Check the MV : https://youtu.be/9d2yIo90tu8

~デヴのエピックメドレー~

バックギャモンなら負けてもいいと思う

niconico ▶ https://nico.ms/sm39480152
YouTube ▶ https://youtu.be/balHZW-wjAU

Music, lyrics / Conslo
Vocal / 可不, 水音ラル

Karaoke: https://conslo.net/downloads

Twitter ▶ https://twitter.com/Conslo2
Website ▶ https://conslo.net

Apple music - https://music.apple.com/jp/artist/conslo/1511966095
Spotify - https://open.spotify.com/artist/54Fo2wJMIVOjXKE2C81Kp1

---

3,000階の老人は
誰にも看取られることもなく
雲に隠れた遥か眼下の
ジパング的な天竺を夢見た

42号室キミは
IPS羅列の光を
弄んでは今や届かぬ
鋼鉄の鎧の下隠された

嫋やかな生身は
最早負けることすら知らない
無期限に延ばされた最期を
夢に見ながら生きていくだけの

屍じみた生活が

誰か僕をスペクタクルに
なるべくどうか猟奇的に
負かせてよ 完膚無きまでに
モノリスに刻まれた僕の敗因

40,000階の男が
扉の向こうを垣間見ようと
未知の"雨"とやらに気を付けて
可能な限りの雨具身に纏う

たかが知れてしまった
負けた弁償費用 極大値
交通秩序を遵守せしめる
それが唯一たる保険なのだ

増え続けていく掛金を
自分の行く末と暗喩したんだ

整列された街並みが

誰か僕を最高なままに
空間を凍てつかせる程に
負かせてよ 完膚無きまでに
勝敗を知る者が居ないままに

認めざるを得ず直視したんだ
尊厳を保てずに僕は

誰か僕をスペクタクルに
なるべくどうか猟奇的に
負かせてよ 完膚無きまでに
灰となり歓喜した 僕の勝利

0階の遥か彼方
桜の木のシックスフィート安打
勝ち誇れた者が歩く下
足音を今もこの胸刻んだ

#Conslo #可不 #水音ラル #ボカコレ

記念碑的な負け方を feat. 可不, 水音ラル

Vocal - Milk ARPASING
Tuning, Mixing, Lyrics - averymuchsir
Instrumental - duxedeuver
Artwork - cherryautopsy

MIDI + INST Download - https://bit.ly/3bLLwPx
Streaming
Spotify: https://open.spotify.com/track/4Ic2ECUSuycR6ny8TuPpGA?si=8f354af4e3f64aec
Youtube: https://www.youtube.com/watch?v=ETAJOSAUsIQ

Lyrics
[INTRO]
Pitter-patter, pitter-patter
Pitter-patter, pitter-patter
Pitter-patter, pitter-patter
Pitter-patter, pitter-patter

[VERSE 1]
Hey, Hey
You, You
Do I know you?
Hey, Hey
Me, Me
Who am I?
Hey, Hey
Why, Why
Do we exist
When we constantly
See right through

[CHORUS]
Pitter-patter, pitter-patter
Evaporating in the air (pitter-patter, pitter-patter)
Pitter-patter, pitter-patter
Vapor turning into water (pitter-patter, pitter-patter)
Pitter-patter, pitter-patter
Tiny droplets falling down
It’s pouring now

[VERSE 2]
Oh I know
It’s so cold
To hold a hand so far alone
I know why
The resistance hides
And I know why you’re far behind
I’m split between
The king and queen
Beheading everyone they see
Not to complain
I’m not that okay
Glistening through
Like a parade

[CHORUS]
Pitter-patter, pitter-patter
Evaporating in the air (pitter-patter, pitter-patter)
Pitter-patter, pitter-patter
Vapor turning into water (pitter-patter, pitter-patter)
Pitter-patter, pitter-patter
Tiny droplets falling down
It’s pouring now

[OUTRO]
Pitter-patter, pitter-patter
I know, I know
Pitter-patter, pitter-patter
No more, no more
Pitter-patter, pitter-patter
Tiny droplets falling down
It’s never ending now

