cantus3112 - part 4

Rock & Roll Heathen (Single Version)

Your Blues

Don't Become the Thing You Hated

Mad Foxes

The Fox and the Hound

New Ways of Living

What Road

Destroyer's Rubies

Rubies

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Priests join us at The Hole, our fav new enclave nestled in the heart of West Oakland, and play us five sonically and emotionally charged treatises. Everything from the lonesome guitar sound to the frantically grooving drums is pitch perfect and timeless. Katie’s lilt is sonorous, but check out drummer Daniele’s delirious rant in No Big Bang. Thanks to The Bait Shop for the triangulation. February 19 2017.

_________SETLIST_________
1. JJ
2. Nicki
3. No Big Bang
4. Pink White House
5. Nothing Feels Natural

_________CREDITS_________
Producer - Anne Cook
Switcher - Regina Larre Campuzano
Audio Engineer - Krakamya Welch
Cameraman - Arnold Dizon
Cameraman - Jeremy Solterbeck
Photography - Rachel Escoto (rachel-escoto)
Social Media Coordinator - Marissa Flores

→ PDtv Artist page here: http://pressuredrop.tv/artists/priests
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Priests - No Big Bang

Ty Segall - Baby, Baby, Baby (the Vibrators)

For The Wolfman’ is the Debut Single from Australian Alt-Indie shoe gazer’s Tired Lion
Released in 2012

For the Wolfman

Every Bad (Expanded Edition)

(Something)

Blue Hearts

Next Generation

Cavehead 7"

Cavehead

"This Is Not the Indie Rock I Signed Up For" can be heard on Girl Friday's 2020 album Androgynous Mary smarturl.it/girlfriday_AM

Follow Girl Friday on Twitter: https://twitter.com/girlfridaytm
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Androgynous Mary

Girl Friday - "This Is Not the Indie Rock I Signed Up For"

A/B'ing: @lefav

lefav is an Oakland, Ca. post-punk band. New EP Threnody out now.  Heavy Art Punk/New Wave/Post-Punk/Seattle sound.

lefav: Jangly instrumental

Dan Bejar started Destroyer as a solo home-recording project in the early to mid-nineties. Exploring and overturning genres such as glam, MIDI, yacht rock, and even underground Spanish independent artists, Bejar was proclaimed “Rock’s Exiled King” by The Fader. His is a body of work that consistently flouts convention in favor of musical leaps of faith, statements of purpose cloaked in subterfuge, and the joyous refrain of an optimist’s heart cloaked in cynicism.

Rubies

Destroyer

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