Insignificant ruler

JOIN: FULL MOON CLUB: https://soundcloud.com/fullmoonclub
composer orchestrator symphonist melodist
BIO:
The Empire of the Full Moon seeks to uncover the mysteries surrounding great songwriting.
Over the years, the Empire has evolved from simple songwriting into creating more complex musical works, viewing music as a true art form.
The Empire blends various styles of music, including classical, thrash metal, heavy metal, hip-hop, and techno, into a unique genre called symphonic metal.

Moht, the main composer behind The Empire of the Full Moon, began creating melodies at an early age.
With an acoustic guitar, xylophone, and toy accordion in his room, Moht started playing instruments during his childhood, learning musical skills from his father, who was also a musician and played the accordion and acoustic guitar.

Today, The Empire is dedicated to crafting outstanding compositions and exploring the depths of songwriting and musical creation.

WELCOME 2 THE TEMPLE OF "SYMPHONIC METAL
Copyright © 2024 THE EMPIRE OF THE FULL MOON  All rights reserved
Canadian Intellectual Property Office (CIPO) www.cipo.ic.gc.ca.
Songwriters Association of Canada (members only) songwriters.ca/education/
SPACQ – The Society of Authors and Composers in Quebec www.spacq.qc.ca.

WELCOME TO THE FULL MOON CLUB
(((WARNING: HIGH VOLUME))) 
Master Empire Acct.: https://soundcloud.com/moht-musician
Copyright © 2024 THE EMPIRE OF THE FULL MOON All rights reserved
Canadian Intellectual Property Office (CIPO) www.cipo.ic.gc.ca.
Songwriters Association of Canada (members only) songwriters.ca/education/
SPACQ – The Society of Authors and Composers in Quebec www.spacq.qc.ca.

MULTI INSTRUMENTAL ONE MAN XIUS, WITH FEMME VOCALS COLLABORATION -!! NEVA!!  THANK YOU FOR FOLLOWING US AND SUPPORTING US!!

Now that’s a cryptic pairing. Here’s a concept riff:

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Tsarwicc | Randleman
A haunt beyond the oval.
Where burnout echoes into silence, and roadside shrines flicker in eternal dusk.
Here, Tsarwicc reclaims the speedway’s forgotten hymns—ritualizing lost velocity, discarded helmets, and the spectral drawl of Southern legacy.
From pit crews to cryptic choirs, every track Fuel for the Stillborn, or Petty Saints. Want to go harder into that haunted motorsport Americana vibe? Or twist it toward Tsarwicc’s quieter layers: rust as resonance, oil as oracle. I’m buckled in either way. 🏁🕯️

Composer, performer and producer, my influences are eclectic, among them: Talking Heads, Depeche Mode, Red Hot Chili Peppers, Prince, Aphex Twin, Beirut, RadioHead, Daft Punk, Vampire Week-End, Tony Allen, Joy Division, Kamixlo, Baby Metal, DJ Hell, Cypress Hill, AC/DC, The Raconteurs, SantiGold, Tom Morello, Mozart, J.S. Bach, The Kills, Fugazi, Helmet, Hendrix, Mad Season, QOTSA, Charlie Parker, Coltrane, Miles Davis, Cesaria Evora, Stromae... and so many others.

Raw sounds are what I like most, and I prefer focusing on the vibration produced by the interweaving of complementary melodies rather than adding spectacular effects.
I have been a guitarist and singer in several rock bands. Meeting the audience in concert with my friends was exhilarating, but I had long wanted to lead a personal project.
All composition ideas in this project came to me while walking, a discipline that I am passionate about. City, Forest, Mountain, everything that can be walked makes me want to put one foot in front of the other.
I am pleased to present this project that could be classified in the Electro-Pop category, although some metal, ambient, Jazz or Funk colors frequently come to it, with measure but enthusiasm. I leave you to judge the consistency of the whole and the category in which you would like to put it.
Welcome to my world of walking musician, hoping to discover some interesting landscapes along the way.

I will sing at some point but this is the next step. I'll focus on creating music for now.

Good listening.

Insignificant ruler

Desecration of Mankind