We eat your parents second hand cassettes.....

The Online Dance Music Authority.
Dancing without prejudice since 2008.

We Will Always Love You - album out now

Since I Left You - 20th Anniversary Deluxe Edition out June 4.

Friendly Neighborhood Trio :) 
BOOKING: Levityteam@teamwass.com
MGMT: Harrison@2plus2.net Adam@2plus2.net
Levitate + Gravity = Levity

Side Account: @levity_vip

House, Tech House, Deep Tech, Minimal Tracks & Mixes.

Our release premiere series are all selected by @ronmexicodj for consideration please email hello@datatransmission.co

For our TRACK REPOST service, please submit them to here - https://datatransmission.co/submit-your-repost/

For label submissions please head to our in-house label at @63brecords

The Online Dance Music Authority.
Dancing without prejudice since 2008.

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Scruffy Soul Recordings is a joint UK / Oz based label started in June2020 by founding members The Secret Soul Society and The Found Sound Orchestra.

Nov 2020: Levisiteuronline premier:
Taken from Scruffy Soul Recording’s ‘Scruffy Soul EP 003: The Kyoto Connection’ our premier today The Found Sound Orchestra’s Do What You Like is a sublime slice of groove heavy deep vocal bliss. Landing somewhere between Chromeo at their coolest and 80’s AOR fused with loft era deep funk fueled disco it’s a track which is clearly influenced by many different genres but which comes out of the other end sounding in equal parts fresh, inspiring and immediate. 
Scruffy Soul Recordings is a joint UK / Oz based label launched in June 2020 by founding members of The Secret Soul Society and The Found Sound Orchestra. Their latest EP features five tracks and is  stunning throughout. There are two individual tracks from Jules Brennan, who is the Kyoto connection of the title as he is based out in the Japanese city, one Jules Brennan vs Secret Soul track and a track each for label bosses Secret Soul Society and The Found Sound Orchestra. 
The whole EP is a Kaleidoscope of sounds from across the globe, it in many ways reminds me of the UK’s Beta Band’s fusion of electronica, world sounds and funk. Jules Brennan’s smile inducing Oh flamingo also has a touch of the Avalanches, a smorgasbord of instruments, short phrases, bass licks, vocal melodies and general off the wall banter. It’s a great fun track. 
Jules second individual track Theme De Kyoto has that Japanese feel through and through but also reminds in places of Thievery Corporation’s world electronica. The playing is sublime, guitar licks and smooth but ever so funky bass merge perfectly with the Japanese instruments. 
Jules Brennan vs Secret Soul Society’s You Turned Me meanwhile has a deep 60’s soulful lilt to it’s deep warm groove courtesy of some great vocal samples. Again expect guitar licks and a cornerstone of the whole EP some fabulous bass playing.
Secret Soul Society’s Groovy Business is just that, it’s horizontal 70’s soundtrack feel is great fun again bringing to mind the Beta Band at their most playful as it’s acidic and eastern notes combine to give it extra grit.

https://hypeddit.com

Create download gates. Promote your music. Submit your music to blogs, playlists, labels and other influencers. Get started for free! 

Share:
Share downloads of your music in return for automatic likes, reposts, comments and followers

Promote:
Get your music heard and into the Spotlight on top of Hypeddit’s Top 100 Charts and New Releases

Submit:
Submit your music to blogs, channels and playlists on SoundCloud, YouTube & Spotify

Showcase on Facebook:
Showcase your music with a custom music tab on Facebook. Let fans play and download your music with just a few clicks right from your Facebook page

Convert:
Easily post your SoundCloud tracks on Youtube: Our SoundCloud-to-YouTube converter turns your SoundCloud audio file and cover art into an HD video and uploads it to your YouTube channel - all in just seconds

Produce:
Charge your music productions with free mini sample packs for various music genres

devitt is following