[END]
Pitter-patter, pitter-patter
Pitter-patter, pitter-patter
Aah...

pitter-patter / Milk

完成しなさそ～～～～なので晒します
ボーカルは序盤しか作れてないので抜いてます

ヤツメ穴 22/1/15

David Paglia Night Hawks EP offers a captivating journey through six nocturnal cuts that blend House, Downtempo, and atmospheric electronic textures. 
This EP mirrors the essence of a Brooklyn DJ's set, shifting from late-night mayhem to the early hours' more reflective wind-down. 
With moody grooves, warm basslines, and shadowy atmospheres, Night Hawks effortlessly encapsulates the vibe of a nocturnal dancefloor. 
David Paglia, a seasoned Brooklyn-based vinyl DJ and producer, infuses each track with his signature style—an expert in seamlessly spanning genres while creating a journey that feels both intimate and expansive. Having garnered support from iconic names like Moodymann, Soul Clap, and Doc Martin, Paglia's Night Hawks EP showcases his deep-rooted expertise and passion for pushing boundaries within electronic music.

GHE514_David Paglia_Way Back Jack

INFERNO

Set for release on 21st November, ‘Free Flow’ is the new album by UK-based electronic artist Inwards, the project of musician Kristian Shelley. Drawing inspiration from flow states - those moments of full creative absorption where time seems to slow and action becomes effortless - the album explores what it means to be “in the moment.”

From his first releases, Inwards has delighted both fans and critics with unshakable melodies and playful productions that draw from modular synths, found sounds, and myriad electronic and acoustic instruments. Coverage from the likes of Resident Advisor (“Otherworldly electronic music”), Electronic Sound (“Engulfing and reassuring”), MOJO (“Warm hearted modular synth contemplations”), Clash (“Pivots between machine precision and human expression”), and DMY (“Blissful and mesmerizing electronic music”) has matched daytime and specialist play on BBC 6 Music, BBC Radio 1, Radio X, BBC Introducing, and the likes of KCRW and NPR. As well as playing immersive live AV headline shows, Inwards has supported Lapalux, Forest Swords, Tyondi Braxton and Ulrich Shnauss.

‘Free Flow’ was dictated by mood and movement, built primarily from instinctive live improvisations on hardware synthesisers and samplers. It trusts repetition, invites looseness, and honours mistakes. Patterns evolve slowly, rhythms drift in and out of focus, and melodies surface like memories before dissolving again. The album opens space for breath, for reflection, getting lost.



Recorded in and around the wooded Worcestershire landscape where Inwards lives and works, natural textures - wind, insects, distant birdsong - weave subtly into the music, grounding the electronics in place and atmosphere. The forest isn’t just a backdrop; it’s part of the record’s nervous system.

Each track captures a moment of internal stillness or external motion. There’s a rawness to it, not “unfinished”, but intentionally unpolished. Like the flow state itself, it resists overthinking.

Ultimately, ‘Free Flow’ is less about composition than it is about capturing presence. It’s music for walking, for focusing, for daydreaming, for tuning in…and out. A sonic reflection of that liminal space between control and surrender, between structure and drift. Between what you're doing, and what’s doing you. It’s not music that demands attention - it invites it. And in return, it offers a quiet kind of clarity. 

Buy on BANDCAMP

PREMIERE : Inwards - Waiting 4 U

original: あえる
https://www.nicovideo.jp/watch/sm28555167

vocal: VOICEROID+EX 京町セイカ
https://www.nicovideo.jp/watch/sm36752997
https://www.youtube.com/watch?v=5D2yFnZkXD4

あかつきや春巻丼【京町セイカ・VOICEROIDカバー】

立椅子かんなさんのVOCALOID曲「kanata」がドストライク過ぎたので、恐縮ながらカバーアレンジ作業中。

合間を見つけて少しずつ進めております。ひとまずイントロあたり。

キレッキレのリリースカットピアノとvflowerが素晴らしい原曲はこちら↓↓↓
https://www.nicovideo.jp/watch/sm36437713

立椅子かんなさんのTwitter
https://twitter.com/_qwer_tyu_

ALS

devthefox