debbie millman

EDUCATION

Juni

Memoirs

Interesting!

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See the video: http://www.youtube.com/watch?v=rIVFYp5AUKU

Professional recording is now available on iPod touch, iPhone, and iPad as well as the Mac. Apogee Quartet, the new Apogee Duet and new Apogee ONE can now easily connect to your iPhone and iPad. Not only can you connect, but with the new Apogee Maestro app you have all the same controls as you do on the Mac.

Erick Serna and the Killing floor record "Whisky Song" using ONE, Duet, and Quartet with Auria on iPad. Erick records his guitar and vocals using ONE, and then exports from Auria into dropbox. Julio and Cliff then download on to their iPad and record bass and drums using Quartet.
Julio recorded his bass direct. On Cliff's drums they used a Nuemann U67 over the kit and another in front. D112 on kick and SM57 on snare.
As Erick says "Apogee has really turned my iPad and iPhone into professional recording devices"

learn more: www.apogeedigital.com

Erick Serna & The Killing Floor Record "Whiskey Song" on iPad with Quartet, Duet and ONE

T.S. Eliot reads from his 1930s classic, Old Possum’s Book of Practical Cats. Poem text, background, and other goodies here: http://www.brainpickings.org/index.php/2013/09/26/t-s-eliot-reads-the-naming-of-cats-1947/

MORE / POEM TEXT

T. S. Eliot reads "The Naming of Cats" from Old Possum's Book of Practical Cats

Taken from the alum 'Goodbye'.

How to describe Ulrich Schnauss's music? Let's see. It's shoegazing heroes. Slowdive headlining a rave. It's krautrock plunging headlong into the celestial raptures of the Cocteau Twins. It's U2 if Brian Eno had ousted Bono and commandeered the band in 1985. It's Balearic with a view of the Baltic instead of the Mediterranean. It's art-techno for the heart as well as the head. It's stadium chillout, as immense as a festival field and as intimate as a bedroom. It's celebration and catharsis. It's vapour trails and meteor showers. And it's very, very good.
 
So far, the quietly spoken German who creates this music has operated beneath the radar. His first two albums, 2001's Far Away Trains Passing By and 2003's A Strangely Isolated Place, worked their way into record collections by stealth. People heard tracks played by Rob Da Bank or Tom Middleton, or chanced upon him on stage at the Big Chill or Bestival, or heard about him from friends. However they discovered him, they were hooked. XFM's Lauren Laverne called A Strangely Isolated Place "a life changer everyone I have forced to buy it loves it."
 
Ulrich's third album, Goodbye, is his first for Independiente. It is also the end of a chapter in his sound. "I see these three albums as moving closer to something I wanted to do right from the beginning but didn't quite manage," he says. "Merging songwriting and indie elements with electronic music. I've tried to take all the ideas to the maximum."
 
So the ambient tracks are more spacious, the songs more memorable, the multi-layered, guitar-heavy tracks more ragingly psychedelic. Just listen to the obliterating rush of Medusa, or the cloudbusting dream-pop of Stars (performed by long-time collaborator Judith Beck). At times, there are over 100 different audio tracks playing simultaneously: a tower of song. No wonder Goodbye has taken three solid years of in the studio.
 
If Ulrich hailed from somewhere less boring, things might have been different. Fortunately, he was born in 1977 in Kiel, an unprepossessing city on Germany's Baltic coast best known for its naval base. It seemed to the young Ulrich as if everything important was happening elsewhere.
 
He explains, "I was talking to Andrew Sherriff from Chapterhouse and he told me that being from Reading had a significant influence because the place was so shit that you had to create beautiful music to get out of that state of mind. I'd say the same thing for me. Kiel is probably the most boring, ugly place in the world. The whole city is grey concrete. Places like that inspire you to create something that elevates you out of reality for a few minutes."
 

Bands didn't tend to play in Kiel, but at least the NME arrived regularly at the train station, albeit four weeks late, and the british forces radio station was good. Around 1990, Ulrich discovered electronic music and shoegazing simultaneously: the Orb alongside My Bloody Valentine, 808 State next to Ride, Shades Of Rhythm beside Slowdive. He also followed up every artist namechecked by LFO in their 1991 single What Is House?: Brian Eno, Tangerine Dream, YMO His core ideas about music were forged there and then.
 
