Imagine flying through the desert in a t-top third gen camaro. With the wind in your hair and a Marlboro between the fingers of your right hand. You feel the vibrations of the stroked out 383ci small block through your 8-ball gearshift and foot print gas pedal. You don't know why you're in the middle of desert...you don't even know what state you're in, or even if you're still in the US. All you know is you ain't got anywhere to be, you feel like listening to headbanging riffs, and now it's just you and the road. Right on dude. Get fucking loaded.

Desert, Stoner, and Doom

from the first album will be out April 11th 2011 on Emergence records.
Recorded in Bardenas Reales Natural Park (Spain) by Pierre Fillon and MRS.

Curse

North

This track is from the album Maha Sohona and is available for purchase on CD Baby here: http://www.cdbaby.com/cd/mahasohona

Asteroids

Recorded 04/2010 by Luke Wigget, mastered by Dan @ Mammothsounds

Hours Burn

Dreamwalker

Ride Alone

Format: CD / LP / Digital download
Genre:  Stoner / Psychedelic / Rock 
Label: Nasoni Records
Release date: April 2011


- CD/2LP/Digital Download ➡ Store / Tienda www.goo.gl/61jTmU 
- Links / Enlaces: goo.gl/XP02hm 
- Reviews / Críticas: goo.gl/h8SSi7 



Alarming over what's happened 
Imagining what it means. 
Come back & bring darkness on our thoughts once again. 


Eclipse 

Agitados en torno a lo acontecido 
Imaginando cuál podría ser su significado. 
Vuelve e inocula de nuevo la oscuridad en nuestros pensamientos. 



VIDEOCLIP goo.gl/ZELQC 



video (live) : 
youtu.be/_mRcdtVgbHM 
youtu.be/qqF1nieHqho


Produced by José López Gil and ARENNA. 
Recorded by Alberto Porres at Estudios K, José López Gil at Crab Ediciones. 
May 22-23 / Sep. 10-11, 2010 
Mixed by José López Gil at Crab Ediciones. 
Mastered by Billy Anderson. 
Music by ARENNA. Lyrics by Cameron Webster & Txus. 
Nasoni Records 2011. © All rights reserved. 
Additional recording by Arkaitz Miranda, Iker, Arillo & Iker Barrientos 
Additional arrangements by El Califa del Doom 
Additional musicians: Jaime Zuasti (keys ), 
Jony Moreno (chorus), José López Gil (hammond) 
Cover artwork by Khoa Lee

Eclipse

“Gather close, and let the embers speak. For this is no tale of kings and crowns — this is the saga of fire, oath, and blood. This is the song of the last skald, and the flame that refused to die.”

In the twilight of the old world, when the fjords whispered of gods and ghosts, a warband rose beneath the dawn. Their oaths were carved in stone, their names etched in frost. The saga begins with “Oathbound at Dawn,” where warriors swear loyalty not by word, but by fire — a ritual of steel and spirit beneath the rising sun.

From the shadows of the fjord comes “The Wolf and the Fjord,” a tale of cunning and survival. The warband moves like smoke, striking with the silence of beasts. Then the drums thunder in “Hammerfall Rite,” a berserker’s invocation to Thor — the moment before the clash, where rage becomes ritual and the sky splits with fury.

But war is not only steel. In “Seidr’s Veil,” the warriors kneel before the völva, the seer who chants in tongues older than time. She shows them fate — not as prophecy, but as consequence. And then the clash: “Blood on the Ice” erupts with chaos, where shields splinter and the fjord runs red. Victory is won, but not without cost.

The ravens arrive in “The Raven’s Feast,” circling the dead with solemn grace. They do not mourn — they honor. The battlefield is silent, save for the wind and the wings. And then the myth deepens in “Stone of the Nine Worlds,” where the skald walks through realms of fire, frost, death, and dream. Each world speaks, each stone remembers.

Now the skald stands alone in “Skald of the Last Flame,” the titular track. He sings not for glory, but for memory — the last voice of a vanished warband, the final ember of a forgotten age. The longship burns in “Ashes of the Longship,” a funeral voyage across the sea, where names are whispered into the tide.

