Yearning In San Francisco <ambient mix>

Detox № 26 - g a b _ i

29 Speedway announces their second solo release “Hydra” by Japanese experimental electronic musician Yolabmi. A staple of the DIY experimental electronic scene in Tokyo, Yolabmi frequents hubs like FORESTLIMIT, spread, and spazio-rita. “Hydra” diverges from Yolabmi’s earlier body of work that previously explored soft ambient sounds, acoustic textures, and field recordings of wildlife; tracks that feel like they’re straight out of Tsukamoto’s 80s machine-body horror films, heavy with repetition and glitch where sampling creates mechanical conversations.Yolabmi’s grasp on sound design has been central to their creative process and is a through line across their shifting sound. In this 8-track EP, we hear Yolabmi strip away embellishments to focus on using sound design for its percussive and atmospheric capacities. Elements shift, tick, drip, chirp, and groan, building to a dark fugue. “Hydra” is a dizzying ride with an undercurrent of drones and a constellation of sounds that feel like they’re traveling at at the speed of light.

Released October 27, 2023

Mastered by Ben Shirken [Ex Wiish]
Album Art by Marutonkun

Yolabmi - Hydro

Final Skylab show of 2023, featuring a bunch of music we'll be releasing in 2024. Thanks so much for listening.

www.lowendtheorists.com/radio-shows/skylab-e27

Skylab - Theory Therapy E27 w/ GH

Geezer of 1000 facets Ben Bondy went buckwild on the farm. Child of Jersey. Person of glambience. Papi of maybe 47 music aliases, unified under the theme of “swag ass music”.

A veritable topic buffet. We gorged ourselves on nuanced horniness. We chugged gallons of fantasising about hanging out with Fred Again and Skrillex. We dislocated our jaws such that we could stuff down heaping fistfuls of Andre 3000’s flute origin story, followed swiftly by gluttonous quantities of indie sleaze melange, touring with Perfect Pussy pie, and vast quantities of being a hardcore kid on an indie label flambé. All washed down with piping hot 3XL Discord tea. Compliments to the chef (podcast guest).

Full ep on patreon.com/cloutfarm 😋

full ep

Episode 11: “MINDFUL SELF INDULGENCE” feat. Ben Bondy *FULL EPISODE ON PATREON*

Melbourne based producer YL HOOI share an hour of dub, electronics, postpunk and more every month... 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/yl-hooi/episodes/yl-hooi-7th-march-2024

YL HOOI w/ Lavurn 070324

‘Since Buildings Seem To Whisper’ gathers sound, drawing, photography and text in a dialogue exploring the thresholds between dull routines and moments of emotional dreaming. Canvasses and rooms (waiting to be) filled with memories, presences. Moments of quiet noise and composed silence for an undisclosed ‘I’. A pirouette on a crumbling map–playful subjectivity on cold concrete.

Sounds, drawings and photographs by Benjamim Furtado
Words by Jan-Pieter ‘t Hart
Design by Tjobo Kho
Distribution by Jesse Presse
Printing by no kiss?

Order the book + album through our website

Benjamim Furtado - Shiver

San Antonio producer & sound artist Claire Rousay journeys through healing plaintive electronics, quotidian field recordings & minimalist compositions...  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/claire-rousay/episodes/claire-rousay-7th-may-2024

Claire Rousay W/ Pale Spring 060524

track 5 from my debut album under the ANAUGHT name titled 'OUCH'
suffocating//.....//.

Choking Up….

Title:
Earth

1: "Earth", 05:02 (00:00)
2: "Parting", 06:22, (05:02)
3: "Trees", 05:28, (11:24)
4, "Insects", 1:35, (16:52)
5, "Visitor", 04:23, (18:27)
End (22.50)

Dates:
01-Nov-2025 (inception), 01-Nov-2025 (finalised), 04-Nov-2025 (released)

Artists:
Music composed, performed, produced by Norman Freund
Artwork by Norman Freund
Music Video by Norman Freund

BandCamp Purchase:
https://normanfreund.bandcamp.com/album/earth

Description:
After recording "Granie Demo3 - Lyra Dreams The Halloween Edition" (Ref. [1]), I had to have a wind down session just jamming out, or was it going more hyper -- you be the judge.

