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Double Darkness

🌌 Progressive & Melodic Techno Stores & Downloads - ffm.to/6aara49🌌

Rise through the night.
Midnight Ascent is a dark, atmospheric journey through Progressive and Melodic Techno, built on driving low-end, hypnotic grooves, and evolving melodic tension. Each track climbs slowly, layering emotion, rhythm, and energy into a powerful late-night experience designed for clubs, warehouses, and afterhours sets.

From deep rolling basslines to shimmering synth lines and cinematic builds, Midnight Ascent captures the feeling of movement, elevation, and release — where the dancefloor lifts and time disappears.

🎧 Turn the lights down. Let the rhythm guide you upward.

#MidnightAscent #MelodicTechno #ProgressiveTechno #TechnoMusic #DeepTechno #UndergroundTechno #CinematicTechno #DrivingTechno #Afterhours #WarehouseTechno #ElectronicMusic #TechnoJourney #HypnoticTechno #DarkTechno #ClubTechno #MelodicElectronic #TechnoLovers #NightDriveMusic #LateNightVibes #BeatportReleases #UndergroundSound

Pulse of Tomorrow

EP DOWNLOAD HERE:
dreamreapermusic.bandcamp.com/album/dreamreaper-ep

FOLLOW:
facebook.com/dreamreapermusic

DreamReaper EP

FREE DOWNLOAD

DreamReaper - Terminal

M.A.D.E.S' ascension into the (dark) Synthwave scene continues and just before his debut LP, a team of some of the most pomising new talent from around the world is assembled to remix his latest single "Awakening". Fellow Frenchmen Absolute Valentine and Niky Nine, UK based occult master Occams Laser, Argentina's undisputed super-talent Donbor and Spanish trio Knightbots are on remixing duties and are undoubtedly adding their own personal touch to M.A.D.E.S' original.

"Occams Laser Remix" produced by Remi Buriez & Tom Stuart

Buy Full EP Here

M.A.D.E.S - Awakening (Occams Laser Remix)

The horns of the Rapture engulf the world in sound, beckoning the harbingers.
Upon the horizon they stand… Death, War, Famine, & Conquest. The Four Horsemen.
Together they are to set to cause a divine apocalypse upon the world.
The Last Judgment…

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Continuing down the darksynth path; this 4 track EP is yet another combo of religious iconography, apocalyptic themes and sinister sounding synths!

Death – A hard hitting demonic blend of synthesizers and orchestral instruments.
War – Fast paced, destructive and dangerous. This track oozes energy from every pore.
Famine – Dirty, filth ridden syths pave the way as the song builds tension, growing like a parasite.
Conquest – Contemplative yet powerful. Thematically symbolizing held-back aggression and control.

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A huge thanks to everyone who has been supportive of the music I’ve produced so far!
Please share the EP if you like what you hear and stay tuned for more!
credits
released May 23, 2017

Artwork and Music by Tom Stuart (Occams Laser)

Conquest

French Synth Music Inspired by 80's movies and videogames

Dystopian Future 

Life's a Glitch

02 LIFE'S A GLITCH

Law & Order

Night Of Terror

Life in the gutter of small town America was nothing new for Darrel Santiago, but after a brutal storm hits the sleepy beach town of Silver Lake, its once peaceful citizens transform into blood-thirsty maniacs! It is up to Darrel and his motley crew of ne'er-do-wells to get to the bottom of this phenomenon, and what they find is a hellish nightmare that they could never have imagined. Evil is at work in Silver Lake and it is literally tearing its inhabitants apart. Whatever you do...try not to PANIC!
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In the summer of 1980, just outside of Staten Island’s scenic Silver Lake Park, a small team of ambitious, young filmmakers set out to make a motion picture that would be regarded as the most gruesome and controversial horror film of all time. Written, directed and scored by the aliased phenom, Destryur (“Endurance” 1976, “Midnight Maniac” 1979), “Panic” or “Panic! Curse of the Vile” became an overnight cult hit, portraying graphic images of demonic possession and grotesque imagery. It capitalized on the recent wave of public shock in the occult known as the “Satanic Panic”. Shot in the course of only two weeks on 8mm film and a shoestring budget, the picture plunged Destryur into the realm of amateur cult film-making and a notable director/composer in genre cinema. The film also featured guitar slinging celebrity Dominick Martes of rock and roll supergroup Wild Street in the lead roll as street-wise punker, Darrel “Grimer” Santiago along with Cobra Wipeout as cinematographer, supporting actor and fledgeling composer. We’re still not sure what his actual name is. Cobra was currently working with Gold Line Pictures, a studio specializing in B-Horror and mob-funded exploitation films such as “Murder of Crows” 1974 and “Swamp Thing” 1979. Destryur also enlisted the writing talents of another aliased master of the subversive. Prestigious science-fiction-horror writer, artist and composer STRNGR (“The Skurge” 1968, “Mass” 1973) who had recently returned to the states from Italy after finding success in the European horror movie market. “Panic” went international only three months after it’s initial screening at Tales of Terror Film Exhibition in Greenwich Village where it received a notable tip-of-the-hat from some of horror cinema’s most celebrated film makers. The film was almost immediately boycotted throughout Europe. A violent protest broke out at a midnight screening in Istanbul resulting in the entire theater burning to the ground. Meanwhile, in the states, outrage escalated with various public interest groups demanding that the film either be removed from theaters or undergo strict censorship. However, even after the studio’s agreement to censor, picketing continued and threats from many religious organizations overwhelmed the Film Board. On October 1, 1980, “Panic” was officially pulled from every theater. Some say this marked the end for Destryur’s career. Some say it was only the beginning. Today, you can find Destryur at a monthly midnight showing of the film at St. Vitus Cinema in Greenpoint, Brooklyn hosted by Sam Valentine.

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Special thanks to everyone involved in the production of this album and you for buying it. A big thank you to Sam Valentine for pushing me to make new music to play live. I hope you genuinely enjoy this album just as much as I've enjoyed making it. 
credits
released October 1, 2019

Guitars - Dominick Martes

Additional Programming - Cobra Wipeout, STRNGR

Remixes by DreamReaper, Misanthropix

Mixed and Mastered at Gold Line Studios in Brooklyn, NY

MBR011

Exit Wounds

Narc City Ft. Cobra Wipeout

Hailing from the pits of New York's EDM scene, Chris Taylor (Destryur) mixes dance music with cinematic horror to create a sound that will keep you up at night. Coming up through Sam Valentine's NightWav dance parties, Destryur has set himself apart from his Darksynth peers. Infinitely more danceable but just as menacing. Destryur's unique blend of B-movie stories and illustrations read pure, unapologetically Grindhouse. Each of his releases are a selfcontained world of madness and kitsch. Sleazy city underbellies to hillside horrors. Destryur wears his Troma influences proudly.

His debut album 'Panic' slashed its way into the world in 2019, peaking at #1 on Bandcamp's Electronic albums and #17 on the iTunes Russia charts. In 2020, Destryur teamed up with STRNGR to release 'Night at the Grindhouse' on NRW Records, which solidified his foothold in the Darksynth scene. Destryur has also been featured on the documentary soundtracks 'In Search of Darkness' Parts 2 and 3. Destryur has played alongside some of the best electronic artists, including Perturbator, GosT, Magic Sword, Combichrist, and Brothel.

ffm.bio/destryur