This is the second track from the new album 'Seafields', release 260321 via Dronarivm.

Seafields

'Warm Kane' - Seafields - [Dronarivm, 2021]

From the full album: https://alonefold.bandcamp.com/album/remote-textures

Drift Dancer

A collection of space ambiances for your projects!

Ice of Europa

Ordeal

Taken from PERILS - S/T (Pathway010)
PERILS is Benoît Pioulard and Kyle Bobby Dunn.

Mutual admirers of each other’s work, Thomas Meluch (Benoît Pioulard) and Kyle Dunn (Kyle Bobby Dunn) endeavored to put together a collaborative recording that ruminates on painful realities, disappointments, and transitioning to new homes, in the hopes of finding a coping mechanism to bring them through to the other side.
PERILS began auspiciously in 2012 at transitional points in these artists’ lives. Kyle was living in a small town called
Belleville, Ontario trying to complete Kyle Bobby Dunn and The Infinite Sadness (Students of Decay) and coming to grips
with the fact that this great endeavor was at its end. Given the enormity of the record and the emotionally and physically
exhausting process of recording the album, Kyle found himself drained with unforeseen questions and confusions. Working only at night, Kyle immersed himself into this newfound nocturnal work, finding a path in the midst of wondering. Thomas, meanwhile, was in a state of literal transition: uprooting from the UK and relocating to Seattle during the recording process of PERILS. In a state of flux, nearly drowning under the anxieties of living on uncertain ground, Thomas channeled these emotions into musical escapades. Thomas recorded in his spare moments, sending sonic puzzle pieces one by one to Kyle, who would in turn explore the musical sentiments Thomas had shared, adding his own billowing sounds to the seething mix.
The ten pieces created for this release are culled from a poutine- and whisky-fueled trudge through the dark corridors of an as-yet undiscovered or possibly imaginary mystic temple. Commencing with the shimmering guitar and tape loops of “Colours Hide My Face,” the album crawls out of the grooves with a slow-churning turmoil, coaxing the listener to embark along its path. The dirge-like guitar clang and vocals of “(Dead in the) Creekbed Blues” could be an 18th century blues standard emitted from a buried radio. On PERILS, Thomas Meluch and Kyle Bobby Dunn lock arms and together chart the upheaval in their lives to bridge the liminal gulf between the once-was and the soon-to-be.

PERILS - Leveled

First track from the new album, entitled "II: Plains/Patterns", out on Azure Vista Records March 31!

CD/DL/LP (vinyl limited to 300 copies!). Preorder here: https://billowobservatory.bandcamp.com/

Billow Observatory – the trans-atlantic duo consisting of Detroit's Jason Kolb (Auburn Lull) and Danish producer Jonas Munk (Manual) – are back with a follow-up to the their debut album from 2012. 

”II: Plains/Patterns” departs from the first LP’s amorphous ambient haze with a more rigid, albeit subtle, underpinning of rhythm and pulse. The duo’s obsession with “place and space” comes clearly into focus with an album that draws deeply from Munk and Kolb’s individual proximity to the geographically distant, but oddly similar, sounds of Germany and Michigan, past and present. 

 Traces of shoegaze, modern minimal electronica, and kosmische appear on every track, but are mutated into something mysterious and new. ”Pulsus”, for example, opens the album with a driving teutonic stutter and washes of serene guitar loops that are punctuated by bursts of filtered synth patterns; a combination that seamlessly bridges the gaps between disparate genres and periods of time. 

 Centerpiece, ”Plains”, expands the ambient formula into an inspired epic in three parts, where swells of processed guitars, distant voices and faint echoes of Detroit techno are weaved together to form a kaleidoscopic whole. And tracks such as ”Vex” and ”Plum” seem to pay as much homage to Slowdive and Eno's Harold Budd collaborations as to the modern minimalism from Cologne or Berlin.

Plains

From the upcoming release "Soft Ice" on Polar Seas.

psr-023

poemme - Clouds Of Breath

Kaziwa

Porya Hatami & Arovane - Uun

a song for a friend who left the world behind

https://www.instagram.com/losingtoday/

i know you are still here

~

Released on the compilation album 'losing today', which is an amazing collection of memorable songs in honor of Brian. All proceeds will go directly to the National Suicide Prevention Lifeline. Please support it here: https://dronarivm.bandcamp.com/album/losing-today

Borderland

Ships (for Brian Young)

Preorder the album: https://asip.me/asipv013

36’s music is often associated with and influenced by the futuristic, cyberpunk side of ambient music. His ability to transport and portray new worlds evident through his 2016 album on ASIP, The Infinity Room, or any of his self-released works.

It’s of no surprise then to see his return to ASIP take this exploration one-step further. However, instead of the more obvious themes that come with cyberpunk, such as technological fetishism or vapid aesthetics, Dennis Huddleston has decided to focus on the isolation of individuals, using (and often abusing) technology as a means of escapism - a side of cyberpunk that often goes unnoticed when it comes to the musical depictions that come with it.

Fade To Grey reflects on current social paradigms, where social media has become a weak substitute for human interaction. Rather than bringing people together, it often makes us feel lonelier than ever. As evident in the album's artwork, technology is shown to be far from benign. The soft, gentle elegance of watercolor is juxtaposed by the violent splatters of machinery. Every vice has its price.

Considering the landscape of our own world right now, where a handful of companies control everything we consume, where convenience is more important than privacy, where personal choice is pre-determined by algorithms analyzing our behavior, and where the internet has become a battleground for influence and propaganda... It's not a stretch of the imagination to believe we're already witnessing our very own dystopia.

ASIPV013 36 - Fade To Grey (Digital Masters)

36 / D.R.E.A.M Link (ASIPV013)

Sven Laux and Daniela Orvin​ - 'The Writings' 
Label; Dronarivm 
Cat #.: DR-59
Format: CD (ltd. 150)/ DL
Release date: April 12th, 2019
Pre-orders start March 29th

Sven Laux is a Berlin-based artist and composer who returns to Dronarivm following ‘Paper Streets’, which was released in 2017. He has also previously released on labels such as Archives, Whitelabrecs and Archipel, producing anything from modern classical to experimental minimal music.

Daniela Orvin is also based in Berlin, a pianist, musician and composer who has to-date released her second album ‘Home’ on Sven’s ‘Seasides On Postcards’ label which to many, became a stand-out recording in 2018.
Around a similar time to the release and creation of ‘Home’, Sven had been creating some tracks for an album and felt that there was something missing. After casting his ears over Daniela’s work, he realised that piano was the missing piece of the jigsaw that he had been searching for in the album he had been culminating. He invited Daniela to his studio, they walked through what had been created up to that point and she became inspired to the point that they began to work together. The process was very intuitive as piece by piece their own styles collided effortlessly into what has become a completed album project.

‘The Writings’ plays out in the exact order in which the tracks had been worked on, providing an accurate account of the studio time in which these stories had been etched. During the process, Sven and Daniela became friends and the concept of the album itself has become about collaboration itself.
Typically when artists work together in tandem, particularly in modern classical or ambient music, the result tends to be loud and powerful, as the two voices compete for the sonic space. This is not so in ‘The Writings’, as the artists showed great restrain between one another, a respect for each other’s expertise. Piano isn’t everywhere on this album, nor are Sven’s ‘hollywood strings’. Both are present, along with many many more wonderful elements. But each is afforded its own time and space, in a truly patient but evocative and enthralling listen, best enjoyed from start to finish.'

Mastered by Tobias Lorsbach
Original photo by Daniela Orvin

PERILS - Leveled

desire path recordings