playfest 2014, Malaga

Live performance of the 'Legend of Korra Suite'. Performed September 14, 2014 at the Playfest animation and game music festival in Malaga, Spain. Orchestrated by Christopher Rozé. Conducted by Oscar Senen. Erhu, Zhonghu and Dizi performed by Hong Wang.

Choir text:
'boundless

asunder
asunder
divided
once apart
now united

oh (mm)
oh (mmm)
(now) united

never still
always change
always change
always...
always two,
dark and light

all is change
never still
throughout time!

a place away
a place away from all light
the coldest place
is not boundless
not boundless
in a place
away from light
once apart 
now united

all is change
all is change
all is change
nothing is still
wavering form
passing through time'

The Legend of Korra Suite - Playfest 2014, Malaga

If you love music, keep it alive by paying a fair price for it.
deryncullen.bandcamp.com/track/je-te-veux-erik-satie
Cello quartet arranged and performed by Deryn Cullen

Erik Satie - Je Te Veux

A beautiful orchestral piece with a lot of choir! Testing out the free Ivy Audio Clare Solo for some of the vocals: http://ivyaudio.com/ClareSolo

An Ancient Sky

Movements 1 and 2 from Vivaldi cello sonata no 7 in a minor, RV44. Arranged and performed by Deryn Cullen

Vivaldi - Largo & Allegro Poco From Sonata VII

همنوازی پیانو و تار

I was just practicing tonight and felt like recording one of the pieces.  Beethoven's Sonata No. 14 in C# minor Op. 27 No. 2, or otherwise known as 'Quasi una fantasia' or the 'Moonlight Sonata'.  I recorded this on a Steinway D and mastered it in my mastering studio www.alpinemastering.com  

Hope you all enjoy. 

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Classical Piano Pieces Volume I

Moonlight Sonata

Free Download

Beethoven - Moonlight Sonata (Glenn playing on a Steinway D)

Claude Debussy’s Clair de Lune is the third movement of his Suite Bergamasque, written for solo piano and completed in 1905. The title, meaning “Moonlight,” is inspired by Paul Verlaine’s poem, evoking a serene and reflective atmosphere. The piece epitomizes French Impressionism, focusing on mood and imagery over traditional form.
Structure and Atmosphere

The piece is in ternary form (ABA):

    Opening (A):
    A soft, flowing melody emerges over delicate arpeggios. The music feels weightless, like moonlight shimmering on water. Debussy uses rich harmonies and seventh chords to create a dreamlike quality, with a tender, introspective mood.

    Middle Section (B):
    The dynamics intensify, with fuller textures and soaring melodic lines. This section brings a sense of emotional depth and urgency, contrasting with the calm opening. Arpeggios cascade dramatically, giving the impression of moonlight suddenly brightening or revealing hidden beauty.

    Closing (A):
    The opening material returns, slightly varied, fading into a gentle, whisper-like conclusion. The piece ends as quietly as it began, leaving a sense of stillness and wonder.

Musical Features

    Harmonics: Debussy’s use of whole-tone scales, parallel chords, and non-functional harmony creates a suspended, ethereal soundscape.
    Melody: The lyrical melody floats effortlessly above the accompaniment, expressing both simplicity and emotional depth.
    Texture: Light, transparent textures alternate with moments of lush, resonant fullness, embodying the interplay of light and shadow.

Mood and Interpretation

Clair de Lune evokes the quiet magic of a moonlit night, combining serenity with subtle melancholy. Its poetic quality invites listeners to imagine moonlight reflecting on a calm lake, whispering through trees, or illuminating a tranquil landscape. The music feels timeless, blending stillness with fleeting moments of intensity.

Cultural Impact

This iconic piece has been widely used in films (Ocean’s Eleven, Twilight) and pop culture, often accompanying scenes of romance, nostalgia, or quiet reflection. Its universal appeal lies in its ability to evoke deep emotion while remaining understated.
Performance Notes

Expressive dynamics, fluid phrasing, and careful pedaling are essential to capturing its delicate atmosphere. A balance between freedom and control ensures its dreamlike flow remains intact.

Clair de Lune is a masterpiece of impressionistic music, celebrated for its ability to transport listeners into a realm of quiet beauty and introspection.