But the saga does not end. In “Echoes in the Hall of Shields,” the voices of the fallen rise in chorus. Their shields line the walls of the honored hall, and their names thunder through eternity. Yet even this is not the final flame.

A new chapter begins with “Where the Chief Fell, the Flame Rises.” The warband’s leader is gone, lost to legend. But his fire lives on. The Son steps forward in “The Son Who Bears the Ember,” uncertain but resolute, carrying the weight of legacy in trembling hands.

He learns the truth in “Peace Is a Lie.” The world does not honor restraint — it devours it. The Son casts aside hope and embraces fire. But in “Ashes of the First Command,” he learns that war is never clean. The cost of leadership is written in blood.

And finally, he rises in “The Flame That Does Not Bow.” No longer a child, no longer a warlord — he is the flame itself. Not wild, not broken, but eternal. He walks not for vengeance, but for truth. The saga ends not in silence, but in fire.

“So remember this, you who listen by the hearth: the skald may fall, the chief may fade, but the flame marches on. And in every oath, in every name, in every echo — the saga lives.”

The Flame That Does Not Bow

💿 Velvet Bone – Ashes Like Velvet
The past burns slow. And beauty, sometimes, comes wrapped in scars.

Ashes Like Velvet is the debut EP from Velvet Bone, a grunge revival band rising from the rain-soaked streets of Seattle. Fusing the dirt-stained poetry of Alice In Chains with the glam-soaked soul of Mother Love Bone, this 6-track EP crawls through pain, longing, and emotional wreckage with hypnotic intensity.

With Joe Mercer's aching voice front and center, the band breathes life into heavy basslines, fuzzed-out guitars, and raw confessions. From the haunting title track to their emotionally charged KISS cover Coming Home, Ashes Like Velvet is a slow burn of nostalgia, heartbreak, and grit — the sound of ghosts singing through amplifier haze.

Below The Skin

Sanctus Noctis

The Builders and The Butchers - Black Dresses

Written and recorded by King Buffalo in Rochester, NY at the Main Street Armory in 2015. The title track from their album "Orion" to be released August 5th.

Mixed and Engineered by Sean McVay. 
Mastered for digital by Matt Ramerman. 

Orion

Fifth track of 1000mods' debut album "Super Van Vacation"

Vidage

Buffalo Fuzz has released it's debut, self-titled album featuring 11 tracks (2 bonus tracks exclusive to digital release). This album includes singles "Ain't Seen a Cent" and "Perfect Man".
credits
released September 12, 2016 

produced by Jared Zachary and Dan Mariska 
mixed by Dan Mariska 
engineered by Dan Mariska 
mastered by Knol Tate 

vocals, guitar, bass, organ, piano by Jared Zachary 
percussion by Jake Allan 
backing vocals on track 7 by Lizann Villatoro 
*percussion on tracks 1, 5, and 9 by Joe Soderquist 
**co-engineer on tracks 1, 5, and 9 by 9 Phil Welch 

all music and lyrics by Buffalo Fuzz 
©2016 all rights reserved 
administered by BMI

Buffalo Fuzz (LP)

Buffalo Fuzz - Perfect Man

First Album Produced by Mother Engine, Recorded @ "TAM" - Records - Special Thx to Alexander Tscholakov

Album available: short message to mother.engine@gmx.de

Weltraumwolf

Colour Haze - Inside

Life is strange, so different from everything else, if you know what I mean?

Descarado, out of Gothenburg (Sweden), has been around for about 6 years now and we play excellent heavy rock! 

We all have different musical backgrounds and influences which we think shows in our music, there's something for everyone. We think most people can appreciate Descarado and the energy we bring to every stage.
Latest release is Gas Mash, and it’s heavy and dirty as hell! 

Descarado is:

Jim-Bob on Bass
Uno on Guitar
Drev on Vocals 
Kiff on Drums

See you somewhere (at a bar, at a show, on a beach) real soon hopefully!

Ride Alone

Descarado

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