[WAITING FOR APPROVAL BY THE CENTRAL COMMITTEE]

Superdance tracks series no. 269

These tracks were uploaded to SC between 0_/2021 and 08/2021,
except for the following, older ones:

[TO BE COMPLETED]

creation: 2021/08/27

creation: 2021/08/27

HK_Superdance_tracks_269

TV303 Devyan selection

Compositions / créations
artist : Devyan@tv303 - Yanx
Genre : electronic
Instruments : analog & modular sounds generator (synth, drum machine, fx )...

Many thanks for listening !

Techno TraXx

TV303 Techno selection

From the Last Album "Gleitch" 
Don't hesitate to tell me if you like it , It's always cool to hear it  !! Good listening

#IDM #Drumandbass #DnB #Ambient #Experimental #Glitch #techno
#Electronica #Electro #PhonoStinato #Phono #Darkwave #electronic

Gleitch

Free Download

Techno track by Devyan@tv303
Modular Analog system seq

Cluster Kleem

HARSH REALITY

Electronic track by Devyan@tv303
Instr : System modular , analog  tone generator, synth fm
style:  percussive electronic music

TimeTronix

Track: Space Bix
Artist: Dusty Tech (@navid-most)
Release: Space Bix EP
Release Date: 12.08.21
Label: Asphixia Records (@asphixiarecords)
· Read, Play, Buy: https://vanitydust.com/track-premieres/dusty-tech-space-bix-asphixia

Space Bix

Read · Play · Buy

Premiere: Dusty Tech — Space Bix [Asphixia Records]

Download.

Sunspot (Original Mix)

engine : Modular and analog system Tone generator ...
type : Percussive electronic music

Carnaval Elektrik

Carina

Instant

Mindelectrik

O CASO É...
(Fred Jorge/ Mario Porto)

O caso é que esse galho
Eu não vou quebrar
Já fiz o que me cabe
Não posso ficar

Passei a vida inteira
A um passo de encontrar
Quando sair do trabalho
Quero ver ela dançar

O caso é que esse galho
Eu não vou quebrar

Tentei o ano inteiro
Hoje deixou escapar
DJ Paulão nos toca-discos
Dança até o sol raiar

Passei a vida inteira
A um passo de encontrar
Hoje convenço essa menina
Nunca me deixar

Fred Jorge: voz e backing vocal
Luis André ‘Gigante’: bateria
Bruno Vitale: baixo
biLê: guitarra
João Cleber: teclados
Helder Lucio: percussão
Marcelo Valezi: sax tenor e barítono
Marcelo ‘Pomps’ Pereira: sax alto
Marcelo Rocha: trompete
Fransoel Decarli: trombone
Caroline Blumer, Mariana Castrillon e Candice Vitale: vocais







8- O Caso É...

Out now on Beatport
https://www.beatport.com/release/call-it-techno-ep/2147914

The new Intec release is from Frank Mitchell aka Frankie Bones who is an American based DJ and producer whose played a large role in New Yorks Techno scene. Having been involved in music since the mid 80s, Frankie Bones was one of the first DJs from New Yorks Brooklyn region to gain global success. By the late 80s Frankie Bones was getting regular European bookings following the success of his Bonesbreaks EP series, which released on Underworld Records received global recognition and critical acclaim. During his three decade spanning career Frankie Bones has even released an EP on the iconic Trax Records, which released many of the early records that defined the House and Techno genre. One of his most popular releases was his 1989 release titled Call It Techno which originally came out on Breaking Bones Records, and a firm Carl Cox favourite has now been remastered and rereleased for this special Intec package, which also features one of his new and previously unreleased tracks. Also featuring on the release are two new remix versions provided by Carlo Lio and Raito who each put their individual stamp on things. Carlo Lio is an artist who in between global DJ bookings, has released music on labels including Octopus, SCI+TEC, Turbo, Mood, and Saved Records. French artist Raito is fast rising through the ranks following regular releases Boysnoize Records, along with having also featured on Mako, Origami Sound, Main Course and BNR TRAX. "Call It Techno" has a timeless bass line taken straight from the glory days of Acid House. Filled with retro charm and warehouse party vibes, the vocal tells the story of Technos history, and the pads plus melody are rich in analogue joy. Carlo Lio's remix of "Call It Techno" uses choice snippets of the originals vocal to refine the story it into a powerful chant. This remix is fast and furious with added tension and suspense. Carlo adds his own toughened backing track thats filled with dark atmosphere plus an explosive drop after the main break. Raito's remix of has a bumping groove and stomping kick drum. Thick and chunky, it takes no prisoners with its hard hitting percussion and stabbing sounds. Jacking in every sense of the word, it's summed up nicely by the vocal lyrics "hits you in the face like a hammer! Second of the two original track is "Light It Up" which takes its title from the lyrics of the vocal sample. With spin backs and filter sweeps, the tracks forward momentum is accentuated by a series of bass drops. Lead by the building intensity of a bubbling acid line, the tracks rolling groove is a sure fire party starter. The fifth and final track is a dub mix of Light it up, which with the main vocal removed, focuses on the music only.