Claude Debussy - The Essential Collection

Clair de Lune

Clair de Lune - Debussy

::: II زادبوم :::
[ کارن همایون فر - سرانجام ]

Zadboom II

 آهنگساز فیلم «جدایی نادر از سیمین» گفت: موسیقی در این فیلم فقط برای سکانس پایانی و تنها با ساز پیانو و چند ساز زهی ساخته شد تا مهر تاییدی بر روایت زندگی روزمره باشد. 

ستار اورکی  ضمن بیان این مطلب در خصوص کم و کیف ساخت موسیقی فیلم «جدایی نادر از سیمین بگفت: اصغر فرهادی قصه خود را به خوبی می‌شناخت و معتقد بود که به دلیل روایت دقیق داستان، وجود موسیقی از ابتدای فیلم نیاز نیست چراکه داستان به گونه‌ای است که آهنگ زندگی و یک تصمیم برای ماندن و یا رفتن را در بردارد. 

وی در ادامه افزود: من هم با نگاه فرهادی موافق بودم و معتقد هستم که نظر این کارگردان درباره کم و کیف حضور موسیقی در این فیلم به جا است به همین دلیل طی جلسات بسیاری که با محمدرضا دلپاک و فرهادی داشتیم به این نتیجه رسیدیم که موسیقی در این فیلم فقط در سکانس پایان فیلم و تیتراژ نهایی مورد استفاده قرار گیرد به همین دلیل رنگ مایه موسیقایی فیلم از صدای پیانو بهره برد. 

این آهنگساز در پاسخ به این سئوال که چرا ساز پیانو را به عنوان ساز اصلی درنظر گرفته است گفت: تصمیم برای استفاده از این سازبه عنوان ساز مادر از لابلای تصاویر فیلم بیرون آمد به این معنا که در طول فیلم یک سکانس وجود دارد که کارگردان مشغول بالا بردن ساز پیانو هستند در واقع این سکانس به این دلیل نشان داده شد که پیانو در عین حال قدرتمند به نظر می‌رسد بسیار شکننده و حساس نیز هست و فرهادی نیز بر این نکته تاکید بسیار داشت که نمایش این ساز حکایت تلویحی از فیلم است و از من خواست که صدای پیانو در موسیقی این فیلم به کار برود و من هم طبق نظر ایشان کار کردم و در‌‌نهایت متوجه شدم که استفاده از این ساز هوشمندی ویژه‌ای از سوی فرهادی بود؛ البته ناگفته نماند که اصغر فرهادی هنر موسیقی و رنگ موسیقایی فیلمی که می‌سازد را به خوبی می‌شناسد.

Sattar Orki - Jodaeiye Nader Az Simin (a separation)

In my veins - Andrew Belle

Chorale from St Matthew Passion - BWV 244
Arranged and performed by Deryn Cullen

J S Bach - O Haupt Voll Blut Und Wunden

This track can still be downloaded here:
https://deryncullen.bandcamp.com/track/andante-from-symphony-no-5-tchaikovsky

Tchaikovsky - Andante from Symphony no. 5

'Ich ruf zu dir, Herr Jesu Christ', a composition by J.S. Bach, transcribed by Garrett Sholdice.

This track is taken from 'I Call to You', a record of music inspired by music by Baroque master Johann Sebastian Bach, and performed by the Dublin-based group Ergodos Musicians.

'I Call to You' is released on Ergodos Records.

For more info, and to purchase the album, click here: http://www.ergodos.ie/shop/i-call-to-you/

Ich ruf zu dir, Herr Jesu Christ / J.S. Bach, trans. Garrett Sholdice / Ergodos Musicians

Candles. (Daughter)

When i started to play piano two years ago les Trois Gymnopédie have been one of  main my goals. This is only the first one and probably is to be  fixed  somewhere sooner  or later.  In spite of this I'm happy of this first result. Some of my original dreams as a pianist are  becoming true !

Erik Satie - Gymnopédie N°1

Finally the third one. This is probably the most lyiric, very singing and beautifully sad. Probably the most difficult to perform in the "right" way. I listened to many great pianists and they have very different pace. But the best to me is Aldo Ciccolini rendition, whom I humbly tried to imitate...

Erik Satie - Gymnopédie N°3

Cellist, composer, procrastinator.
I work with my other half, @dan-cullen writing music for sync libraries, film, TV and for the consumption of those who love a bit of cello in the mix.

Erik Satie - Je Te Veux

Deryn Cullen - Cellist