Bookings:
Worldwide requests: ben@radiusartists.com  
Italy: erica@oltrebooking.com
Germany/Austria/Switzerland: Andre Quaas, andre.quaas@timesartists.com


Timo Maas is a storyteller. For him, it's never about back-to-back bangers or brainless hits, but 
about crafting, building, teasing and eventually pleasing. From hefty concrete funk to stripped-
back and brain-altering techno via psychedelic synths stronger than any drug, he knows exactly 
what to play and when. He has done so at every major club and festival on the planet from 
Tomorrowland to Kazantip, Creamfields to Coachella, while for 17 years during the golden years 
of Ibiza's Circoloco party at DC10 he was a regular guest, which is a testament to the fact that 
he has always stayed ahead of the times. 
Two-time Grammy Award-nominated Timo has made every shade of electronic music from 
famous remixes of Azzido Da Bass and Depeche Mode, leftfield reworks of Afro-Peruvian group 
Novalima and Indonesian all-female heavy metal band Voice of Baceprot via work with pop 
greats like Paul McCartney, Madonna and Placebo. But his pure love of techno keeps him 
coming back to his most famous sound. It's all united by his ability to craft weighty bass and 
rolling drums that lock you in. To dream up unusual breakdowns, freaky vocal treatments and 
deftly designed details that sound like nothing else. He has released on majors like Warner and 
Virgin and underground staples like Stripped Down Records, Cocoon, Mobilee, Tenampa and 
Last Night On Earth. But whatever he does and wherever he does it, Timo is always 
investigating new musical grounds.

• Booking: christian@vdhaardt.com
• Management: seb@iwaad.de

Contact/demos : chateaumargauxrec@gmail.com


DARKSIDE is the collaborative duo of Dave Harrington and Nicolas Jaar.

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Max Cooper is an electronic composer, multi-disciplinary artist, music label founder and former scientist who has carved out a unique space in music and visual art.

He holds a PhD in computational biology at the same time as being the first contemporary electronic musician to perform at the ancient Acropolis theatre in Athens and one of the first clutch of musicians to produce in Dolby Atmos.

Cooper has enquired for over 15 years through music, collaborations, and his label Mesh, to explore the intersections between the arts and sciences with installations, performances, immersive experiences, online media, music videos and live events.  Anchored throughout is his emotive approach, connecting how ideas and forms feel, in a manner accessible to us all. 
 
As an artist synonymous with the evolution of club culture, Cooper honed his craft as a DJ with a 10 year residency at legendary Midlands techno event Firefly where he formed a foundational relationship with Architecture Social Club, with whom he still collaborates on extravagant immersive installations.

"I want to encourage the acceptance of electronic music as an art form like any other. Bringing electronic music and abstract audio-visual projects into concert halls, museums and galleries is liberating - the art world opens up doors to communicate in ways that aren’t possible elsewhere."
  
Pivoting from computational biology to electronic music might not seem like the most natural career transition, but for Cooper the commonalities are obvious:
 
"In both fields, you're in a sense, free. Free from the limits of living systems, free from the limits of corporeal sound. The only constraints are in your mind."

www.maxcooper.net 

Contacts:
Management: James Palmer-Bullock, The Wild Seeds - james@thewildseeds.com 
Label: Anthony Faulkner, Mesh – anthony@thewildseeds.com 
PR: Neil Bainbridge, Neighbourhood PR - neil@nbhd-group.com 
Radio: Matthew Maxey, Enganche - matthew@enganche.co.uk

Independent record label based in Los Angeles

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