Gita Govinda
Ashtapadi #11 
Dheera Sameere  

Lyrics 

rati-sukha-sāre gatam abhisāre madana-manohara-veśam |
na kuru nitambini gamana-vilambanam anusara taṃ hṛdayeśam ||1||

dhīra-samīre yamunā-tīre vasati vane vanamālī |
gopī-pīna-payodhara-mardana-caṃcala-karayuga-śālī ||dhruvapadam||

nāma sametaṃ kṛta-saṅketaṃ vādayate mṛduveṇum |
bahu manute nanu te tanu-saṅgata-pavana-calitam api reṇum ||2||

patati patatre vicalati patre śaṅkita-bhavad upayānam |
racayati śayanaṃ sacakita-nayanaṃ paśyati tava panthānam ||3||

mukharam adhīraṃ tyaja mañjīraṃ ripum iva kelisu lolam |
cala sakhi kuñjaṃ satimira-puñjaṃ śīlaya nīla-nicolam ||4||

urasi murārerupahita-hāre ghana iva tarala-balāke .
taḍid iva pīte rati-viparīte rājasi sukṛta-vipāke ||5||

vigalita-vasanaṃ parihṛta-rasanaṃ ghaṭaya jaghanam api dhānam .
kisalaya-śayane paṅkaja-nayane nidhim iva harṣa-nidānam ||6||

harirabhimānī rajaniridānīm iyam api yāti virāmam .
kuru mama vacanaṃ satvara-racanaṃ pūraya madhuripu-kāmam ||7||

śrījayadeve kṛtahariseve bhaṇati parama-ramaṇīyam .
pramudita-hṛdayaṃ harim atisadayaṃ namata sukṛta-kamanīyam ||8||



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C 1 rati sukha sArE gatamabhi sArE madana manOhara vESam
nakuru nitambini gamana vilambana manusaratam hrudayESam
dheera sameerE yamunAteerE vasati vanE vanamAlee
gOpee peena payOdhara mardana chanchala karayuga SAlee ||  Oh dear Radha, go quickly to meet your beloved Krishna who is beautiful like Manmadha.The breeze is blowing gently. Krishna is waiting in Brundavana on the bank of Yamuna river. His hands play on the breasts of Gopikas.  
C 2 nAmasamEtam kruta sankEtam vAdayatE mrudu vENum
bahu manutE nanutE tanu sangata pavana chalitamapi rENum||dheera||  Krishna is playing flute calling your name, indicating where he was waiting for you. He admires even the breeze passing over you and reaching him.  
C 3 patati patatrE vichalati patrE Sankita bhava dupayAnam
rachayati Sayanam sachakita nayanam paSyati tava pandhAnam||dheera||  He is alarmed even when a feather or dry leaf drops. He is setting on bed of tender leaves and is excited about your arrival.  
C 4 mukhara madheeram tyaja manjeeram ripumiva kELishu lOlam
chala sakhi kunjam sa timira punjam Seelaya neela nichOLam||dheera||  Oh Radha, leave off your anklets lest they make noise when you meet him. Please go to that bower during night in black dress.  
C 5 urasi murArE rupahita hArE ghanaiva taraLa balAkE
taTidiva peetE rati vipareetE rAjasi sukruta vipAkE||dheera||  When you meet Krishna your pearl necklaces fall on his chest. You shine like lightening on his chest which resembles dark clouds with white Sarasa birds.  
C 6 vigaLita vasanam parihruta rasanam ghaTaya jaghanamapidhAnam
kisalaya SayanE pankaja nayanE nidhimiva harsha nidAnam||dheera||  Your eyes are beautiful like lotus flower. You are treasure of beauty lying on bed of tender leaves. You are bestower of happiness.  
C 7 harirabhimAnee rajani ridAnee miyamapiyati virAmam
kuru mama vachanam satvara rachanam pooraya madhuripu kAmam||dheera||  Krishna is a person with self-respect. The night is ending He would be angry if you make delay. Go soon and fulfill his wish.  
C 8 Sri jayadEvE kruta harisEvE bhaNati parama ramaNeeyam kamaneeyam
pramudita hrudayam harimati sadayam samata sukruta||dheera||  Poet Jayadeva tells this delightful story of love between Radha and Krishna with utmost devotion. Oh devotees, bow to the most benevolent lord Krishna with pious hearts. 


