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classics

From Musical Soulmate🎶

A collection of classical works arranged for cello ensemble by Deryn Cullen

Classics for Cello Ensemble

Performed, produced and arranged by Deryn Cullen

Delibes - Flower Duet

Mozart - Symphony No. 25 In G Minor  K. 183 (complete)

From Alessandro Marcello's Concerto for Oboe, arranged for solo keyboard by J S Bach
Cello arrangement and performance by Deryn Cullen

Adagio BWV 974 - Marcello-Bach

The long Goodbye - Ara Dinkjian

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The opening theme to Andante from trio in E-flat, opus 100 by Schubert. Arranged for cello quintet and performed by Deryn Cullen.
Full track available to purchase as a download here:
https://deryncullen.bandcamp.com/track/andante-from-trio-in-e-flat-op-100-franz-schubert

Download

Schubert - Theme From Andante

Movements 1 and 2 from Vivaldi cello sonata no 7 in a minor, RV44. Arranged and performed by Deryn Cullen

Vivaldi - Largo & Allegro Poco From Sonata VII

Romance Larghetto - Chopin

By Brian Crain. Taken from mp3.zing. I don't own any of these soundtracks.

Childhood Memories - Brian Crain

Caffè Concerto Strauss - Remeber Sinatra (Strangers in the night, My way) || Dr. Zhivago

Mozart symphony #40 - classic

Khorasaniyat

Saz o Avaz Dashtestani

Valentina Goncharova - Recordings 1987-1991, Vol. 1
Cat. number: Shukai 03
Format: 2LP, Limited to 300
Pre-order: https://shukai.bandcamp.com/album/recordings-1987-1991-vol-1

Tracklist:
A1 Symphony Of Wind
A2 Insight
A3 Zen Garden
B1 Passageway To Eternity
B2 Maitreya
B3 Higher Frequencies
C1 Metamorphoses
C2 Contemplation
D1 Vigor
D2 Dynamics

Liner notes:
Historically informed violin player, prize-winning street musician, new age experimentalist, chamber ensemble performer and conservatoire deviant. The career of Valentina Goncharova (b. Kyiv 1953) shares parallels with those associated with the broader new music movement of the 20th century and the dissemination of home recording technologies. Valentina’s was a youth spent immersed in the world of classical music study under soviet rule, first in Kyiv and later in Leningrad (now St. Petersburg) from the age of 16. With the supervision of professors M. Vayman and B. Gutnikov she learned concert violin and developed alternate playing styles alongside skilled pianists. A student of the Leningrad conservatoire during the years 1969 through to 1983, her repertoire included music for violin and later expanded to contemporary music composition. The improvisatory nature of free jazz and then-budding experimental rock circles also intrigued Valentina during this period in Leningrad. Departing from the rules of the conservatoire, she briefly performed in underground rock clubs alongside future members of the industrial group Pop-Mechanika (Popular Mechanics). This perpetual state of flux is central to the variety found within ‘Recordings Vol. 1’, though as opposed to any degree of uncertainty Valentina’s practice is one in flux by way of earnest curiosity.
						
Pushing further into an exploration of solo electro-acoustic sounds, she took to home taping on a modified Olimp reel to reel recorder. Intrigued by the manipulability of dubbing and the fresh sounds of DIY effects chains, Goncharova developed pickups alongside her husband Igor Zubkov. Her infatuation with the music of Stockhausen, Xenakis, Ganelin Trio and Pierre Boulez channels through considerations of space and erratic sound design, the three movements of ‘Metamorphoses’ embodying this textural approach to musique concrete. The compositional skills developed in Leningrad unfold in the romantic gestures of ‘Higher Frequencies’, whilst manipulated cello combines with synthesise keys across ‘Passageway To Eternity’. The slow, pulsating drone soundscapes recall the likes of Robert Rutman’s US Steel Cello Ensemble or even deep listening pioneer Pauline Oliveros.
						
