All submissions to Haiku 360:

https://www.naviarrecords.com/2020/12/09/naviarhaiku362-slanting-rain/

To participate:

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)

- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku110)”

To submit your track:

- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.

- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram

- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

haiku #362: slanting rain, / gentle breeze, / no need to return home

LD420

For the Reverse Delay prompt, I generated a piece I have named Hallucinogenetic.  In a moment of self-delusion, I bought, not one, but two Morphogene modules. In a rack, there they sat, unused for longer than I cared to remember - intimidating like an oversized canvas is to a small tube of paint.  So this was a perfect prompt to get some time with these modules - for which I am grateful.  We all need a push sometimes.  In any case, I plucked a small 10 second sample of strings and a second shorter sample of woodwinds which were installed one each onto the two Morphogene module SD cards.  The result, Hallucinogenetic was recorded in one take on one track into Ableton Live with some compression, EQ and reverb.  It definitely has some ragged edges but the process has demonstrated to me the potential of these modules.

Hallucinogenetic(disquiet0488)

LP Limited edition 12" Vinyl, 100 copies
(SIC) MEETS SCZRS 
6 tracks albums 2018 
Tünel Records / H.A.K. Lo-Fi Record, 2018 
Cover  & Artwork by Ambre 


Julian Bonequi : drums, vocals 
Rodrigo Ambriz : vocals, electronics 

Monobloc Sound Fidelity : Sampler, electronics, turntable 
Cisco C. : Cello, synth, electronics 
Anton Mobin : Bass, endless tapes

Full album on Bandcamp : 
https://sczrs.bandcamp.com/releases
available on Spotify / Deezer ...

(SIC) MEETS SCZRS - LP  - extract : Testual

Archebiosis

pause pause pause
a crescendo of silence
wild applause

naviarhaiku346: pause pause pause

Marco Lucchi : piano

18 settembre 2020

***

A morte é a curva da estrada,
Morrer é só não ser visto.
Se escuto, eu te oiço a passada
Existir como eu existo.
A terra é feita de céu.
A mentira não tem ninho.
Nunca ninguém se perdeu.
Tudo é verdade e caminho.

Fernando Pessoa

piano patterns no 4

slanting rain,
gentle breeze,
no need to return home

haiku by Zhang Zhihe http://www.silkqin.com/09hist/other/zhangzhihe.htm

picture by Dave Hoefler https://unsplash.com/@johnwestrock

For more information visit http://www.naviarrecords.com/about/naviar-haiku

fit hangnails

halF slantinG [naviarhaiku362]

This is an improv with minor editing comprising of three distinct parts. 

This is an edited version; the full track is available from Naviar Records: https://naviarrecords.bandcamp.com/album/7-years-of-naviar-haiku

Very simple set-up: Fender Tele --> various boxes --> Logic.

This week's Naviar Haiku: 

slanting rain,
gentle breeze,
no need to return home

This translates into three distinct parts. The "valleys" in the waveform give away where they start and end.

Part I: Skittering clouds, downpours.
Part II: Like wind brushing past, with uneasiness creeping in towards the end
Part III: Major key mood, closing with Koto-ish textures and an abrupt ending

haiku by Zhang Zhihe http://www.silkqin.com/09hist/other/zhangzhihe.htm

picture by Dave Hoefler https://unsplash.com/@johnwestrock

More about this project can be found here:
https://www.naviarrecords.com/2020/12/09/naviarhaiku362-slanting-rain/

Thanks for listening!

7 years of naviar haiku

Download

Tri-ing (Naviarhaiku362) [Short Version]

This track was created for the Naviar Haiku group.
362 week haiku
naviarlab.tumblr.com/

2020-12-10

slanting rain ( Naviarhaiku 362 )

Performed by 
Daniel Diaz: upright bass, acoustic piano, treatments
Miguel Ballumbrosio: Cajon

For this haiku:
slanting rain,
gentle breeze,
no need to return home

haiku by Zhang Zhihe
music composed by DD
photo by Jan Kopriva

@naviar-records

No need to return home (naviarhaiku362)

This is my musical response to the haiku by Zhang Zhihe:

slanting rain,
gentle breeze,
no need to return home

This piece is dedicated to my friend Fernando who can not travel home this year.

I created the track in October 2018 in Reason Studio. Mixed and mastered for naviarhaiku362 – slanting rain (https://www.naviarrecords.com/2020/12/09/naviarhaiku362-slanting-rain/). 

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 16th December 2020

haiku by Zhang Zhihe http://www.silkqin.com/09hist/other/zhangzhihe.htm

picture by Dave Hoefler https://unsplash.com/@johnwestrock

Can't Go Home (naviarhaiku362)

slanting rain,
gentle breeze,
no need to return home
http://www.naviarrecords.com/about/naviar-haiku
from freesound 170763__philip-goddard__wind-chimes-teign-gorge-near-castle-drogo-gypsy-soprano-mezzo-bamboo-2-excerpt

Wind And Bass (naviarhaiku362)

The Vast

O MI MARIE

Julien Palomo: modular synthesizer.
February 7, 2021.

    J’ai peur de voir glisser des visages qui n’en sont pas – cette « glissade » me rejetterait à l’angoisse. Les yeux pour cela n’existent pas. Autour de mon visage, des visages. J’ai peur qu’ils ne me dé-visagent, c’est-à-dire que j’ai peur qu’à force d’indifférence ils n’arrachent mon visage, car j’ignore ce qu’il masque.

   Ça sera puéril, le retour sous les grands chapiteaux, après le carnage, parmi les cris de lubricité, les amoncellements de membres, les yeux larrons, le crâne mauve, émondés à coups répétés de clavecin ; un dernier aperçu de la grève, les quais dans l’eau, des falaises que je n’ai jamais vues, des falaises où je viendrai naître à la vérité et à la vase. Un dernier aperçu, et nos mains elles-mêmes deviendront mystérieuses, comme jointes physiquement dans les profondeurs du crêpe d'une plage, un matin.

A.M. Strand

Drone structure. Real-time recording made in Pure Data, with partially random sequences.

More on this 477th weekly Disquiet Junto project – Flying Blind (The Assignment: Record a piece of music in which some substantial portion is performed without looking.) – at:

https://disquiet.com/0477/ 1

More on the Disquiet Junto at:

https://disquiet.com/junto/ 1

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0477-flying-blind/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Rachel Fox, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/7Ua2dD

https://creativecommons.org/licenses/by-nc/2.0/

Stochastic Sextet (disquiet0477)

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

Wind And Bass (naviarhaiku362)

Detritus Tabu3

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