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अष्टपदि ११ -साकांक्श पुंडरीकोत्कधा मधुरम्



रतिसुखसारे गतमभिसारे मदनमनोहरवेशम् ।
न कुरु नितम्बिनि गमनविलंबनमनुसर तम् हृदयेशम् ।
गोपी पीनपयोधरमर्दनचंचलकरयुगशाली ।
धीर समीरे यमुना तीरे वसति वने वनमाली - धृवम्॥ अ प ११-१

प-छे :- रति सुख सारे गतम् अभिसारे मदन मनोहर वेशम् न कुरु नितम्बिनि
गमन विलंबनम् अनुसर तम् हृदय ईशम् गोपी पीन पयोधर मर्दन
चंचल कर युग शाली धीर समीरे यमुना तीरे वसति वने वनमाली

a pa 11-1. hè nitambini= oh, high-hipped one, Rādha; rati sukha saare= [a place which has] connubial, blissful, quintessentially; abhisaare gatam= in preset place, he has gone in [available]; madana manohara vesham= in an arousing, lovely, mien [here, veSam is not getup; not like Lovegod's getup, as he is formless to wear any getup; even if it is so, it is an inferior getup than that of Krishna ]; na kuru= don't, do; gamana vilambanam = in going, delay; anusara tam hR^idaya iisham= follow, him, [your] heart's, lord; gopii = milk maids; piina payodhara= bosomy, busts [hence the milkmaids are too cocky, with vanity]; mardana= [lexically] in massaging [or, manipulate, to engineer of, to artifice] ; ca.ncala= moving [active, or, have a sleight of hand]; kara yuga shaalii= hands, a couple of, he who is having;

reprise: dhiira samiire= in gentle, wind [breezy]; yamunaa tiire= on Yamuna, riverbank; vasati vane= located in [lingering in,] garden; vanamaalii = one who wears leafy garland, Krishna.

"Oh, high-hipped Rādha, he is now available in that preset place, a quintessentially blissful place for connubial bliss, with his lovely and heart-stealing mien; hence go nigh of the lord of your heart who alone has a couple of hands that have a sleight of hand to engineer the busty bosoms of milkmaids of their vanity... don't linger to go... for Krishna is lingering in that breezy garden on that riverbank of Yamuna... [a pa 11-1]


नामसमेतम्कृतसंकेतम्वादयतेमृदुवेणुम् ।

बहुमनुतेननुतेतनुसंगतपवनचलितमपिरेणुम्॥ अ प ११-२

प-छे :- नाम समेतम् कृत संकेतम् वादयते मृदु वेणुम् बहु मनुते
...ननु ते तनु संगत पवन चलितम् अपि रेणुम्

a pa 11-2. hè raadhe; te naama sametam= your, name, coupled with [while fluting he uses your names as lyrics, and that flute sings 'ha, Rādha, 'o, beauty, o, goddess of love etc]; kR^ita sa.nketam = made, indication [he made an indication to bring you to that preset bower where he will be fluting; or, kR^ita sa.nketam vaadayate mR^idu veNum= to make, indication, he plays, softly; [he indicates his place of tarrying with his soft fluting]; nanu= definitely; te tanu sa.ngata= to your, body, attached; pavana chalitam api reNum= by air, moved, even, particle [of pollen etc]; bahu manute [aalingane]= highly, dotes on, [to embrace]; reprise: dhiira samiire &c

"O, Rādha, he uses your lyrical names as the lyrics of his fluting; he indicates himself with such a soft fluting; he dotes on to embrace any particle of pollen vagrant from your body, when air wafts them to his near, then why harping about your embrace... so, doesn't linger to go... [a pa 11-2]


Due to the limitation on the number of characters that can be posted here, the rest of the ashtapadis in this sarg can be found at this URL

http://www.facebook.com/media/set/?set=a.2605764595641.2099496.1600702242&type=3#!/photo.php?fbid=2610282148577&set=a.2605764595641.2099496.1600702242&type=3&theater

Dheera Samire by Pandit Raghunath Panigrahi

Divine Maha Mantra Jahnavi Harrison [OFFICIAL LYRIC VIDEO]

hare krishna mahamantra chanting with prabhupada..really heart touching.mp3

The traditional Vaishnava bhajan "Radhe Syam Yugala Nama" by Vedic Acharya Krsna Dasa Kaviraja also known as "Sri Vraja Dhama Mahimantra" or "Jaya Radhe Jaya Krishna Jaya Vrindavana", Performed by Karnamrita Devi Dasi. The English translation of the Lyrics follow......

