I like industrial music. I like the art of taking natural mechanical sounds and looping them into drum replacements. From bands like Pink Floyd to the more obvious Nine Inch Nails. Some may not consider Pink Floyd and industrial band, but I believe it has all the hallmarks. Dystopian nihilistic experimental, especially that with using unconventional sounds like a cash register machine to create a beat.

 I am also the author of a book called “Binary Interval Scale Theory“. In this book, you will find 69 different scale patterns each with their own set of modes. You do the math that’s a lot of scales. Most people didn’t know that there could be that many. 25 of these scales don’t have names to any of the modes. Because I took a logical approach to mapping all the scales out in binary. Every potential pattern that can possibly exist. Because it is even tempered tuning thanks to Bach. So scales have become a circular grid of potential possibilities. Where each time you go around you’re going either up or down an octave, but the pattern repeats. With exception to one goofy ass scale that’s different ascending versus descending. I’ve mapped every single one of them out. Whether it was previously documented or not. The idea is that you can take any one of these scales and as long as everybody in the band is playing only those notes they can seemingly all play in complete random of each other as long as they’re playing only those notes and also in the same tempo and time signature, of course then you can have a sense of controlled chaos. Much like what jazz is. At least that’s how I see it. You can play in freestyle and experiment with the sound of each mode of each scale.

Destructive Technology is following

Destructive Technology is not following anyone.