"For me that was the magic of those days," he says. "You couldn't say if a band was electronic or rock. I'm not interested in purist ideas. I like it when things you don't expect merge and mix and something new comes out of it."
 
And because he never got to see his heroes in the flesh, they maintained an aura of mystery and wonder. "You make up your own idea of how things are. For me that whole early '90s scene was something I imagined, like a fairy tale - an alternative reality to what I was experiencing."
 
Ulrich worked as a psychiatric nurse as part of his national service. After that, he moved to Berlin, where he tried in vain to become accepted by the electronic scene. "I felt really isolated. I desperately tried to integrate but it just didn't work. I was trying to marry what I wanted to do with what was trendy at the time and I always ended up with a foul compromise. So I thought I might as well do what I want to do."
 
After a few years of watered down, pseudonymous productions which he'd rather you didn't seek out, Ulrich released Far Away Trains Passing By on the dauntingly hip City Centre Offices label. He was amazed they even wanted to release it; more amazed still when it became a cult success. With its abundant charm and unabashed optimism, it was the most pleasantly surprising electronic debut since Boards of Canada's Music Has The Right To Children.
Its more rock-influenced successor, A Strangely Isolated Place, received an even warmer response, from critics and other musicians alike. It led to Ulrich remixing some of his shoegazing heroes (Neil Halstead and Rachel Goswell of Slowdive, and Mark Gardener of Ride), as well as Depeche Mode, Justin Robertson, Lunz (Hans-Joachim Roedelius), and Longview.
 
Tired of the Berlin scene, Ulrich moved back to Kiel to make Goodbye. Most of his schoolfriends had moved away, so he didn't have to worry about distractions. His last two album titles spoke of isolation, but was that the pain of enforced loneliness or the comfort of voluntary solitude? Goodbye is equally ambivalent. "Emotionally, I find farewell situations interesting," he says. "Saying goodbye can be tragic or hopeful."
 
Like its predecessors, Goodbye constructs its own world, vast and vivid. When he's making music, Ulrich sees colours: one song might be red, another blue. Next time, he wants to "record an album based on more traditional electronic music structures - which could enable me to merge all these different influences beyond recognition". Meanwhile, this is the album he's been moving towards for over a decade: a sonic tour de force, an alternative reality, a life-changer.

Ulrich Schnauss - Stars

Recorded at the Books at Noon program at The New York Public Library. Details and transcript: http://www.brainpickings.org/index.php/2014/05/19/eve-ensler-nypl/

Subscribe to the Books at Noon podcast here: https://itunes.apple.com/us/podcast/new-york-public-library-podcast/id804982781?mt=2

Eve Ensler on how trauma makes us disconnect from ourselves

On this episode of Design Matters with Debbie Millman, Debbie talks to Brian Singer, Communication Design team leader at Facebook, about why he went to work for Facebook, about why he started his 1,000 Journals Project, and about why the audience for younger designers should not be limited to the design community. "That's what they're benchmarking themselves against, and I think there's a whole world beyond that that we should be looking at. It's not about making an impression to other designers, it's about making an impression to the world."

Design Matters With Debbie Millman: Brian Singer

Dani Shapiro is the bestselling author of the memoirs Devotion and Slow Motion, and five novels including Black & White and Family History. Her work has appeared in The New Yorker, Granta, Tin House, One Story, Elle, The New York Times Book Review, The Los Angeles Times, and has been widely anthologized. She has taught in the writing programs at Columbia, NYU, The New School and Wesleyan University, and she is co-founder of the Sirenland Writers Conference in Positano, Italy. She is a contributing editor at Travel + Leisure. She lives with her family in Litchfield County, Connecticut. Her new book, Still Writing: The Perils and Pleasures of a Creative Life, was published on October 1.