RADHE SHYAMA YUGALA NAMA

(Refrain): All glories to Sri Radha! All glories to Sri Krsna! All glories to their abode of Vrndavana! All glories to the gopis who are the jewel of the crown of the rasika mood.
 
1) In this ecstatic mood, Krsna sings "Radhe Radhe" and Radha sings "Syam Syam!" The Holy Name and the divine pair of Radhe Syam are my life and soul.
 
2) I only have one treasure within this life. The son of Nanda Maharaja, the enchanter of all, and pleasure giver to Radharani are my life and soul.
 
3) Syama is the only person who I love. My daily life, mind, body, and soul is being overwhelmed by the love of Syama.
 
4) I am verily the maidservant of Srimati Radharani, who is the eternal queen of the  eternal abode of Vrndavana.
 
5) My wish is to obtain a daily practice of doing eternal service in the eternal abode. Thus, I wish to keep my life in the way my master, Srimati Radharani, desires.

Karnamrta dasi

Radhe Syama Yugala Nama:  Karnamrta Devi Dasi:

This recording of Bhaja Hu Re Mana ("Oh Mind, Please Worship Nanda Nandana"), is a traditional Gaudiya bhajan originally written by Govinda Dasa Kaviraja at some time in the late 17th century. Traditionally it is sung in Raga Bhairavi in Tintal but here is a contemporary version.

Arrangement: Mohini Murti Devi Dasi and ...Ekendra Dasa
Lead Vocals: Ekendra Dasa
Response Vocals: Malika Des Fours, Amber McRae, Mohini Murti Devi Dasi, Seva Kunja Devi Dasi
Editing, Producing: Ekendra Dasa
Recorded at Go-run-ga Studios, ISKCON New Govardhana, Australia

LYRICS:

bhajahū re mana śrī-nanda-nandana
abhaya-caraṇāravinda re
durlabha mānava-janama sat-sańge
taroho e bhava-sindhu re

śīta ātapa bāta bariṣaṇa
e dina jāminī jāgi re
biphale sevinu kṛpaṇa durajana
capala sukha-laba lāgi' re

e dhana, yaubana, putra, parijana
ithe ki āche paratīti re
kamala-dala-jala, jīvana ṭalamala
bhajahū hari-pada nīti re

śravaṇa, kīrtana, smaraṇa, vandana,
pāda-sevana, dāsya re
pūjana, sakhī-jana, ātma-nivedana
govinda-dāsa-abhilāṣa re

Translation:

1) O mind just worship the lotus feet of the son of Nanda, which make one fearless. Having obtained this rare human birth, cross over this ocean of worldly existence through the association of saintly persons.

2) Both in the day and at night I remain sleepless, suffering the pains of the heat and cold, the wind and the rain. For a fraction of flickering happiness I have uselessly served wicked and miserly men.

3) What assurance of real happiness is there in all of one's wealth, youthfulness, sons, and family members? This life is tottering like a drop of water on a lotus petal; therefore you should always serve and worship the divine feet of Lord Hari.

4) It is the desire and great longing of Govinda Dasa to engage himself in the nine processes of bhakti, namely hearing the glories of Lord Hari and chanting those glories, constantly remembering Him and offering prayers to Him, serving the Lord's lotus feet, serving the Supreme Lord as a servant, worshiping Him with flowers and incense and so forth, serving Him as a friend, and completely offering the Lord one's very self.

Bhaja Hu Re Mana by Zubhayachaka

Hare Krishna Maha Mantra-By Deviji (ChitraLekha Sharma)

Maha Mantra Track No.6

The Hare Krishna Mahamantra performed by Madi Dasa and Sudevi Dasi.

The sixteen sound syllables of the Mahamantra follow...

