A deep dive into the leftfield and thought provoking sounds that lie between; electro, acid, minimal, progressive and tech-house.

@grove02

8:00 – 9:00pm
Monthly on the third Thursday

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@blooplondon

Midnight Lounge w/ Grøve - 15.02.24

as we walk through the city you come face to face with.a lion and that lion is wearing body armour now where is this adventure going to take you

As We Walk Through The City

Tracklist
1. Apoll - Press Enter To Acid
2. Agent Sumo - Why (Sumo Bass Mix)
3. Bobby Metronome - Speak The Truth
4. Posthuman - Rattler
5. Switch - Get Ya Dub On
6. Prassaï - Kruzin (LP Versioon)
7. Faceless Junkies Deluxe - AaO 009
8. DECIUS - Roberto's Tumescence (feat. Lias Saoudi & Douglas Lucas)
9. Leyden Walker - Gone Full Circle
10. Stefan Braatz & Virgo Four - Everyman Jack (Extended Mix)
11. Super Drama - You Know I Don't Drink Champagne
12. Marcus Paulson - Jamm Disss

Renyard Presents CTRL Z - 15th February 2024

Shinobi - High Tech Soul - VOL 1 - Falling Tides - ARX080 
South London Based DJ & Producer Shinobi aka Raamiz St Hill has been honing his studio skills for many years. His style is heavily inspired by the drum and bass sounds of the 90's and early 2000's, while incorporating elements of Funk, Soul, Jazz, Reggae & Hip Hop.
His debut album on Architecture Recordings serves as a showcase of these influences as well as showcasing his unique take on underground dance music

Shinobi - Hold On - Architecture Recordings - ARX080 - OUT NOW

Go Tell It On The Mountain (arr. Jan Sanborn) Performed Live By Devin Starr

Go Tell It On The Mountain (arr. Jan Sanborn) Performed By Devin Starr

A right old mix of treats in this one kiddos. Pretty much covered all the genres in dance I listen to most, and hidden in the middle is my latest single with Manyfew, 'Give It 2 Me', out now on Love & Other. Other bangers from the likes of: Got Some, Cinthie, TCTS, Eli & Fur, and loads more!

Katy Alex - February 2024 Mix

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DJ Moement #44

DJ Moement - Subtle Radio - 13/02/2024

Sello: @kymakomplex
Artista: @karen-menad-1v

'Karen Menad' presenta el sincero EP 'Elektric y Circle Room'. En medio del caos pandémico, Karen convirtió su espacio vital en un refugio de creatividad, dando a luz a este EP cargado de emociones, el cual viene acompañado de dos remezclas incandescentes, la primera a cargo de los artistas residentes 'Ledi Cannit & Veltran' y la segunda versión creada por el electrizante dúo brasileño 'Classic Dellas'.

Elaborados dentro de las paredes de su estudio casero, 'Circle Room' y 'Elektric' sirven como reflejos sonoros del estado mental de la artista durante el vaivén del confinamiento. 'Circle Room', concebido al inicio de las restricciones, y 'Elektric', emergiendo mientras los ecos del encierro persistían, encapsulan los sentimientos de la artista de sentirse 'loca y confundida'. Una expresión cruda y personal.

Menad meticulosamente curó su sonido en su estudio casero, mezclando los palpables ritmos de la TR8 de Roland con las melódicas percusiones del Crave de Behringer y una variedad de plugins. El énfasis deliberado en la percusión y la batería en este EP se convierte en una firma sonora, destacándose en un paisaje musical abarrotado.

Reflexionando sobre la recepción de estos temas, Karen Menad expresó satisfacción con la efusiva respuesta durante una exhibición de verano en Sicilia. La música resonó con el público, fomentando el baile espontáneo y una atmósfera contagiosa. La recepción positiva afirmó la creencia de la artista de haber encontrado su auténtico camino musical. Para seguir navegando por el paisaje sonoro en evolución de su arte, 'Elektric y Circle Room' se erige como un testimonio de resiliencia, creatividad y el poder de la música para trascender tiempos difíciles.

___________________________________

'Karen Menad' unveils the heartfelt EP 'Elektric and Circle Room.' In the depths of the pandemic chaos, Karen turned their living space into a haven of creativity, giving birth to the emotionally charged EP, which comes accompanied by two incandesced remixes, the first by the in-house artists 'Ledi Cannit & Veltran' and the second version made by the electrifying Brazilian duo 'Classic Dellas.'

Crafted within the walls of her home studio, 'Circle Room' and 'Elektric' serve as sonic reflections of the artist's mental state during the lockdown's ebb and flow. 'Circle Room,' conceived at the outset of the restrictions, and 'Elektric,' emerging as the lockdown's echoes lingered, encapsulate the artist's feelings of being 'crazy and confused.' A raw and personal expression.

Menad meticulously curated her sound in a home studio, blending the tangible beats of Roland's TR8 with the rhythmic melodies of Beringher's Crave and an array of plugins. The deliberate emphasis on drums and percussion in this EP becomes a sonic signature, setting it apart in a crowded musical landscape.

Reflecting on the reception of these tracks, Karen Menad expressed satisfaction with the lively response during a summer showcase in Sicily. The music resonated with the audience, fostering spontaneous dancing and a contagious atmosphere. The positive reception affirmed the artist's belief that they have found their authentic musical path. To continue navigating the evolving soundscape of her artistry, ‘Elektric and Circle Room’ stands as a testament to resilience, creativity, and the power of music to transcend challenging times.

Kyma Komplex

PREMIERE: Karen Menad - Circle Room [Kyma Komplex]

The Licensee may use the Sounds in combination with other sounds in music productions (which may include soundtracks of films, video productions, radio/TV programs or commercials, computer games and multimedia presentations, library music), public performances, and other reasonable musical purposes within musical compositions.  The Licensee may modify the Sounds and may use the Sounds for commercial purposes as part of a musical composition with other sounds and other 
musical purposes.
Commercial usage royalties free .

A jaded Heart (Instrumental version) Tracy Lee & Loopcloud

Holly Roadfeldt - Piano

Hommage a Mandy Morris (1980-2002) – Amanda Akers Morris was, put quite simply, my first love. I met her when I was an undergraduate at the University of Texas, and I was fascinated by her from the start. She was a very talented singer, but also an artist and poet. She possessed an insatiable curiosity and felt things deeply. Tragically, in 2002 while auditioning in NY for graduate school, she was struck by a vehicle and lost her life. To say that all of this changed me fundamentally as a person would be an understatement. I was confronted by true loss and true grief for the first time in my life, and it would be years before I really fully recovered from it – well, as “fully” as is possible. 

At Mandy’s funeral, her mother gave me a CD labeled “For our Tony.” It was a series of recordings that Mandy had made of songs that she had written - just her in a practice room playing piano and singing. Some were complete songs, but others were just fragments of ideas. It was one of these unfinished fragments that I latched onto to build this Hommage.