Design Matters With Debbie Millman: Dani Shapiro

Seth Godin is a bestselling author and entrepreneur, His books that have not only been worldwide bestsellers, they have changed the way people think about marketing, branding and business. (01.12.07) 

On Design Observer: http://observermedia.designobserver.com/audio/seth-godin/10167/

On iTunes: https://itunes.apple.com/us/podcast/design-matters-debbie-millman/id328074695

Design Matters with Debbie Millman: Seth Godin

Cheryl Heller is an American communication strategist, writer, and designer whose work focuses on using communication design to transform organizations into living systems. Cheryl Heller believes that communication design has a vital role to play in the creation of a sustainable future, and is determined to prove it. She has been profiled through articles in the New York Times, the Boston Globe, BusinessWeek, Graphis Magazine, and Communication Arts, is the recipient of countless awards from national and international creative competitions. Her work is included in the Library of Congress permanent collection, and has been published in numerous books on design and creativity. (2/10/12)

On Design Observer: http://observermedia.designobserver.com/

On iTunes: https://itunes.apple.com/us/podcast/design-matters-debbie-millman/id328074695

Design Matters with Debbie Millman: Cheryl Heller

Jen Bekman is a New York City gallerist, entrepreneur and writer. After building a successful internet career with companies including New York Online, Netscape, Disney and Meetup, Jen turned her internet experience and fresh perspective on to the art world. She is the founder of Jen Bekman Projects which encompasses three ventures: her eponymous gallery in NYC, Hey, Hot Shot!, a photography competition, and the pioneering e-commerce fine art print site, 20x200. 20x200's launch was entirely bootstrapped, and it quickly grew into a profitable, million dollar business. Jen was named one of Forbes.com’s Top Ten Female Entrepreneurs to Watch, as well as Fast Company’s Most Influential Women in Technology. (03.02.12)

On Design Observer: http://observermedia.designobserver.com/

On iTunes: https://itunes.apple.com/us/podcast/design-matters-debbie-millman/id328074695

Design Matters with Debbie Millman: Jen Bekman

Background and transcript: http://www.brainpickings.org/index.php/2013/03/21/ernest-hemingway-1954-nobel-speech/

Portrait of Hemingway by Yousuf Karsh

Ernest Hemingway's Nobel Prize acceptance speech, 1954

Wendy MacNaughton and Caroline Paul are the illustrator and author, respectively, of the new book Lost Cat: A True Story of Love, Desperation, and GPS Technology (Bloomsbury, 2013).

Wendy MacNaughton is an illustrator and a graphic journalist based in San Francisco. Her documentary series Meanwhile tells the stories of communities through drawings and the subject's own words, and is being published as an anthology by Chronicle Books in 2014. She's also illustrated the forthcoming book The Essential Scratch & Sniff Guide to Wine, by Richard Betts (Houghton Mifflin, 2013). She has degrees in fine art/advertising and social work from Art Center College of Design and Columbia University. When they let her, she likes to talk with students at Art Center College of Design, and she is an artist in residence at Intersection for the Arts.

Caroline Paul is an author based in San Francisco. Paul grew up in New England, with an identical twin, a younger brother, and a menagerie of animals. She graduated from Stanford University, where she studied Communications. In 1989, she became a San Francisco firefighter. She is the author of Fighting Fire (Skywriter Books, 2011), about her thirteen years as a firefghter, and East Wind, Rain (2006) which has been optioned for a movie.

Design Matters with Debbie Millman: Caroline Paul and Wendy MacNaughton

Annotated highlights and discussion: http://www.brainpickings.org/index.php/2013/05/29/joss-whedon-2013-wesleyan-commencement-address/

Be All Your Selves: Joss Whedon's 2013 Wesleyan Commencement Address

Design Matters by Debbie Millman features interviews with designers, artists and cultural leaders, including Lawrence Weiner, Barbara Kruger, Malcolm Gladwell, Eric Kandel, Stefan Sagmeister, John Maeda, Jonathan Hoefler and Tobias Frere-Jones, Michael Arad, Milton Glaser, Massimo Vignelli, Paula Scher, Steven Heller, Jonah Lehrer, among others.

In 2011, Design Matters received the People’s Design Award from the prestigious Cooper-Hewitt National Design Awards.

Subscribe to Design Matters for free on iTunes, where new episodes are uploaded weekly: http://itunes.apple.com/us/podcast/design-matters-debbie-millman/id328074695