The juxtaposition of written notation and improvisatory flare is central to Goncharova’s sound world. This period of home recording documents a confluence of minimalism, free form and flirtations with new age tropes (inc. bell chimes and cavernous vocal mantras). Experimenting with unusual performance techniques, such as shouting into amplified cello strings, Valentina’s home studio functioned as a place to foster full artistic and creative freedom away from any academic strictures.

Credits:			
Composed and arranged by Valentina Goncharova Recorded in Tallinn and London during 1987—1991
						
Mastered by @producedbyflaty
Compiled by Sasha Tsapenko, Dmytro Prutkin and Dmytro Nikolaienko 
Liner notes by Fergus Clark (@fergus_clark)
						
Master tapes courtesy by Valentina Goncharova
Photos by Igor Glazistov
Special thanks to Ats Luik and Martin Jõela

Valentina Goncharova - Recordings 1987-1991, Vol. 1 (excerpts)

MALIBU - PALACES OF PITY
https://www.ofluxo.net/malibu-presents-palaces-of-pity/

Phoenix Chorale - Sunrise Mass: The Spheres, "Kyrie eleison"
Ecco 2k - Peroxide
Mix Factory - Take me away
Boards of Canada - Amo Bishop Roden
James Newton Howard - Swimming scene Waterworld
Soundlift - Maharaj
Tilt ft. Maria Nayler - Angry Skies (Quivver mix)

MIX & ART: https://soundcloud.com/mmmmalibu
O Fluxo, 2020

PALACES OF PITY

MALIBU - PALACES OF PITY

Chorale from St Matthew Passion - BWV 244
Arranged and performed by Deryn Cullen

J S Bach - O Haupt Voll Blut Und Wunden

This mix, originally made for @mysteriesofthedeep, features a few favorite (mostly unaccompanied) piano meanderings from Australia, Algeria, Ethiopia, Italy, South Africa and the US set against a shifting backdrop of nocturnal field recordings.

Tracklist:
1.  Joanna Brouk - The Space Between
2. Chris Abrahams - Roller
3. Abdullah Ibrahim - The Pilgrim
4. Mustapha Skandrani - Mode Ghrib
5. Tsegué-Maryam Guèbrou ‎– Golgotha
6. Domenico De Clario - June 5
7. William Duckworth - Time Curve Prelude III
8. William Duckworth - Time Curve Prelude XIII
9. Adrian Klumpes - Be Still
10. Raul Lovisoni & Francesco Messina - Prati Bagnati Del Monte Analogo

Pianos In The Wild

New choral music for worship and concert use, in print late spring 2020. Recorded with Craig Courtney conducting and Dan Forrest accompanying. Use the download button (on individual tracks, under "More") to download tracks for free! To view/order sheet music (printed or PDF), visit www.beckenhorstpress.com.

Buy Sheet Music

I Lift My Eyes (Psalm 121) (Dan Forrest)

Samuel Barber, 'Sure on this Shining Night'.  Performed by Allan Clayton with Aurora Orchestra, conducted by Nicholas Collon.

Samuel Barber: Sure On This Shining Night

The uplifting and reflective closing track from the documentary 'Chasing the Present'. 

Scored by Icelandic composer @snorrihallgrimsson, this intimate piece for piano and cello gently pulls the listener from the stresses of everyday life, immersing them for a moment in a peaceful, dream-like world. 

Stream the full album OST : https://orcd.co/chasing-the-present

Chasing the Present

Acceptance

Snorri Hallgrímsson - Acceptance

Originally scheduled to be a public service at St Mary’s Cathedral, Glasgow, this office of Compline is sung here by a solo voice in an empty cathedral, following the suspension of in-person gatherings earlier this day, due to the Coronavirus pandemic.

Compline - 17 March 2020

Zbigniew Preisner - Danse Macabre

This track is part of a listening list for MUL1010, music appreciation
MDC COLLEGE, Summer 2013

Mozart Symphony #40 in G Minor, K 550 - 1. Molto Allegro

Cellist, composer, procrastinator.
I work with my other half, @dan-cullen writing music for sync libraries, film, TV and for the consumption of those who love a bit of cello in the mix.

J S Bach - O Haupt Voll Blut Und Wunden

Deryn Cullen - Cellist