Tracklisting:
DJ Trace-  Inside Information
Oz Beat-  The Return Of Oz Beat
8en - The Swamp  [forthcoming Twist NYC]
Amiga  Junglism & Ghaleon  - Lockit [forthcoming Heavy Sounds]
Orca - 5 On 4 [forthcoming 8205]
DJ Rap + Aston - More Time (DJ Spice Remix)
DJ Gunshot - Dread Or Dead A
Soeneido - Noob Saibot
4th Dimension - Oblivion
T-Cuts - Flashback [forthcoming ??]
Heavyweight - Untitled 8
Sy-uss & Reality - The Missing Link
DJ Mindhunter - Kick Dat Beat
Dev/Null - Darkstomp (PO-33)
Fendi K - Pause
Peshay + Roger Johnson - Untitled
Harmony + Orca - ?? [forthcoming Deep Jungle]
Subnation - Somebody Always Dies
Stakka + K-Tee - Living For The Night
Ontolgy - Stereo Spread [forthcoming Twist NYC]
Jack Horner - Dance 4 Me (Albion Street Mix) [forthcoming 8205]
Latimore - Right Sound (Intelligent Mix)
HMP - Running’s (Lifa Mix)
The Basic influence - Still Waters

Devnull - BTTO Radio January 26th 2025

@8205recordings
BTTO Radio show w/ @tim-reaper on @jungletrain-dot-net  every other Sunday at 10pm uk / 5pm est.
trax/bookings if you please:  pete.devnull+choons{A_T} gmail.

https://vk.com/rave_banger
https://www.facebook.com/Fontaroza
https://www.instagram.com/rave_banger
https://www.residentadvisor.net/profile/vividdreams

I got into the rave scene by seeing the likes of The Prodigy, Altern 8, Bizarre Inc, Orbital and Moby on the TV in the early 90s. Regular visits to the local record shops. Ended up me buying some decks. Being under 18. I spent a lot of my early years mixing on illegal pirate radio stations called laser fm, storm, frequency, choice and kiss 100 Worcester (not exile radio). Playing all forms of hardcore music under the name DJ Trauma. When old enough. I started playing out in the clubs. I mainly could be found in the second room at mindgames, zig zag's doing the drum and bass. I also got a booking at an event called Wrekweim. Which was my first appearance at the legendary Sanctuary night club in Milton Keynes in November 1996. I joined a dj agency after that. Which had mixed results. But I did do a few gigs in mainland Europe. One of the best being in north Germany. The rave was in this graffiti interior house which had a massive cellar. This house and also a music studio in the same German city were funded by a millionaire. So that the young people had some where to hang out and enjoy music. Pretty cool. I noticed the free party rave scene in Oxfordshire had a revival back in the late 90's. So I got the chance to play all my favourite rave and hardcore tunes from the golden era. Playing in many different environments like warehouses, fields, farm barns, boats etc. Amazingly I was at the first Truck festival (which i think is still going even now). I enjoyed many hassle free nights out in Oxford at top old skool events like depth charge. Also the source, a wicked drum and bass night that always had the best dj's. Typically after a few years the scene went a little backwards there. In part to the main clubs like the Zodiac and all of Oxford's iconic records shops closing down. Not to fear. I started my bi-weekly residency at Baby Simple in Oxford for many years (2007 to 2012) I kept things moving on. Performed for many promotions through the 2000s in the Midlands such as nu breed, pure x, timeless and illusion. Also appeared at various festivals including Glade. I have organised and put on a few events. Generally in Oxford and Worcester. Easily the biggest one I done was the colossal custard festival. Which was at the custard factory Birmingham August bank holiday in 2008. An all nighter with four arena's of drum and bass, tech house, acid techno, breaks and classic rave from the early days. But due to work and other life commitments. I did one last dj gig at the Bully, Cowley Road Oxford, early 2016. Then I called it a day dj-ing out. Music is my passion and the main thing is there's still so much new and old music to discover. I am on Soundcloud everyday. Don't really have a favourite tune of all time. There's just too many. But even now I still play the classic Prodigy experience album way too much. I bet you lot play it pitched up on the Technics like myself. Much love to everyone following me on soundcloud and also knows me in person. I have met so many dj's, mc's and artists over the years. Personality wise. The one's in the scene that you probably would of heard of. That I got on well with or met at least once are : John B, Stu Allan [r.i.p], Billy "Daniel" Bunter, Dj Vibes, Andy & Simon Bassline Smith, Glen Aston, Bryan Gee, Mickey Finn, Blame, Dj Lee, The Invisible Man, Brillo, Jason & Paul (aka Total Science), Mouly (Massive Records), Chris Energy,  Jay Jay & Mark C, Tera, Tango [r.i.p], Dj Warlock, Beau (Intense), Rob Vanden, Remarc, Eksman, Dj Freak, Hazard and Dj Spice (Music First) Dego & Mark (4 Hero), Goldie, DJ Ron, Keith Suckling, Shock C, Pete Parsons (Voyager) and even house dj Tall Paul Newman. Been lots of others I ain't been impressed with. Better not say who as i'll end up in trouble. Anyway massive respect to all rave goers and everyone making brand new old skool hardcore style tunes on the cloud. Loving your work. Respect due to all the internet radio stations for keeping the pirate vibe alive. I personally love jungletrain.net with the likes of Pete Devnull & Tim Reaper, Equinox, Djinn, Code, Greenleaf, Rumbleton, Josh Hill, Arnicvs, Krugah, Paludal & Jaja. Whats not to love. My soundcloud page is dedicated to the memory of my old pal Chris Savage aka Mr Sav. Who sadly pasted away January 2014. You may still find some of his classic jungle tekno and gramophone record shows here on soundcloud. So check them out.

Back in the early 90s was a West London bedroom raver, now nostalgically wheeling and come-againing on SoundCloud. Has eclectic tastes; loving everything from Autechre to Ustvolskaya, Messiaens' organ works to Qawwali song.

recordings of the anti-music workshop broadcasts from the studios of 91.7 FM WHUS date back to early 2003 and cover as wide a path as possible through electronic music and broadcast improvisation. AMW guests have contributed over the years in several different methods, including live internet collaboration as well as studio sessions. live performances include laptops, effects gear, scrap metal, circuit-bent objects, harmonicas, and traditional instruments. correct musical selection during the broadcast is achieved using turntables and digital sources, with an emphasis placed on exploring the damaging capacity of the specific signal path used.

special and expensive connectors allow the staff of the anti-music workshop to interface in real time with a bevy of monostable attractor units placed in varying locations worldwide to assist in the processing capacity requirements of the broadcast. periodic realignment with several key texts ensures usability.

anti-music readiness training has been employed by several local organizations to help shape incoming broadcasters' technical readiness to respond to the impossible, with very promising results charted over a 2 year period.

the staff of the AMW have experience in all aspects of signal amplification and alteration, computation, and training and are available upon request across new england.

the reader will please note the content of this webpage has little to do with the radio show mentioned above, and instead has more to do with all digital media in that it is a source of signal.

i think the music industry should focus on returning to in-kind payment for a vagrant's dinner and lodging in the hayloft.

Devnull - BTTO Radio January 26th 2025

Devnull / BTTO Radio