HARE KRISHNA MAHAMANTRA

Hare Krishna 
Hare Krishna
Krishna Krishna
Hare Hare
Hare Rama
Hare Rama
Rama Rama
Hare Hare

Srila Prabhupada says:

Rama and Krishna are names of God, and Hare is the energy of God. So when we chant the maha-mantra, we address God together with His energy. This energy is of two kinds, the spiritual and the material. At present we are in the clutches of the material energy. Therefore we pray to Krishna that He may kindly deliver us from the service of the material energy and accept us into the service of the spiritual energy. That is our whole philosophy. Hare Krishna means, "O energy of God, O God [Krishna], please engage me in Your service." It is our nature to render service. Somehow or other we have come to the service of material things, but when this service is transformed into the service of the spiritual energy, then our life is perfect.

Bhakti Without Borders

Maha Mantra ~ Madi Das And Sudevi Dasi:

he Madhava

Govinda Damodara Madhaveti
Govinda Damodara Madhaveti

he krsna he yadava he sakheti, 
govinda damodara madhaveti

Govinda Damodara Madhaveti
Govinda Damodara Madhaveti

he krsna he yadava he sakheti, 
govinda damodara madhaveti


dari mathani dadhi me kisine, 
tabe dhyana ayo dadhi cora ka hi
gada gada kantha pukarati hai, 

govinda damodara madhaveti
govinda damodara madhaveti
govinda damodara madhaveti

(When going to churn milk for making butter, one mother in Vraja remembers Sri Krsna, the butter-thief, and in a choked voice cries out, “Hey Krsna! Hey Yadava! Hey my friend! Govinda! Damodara! Madhava!”)




he krsna he yadava he sakheti, 
govinda damodara madhaveti

he krsna he yadhava he sakheti, 
govinda damodara madhaveti


mata yashoda hari ko jagave 
jago utho mohana naina kholo
dvare khare gvala bula rahe hai, .

govinda damodara madhaveti
govinda damodara madhaveti
govinda damodara madhaveti

(In awakening Sri Hari, Mother Yashoda says, “Awaken! Get up, Mohana! Open Your eyes! Your friends are waiting for You at the door! Govinda! Damodara! Madhava!”)


he krsna he yadhava he sakheti, 
govinda damodara madhaveti





sA nIrajAkShIm avalokya rAdhAM
ruroda govinda-viyoga-khinnAm
sakhI praphullotpala-locanAbhyAM

govinda dAmodara mAdhaveti
govinda dAmodara mAdhaveti
govinda dAmodara mAdhaveti
govinda dAmodara mAdhaveti
govinda dAmodara mAdhaveti
govinda dAmodara mAdhaveti

(Seeing Shrimati Radharani crying from the pangs of separation from Govinda, the blooming lotus eyes of Radha's girlfriend is also filled with tears, and she too cried, "Govinda, Damodara, Madhava.")

Gopi Lullaby --- Govinda Damodara Madhaveti - manjari dasi

The chanting is a spiritual call for the Lord and His internal energy, Hara, to give protection to the conditioned soul. This chanting is exactly like the genuine cry of a child for its mother. Mother Hara helps the devotee achieve the grace of the supreme father, Hari, or Krsna, and the Lord reveals Himself to the devotee who chants this mantra sincerely. No other means of spiritual realization, therefore, is as effective in this age as chanting the maha-mantra: Hare Krsna, Hare Krsna, Krsna Krsna, Hare Hare/ Hare Rama, Hare Rama, Rama Rama, Hare Hare.

1. Love In Separation - Shyamananda Kirtan Mandali

With deepest thanks to Jay and Radhi for hosting us for a truly memorable afternoon of singing from the heart. We hope these recordings bring uplifting remembrance and inspiration!

 Musicians featured are: Ben Hazleton (double bass), Madhva Anderson (percussion), Matt Coldrick (guitar), Vasudeva Jones (flute, percussion), Keshava Jones (percussion) and the voices of Matt, Madhva, Ben, Keshava, Vasudeva, Willow and Kim and of course all of you!

Many thanks to Matt Coldrick for recording and editing.

Maha Mantra

Track 8 from "Heart & Soul" by The Kirtaniyas

Braj Mahamantra - (Heart & Soul)

Deviji chants Hare Krishna Maha Mantra in various Raags.
Deviji's Mission is to preach Hari Naam all over the world.