Zones, Drones & Atmospheres

Breathing Light

Can't Hold Us

Today, I am happy to share with you a new piece of music that will serve as the opening to the upcoming mini-album that I will self-release later this summer. To be honest, with all these written words for many years, talking about all this music by many of my favourite composers, I'm actually pretty shit at self-promoting myself. This is why I usually leave this "job" to the many wonderful labels to spread the word. And then I amplify and filter. "Saturated Signals" is a continuation of my sonic journey initially explored on Sacred Tonalities, which was put out on the amazing Past Inside The Present in February of 2023. Initially, it was conceived as a bonus or a follow-up track until it evolved on its own, as music usually does. I then invited a few of my dear friends to rework the piece and add their special touch to the heavily layered synthesized and organic textures which I provided as a foundation for this piece. Each distinct interpretation offers a perfect tint of the individual composer's aesthetic to create a collective whole that you can experience as a unified journey in half an hour's time, connected by an interweaving theme. I will share Saturated Reworks with the world in just a couple of weeks, followed by the full mini-album, but first, here's the single.

Saturated Signals

TRACK PREMIERE : Mike Lazarev - Saturated Signals

🌊 At the Sea.
🎧 Stream: https://open.spotify.com/track/3W9wJ8yTuxMyRPLBGW5dbP
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🧡 Nawid Salimkhani
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Watch on YouTube 🧡

Nawid Salimkhani - At the Sea

There is something special about that dark and nostalgic music that seems to be echoing from the past, as if breaking through another dimension of time, trembling through the gritty playback on a warped and dusty tape, fading in and out on a crumbling old photograph, shades of colours long gone... long gone. The music of Black Swan has embraced this noir-fi aesthetic throughout the years, ever since I first heard the debut, In 8 Movements, released in 2010. Immersed in chilling ambience, hauntology, and the ephemera left behind, the music of Black Swan captures the eerie essence of the in-between, exploring the shadowed depths that linger at the periphery. Exactly twelve years ago, I invited this mysterious artist from New York to make me a Halloween-themed mix, which I published here as Music For Masquerade. Today, I am premiering two tracks for you from his upcoming album on Past Inside The Present, titled Ghost, to be released, of course, on Halloween. This is now his ninth full-length release, in which the spirits roam in our world, leaving their voiceprints on abandoned reel-to-reels to be discovered and played back. And as the twenty pieces and vignettes recede and fade away, all we are left with are the memories imprinted on our hearts and minds. The memories of those who are long gone... long gone. As we will be some day.

Read more on Headphone Commute:
https://headphonecommute.com/2024/10/29/black-swan-somewhere-but-here-and-time-loop/

Ghost

Somewhere But Here and Time Loo

TRACK PREMIERE : Black Swan - Somewhere But Here And Time Loop

Dark ambient soundscapes for your pleasure.

DARK AMBIENT - Q'TYHSIO GHOLL

Taken from PERILS - S/T (Pathway010)
PERILS is Benoît Pioulard and Kyle Bobby Dunn.

Mutual admirers of each other’s work, Thomas Meluch (Benoît Pioulard) and Kyle Dunn (Kyle Bobby Dunn) endeavored to put together a collaborative recording that ruminates on painful realities, disappointments, and transitioning to new homes, in the hopes of finding a coping mechanism to bring them through to the other side.
PERILS began auspiciously in 2012 at transitional points in these artists’ lives. Kyle was living in a small town called
Belleville, Ontario trying to complete Kyle Bobby Dunn and The Infinite Sadness (Students of Decay) and coming to grips
with the fact that this great endeavor was at its end. Given the enormity of the record and the emotionally and physically
exhausting process of recording the album, Kyle found himself drained with unforeseen questions and confusions. Working only at night, Kyle immersed himself into this newfound nocturnal work, finding a path in the midst of wondering. Thomas, meanwhile, was in a state of literal transition: uprooting from the UK and relocating to Seattle during the recording process of PERILS. In a state of flux, nearly drowning under the anxieties of living on uncertain ground, Thomas channeled these emotions into musical escapades. Thomas recorded in his spare moments, sending sonic puzzle pieces one by one to Kyle, who would in turn explore the musical sentiments Thomas had shared, adding his own billowing sounds to the seething mix.
The ten pieces created for this release are culled from a poutine- and whisky-fueled trudge through the dark corridors of an as-yet undiscovered or possibly imaginary mystic temple. Commencing with the shimmering guitar and tape loops of “Colours Hide My Face,” the album crawls out of the grooves with a slow-churning turmoil, coaxing the listener to embark along its path. The dirge-like guitar clang and vocals of “(Dead in the) Creekbed Blues” could be an 18th century blues standard emitted from a buried radio. On PERILS, Thomas Meluch and Kyle Bobby Dunn lock arms and together chart the upheaval in their lives to bridge the liminal gulf between the once-was and the soon-to-be.

PERILS - Flaw

processed improvisation for double bass and zither, recorded in spring 2024
@khrystyna_kirik

PERILS - Flaw

desire path recordings