Tracks 1, 2, 3 and 4 were recorded DAWless on the Granie, feeding it the Soma Lyra 8. Granie is my granular synthesiser Ref. [2].

Track 1 used a definite tuning library, whereas for tracks 2, 3 and 4, it was all modified and improvised. The tuning is listed below, negative frequencies meant play backwards, these were the grain play-back frequencies, which may differ to the human perceived frequency.

Grain Bank 1 frequencies [Hz]:
1: -1.635
2: 0.265
3: 0.985
4: 1.465
5: 2.165
6: 2.865
7: 4.165
8: 12.465

Grain Bank 2 frequencies [Hz]:
1:14.
2: 3.
3: 13.
4: 20.
5: 25.
6: 32
7: 28.
8: -2.4

Grain Bank 3 frequencies [Hz]:
1: 3
2: 14
3: 17
4: 22
5: 23
6: 25
7: 41
8: 47

Grain Bank 4 frequencies [Hz]:
1: 117
2: 122
3: 125
4: 129
5: 131
6: 136
7: 141
8: 40

The tuning was determined one grain bank at a time, all by ear, ensuring each new bank's ith note worked well with the next bank's ith note.

For track 5, I was curious what the tuning of track 1 would sound like with a fixed discrete tuning instrument, so took the raw track 1 tuning and put it into Ableton Live, an exact replica of tuning but with no granular synthesis human perceived tuning corrections. Some selective octave reduction was also used, this tuning is shown below:

ID, Bank, Local, FreqRatio, Cents
0, 0, 0, 1.000, 0c
1, 0, 1, 0.162, -3150c
2, 0, 2, 0.602, -877c
3, 0, 3, 0.896, -190c
4, 0, 4, 1.324, 486c
5, 0, 5, 1.752, 971c
6, 0, 6, 2.547, 1619c
7, 0, 7, 7.624, 3517c
8, 1, 0, 1.070, 118c
9, 1, 1, 0.229, -2549c
10, 1, 2, 0.994, -11c
11, 1, 3, 1.529, 735c
12, 1, 4, 1.911, 1121c
13, 1, 5, 2.446, 1549c
14, 1, 6, 2.141, 1318c
15, 1, 7, 0.183, -2936c
16, 2, 0, 1.835, 1051c
17, 2, 1, 8.563, 3718c
18, 2, 2, 10.398, 4054c
19, 2, 3, 13.456, 4500c
20, 2, 4, 14.067, 4577c
21, 2, 5, 15.291, 4721c
22, 2, 6, 25.076, 5578c
23, 2, 7, 28.746, 5814c
24, 3, 0, 1.118, 193c
25, 3, 1, 1.166, 266c
26, 3, 2, 1.195, 308c
27, 3, 3, 1.233, 362c
28, 3, 4, 1.252, 389c
29, 3, 5, 1.300, 454c
30, 3, 6, 1.347, 516c
31, 3, 7, 0.382, -1665c

I used a bell instrument, ok, this is weird, the tuning, not the instrument, but it worked, 8 notes for each of the Granie banks, strung together into 32 notes and just stuck with only using those 32 notes. I realised I needed a timing track, so picked a drum set and set the Push2 midi controller into 1/16th repeat note mode and improvised some drums into a 21 bar section. Improvised on the Bells track into 18 bars. Put the percussion and bells into looped playback and improvised on the Lyra 8 -- one take, improvised tuning oh ya.

This was all done in the session view of Live, then bounced into the arrangement view ready to play back and do the mastering by putting in volume swells for interest.

You can hear the whole album on my YouTube channel at:
https://youtu.be/Dd1BKzmb1hU

References:
[1]	Granie Demo3 - Lyra Dreams The Halloween Edition, Link: https://youtu.be/5HTL0VaQpvI
[2]	Granie, Granular synthesiser by Norman Freund, purchase at: https://normanfreund.gumroad.com/l/granie


Detox № 26 - g a b _ i

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