ID140 4. Frankie Bones - Light It Up - Vocal

This latest Intec release is one such example of Carl Cox discovering a fresh new artist that he wants to showcase and present to the world. With two original tracks this new release is from Scottish producer Luca De-Santo who joins the Intec family following previous releases on labels including Krannit, 18-09 and Black Square Recordings. Luca De-Santo based in Glasgow, is also a DJ who plays regularly at numerous nights in his home city. Alongside local gigs, he also boasts international booking at events such as Portugals BPM Festival. Track one Reach Me is lead by a pounding kick drum and starts with thundering percussion which packs a serious punch. Stabbing pads lift the mood and the female vocal phrases give it a warehouse feel, while subtle bursts of white-noise are used to build tension. Fast and furious, this relentless techno workout is full throttle from the first beat. Requiem is the deeper of the two tracks with warm textured pads that hold a gentle euphoria, which sit in stark contrast to the hard hitting backing drop on which they are layered. Fusing raw energy and poignant emotion with an outcome thats firmly focused at the dancefloor, this is masterfully crafted techno with a truly timeless sound.

ID144 2. Luca De-Santo - Requiem

Out now on Beatport
https://www.beatport.com/release/tribal-phases-ep/2177234

The latest Intec release is from Mark Rogan, a Northern Irish artist whose dark and driving style of techno has been a feature of labels ranging from A.Pauls Naked Lunch to Rebekahs Decoy Records. Based in Belfast where he forms an integral part of the cities underground club scene, this is Mark Rogans first release on Intec, and with two solid tracks to show, we doubt it will be his last. Listing a diverse range of influences, Mark Rogan first discovered rock music before moving over to trance, and finally settling on his long-term love of techno, where he lists key influences such as The Advent, Speedy J, Ben Sims, Dave Clarke and Joey Beltram. 

First on the release is Phase 1 that starts with deep pad stabs layered over fast flowing percussion. Claps add energy to the groove whilst rushing ethereal pads add atmosphere and create tension. Timeless with a subtle tribal influence, this up-tempo slice of techno is reminiscent of early Intec releases from the likes of UMEK. 

The second track Phase 2 starts with the gritty sound of a raw percussion loop layered under piercing synths and vocal stabs. Classic in its structure this track going back to the roots of techno with its rough around the edges sampling techniques and sound design, but in the process delivers a wonderful sense of nostalgia with a distinctly modern twist.

ID145 Mark Rogan - Phase 2

Out now on Beatport
https://www.beatport.com/release/birdcage-ep/2213277

The new Intec release is from Darren Emerson who many will instantly recognise as being an original member of iconic Underworld, and played a large role in the making of their anthems such as Born Slippy, Cowgirl and Rez.

Darren Emerson left Underworld at the peak of their popularity to focus on his career as a solo artist, and over the last three decades he has been one of the most influential people in electronic music.

As a solo producer Darren Emerson has collaborated with the likes of Sasha, Depeche Mode, Björk and The Chemical Brothers, and as a DJ travelled the globe to playing headline sets at many of the worlds top festivals and club events.

Having been on the front cover of many of the worlds longstanding music magazines, he has also compiled seminal mix CDs for brands like Global Underground, and fully deserved of his legendary status within the house and techno genres.

Track one Birdcage starts with a slow building acid line and metallic synth chimes that add texture and an eerie atmosphere before the euphoric lead synth is introduced in the main break, and the tracks takes a whole new direction. Full of nostalgia, this is certainly a game of two halves, and is an up-tempo techno journey full of unexpected twists and turns.

Jupe is second on the EP with muffled synth stabs layered under a stabbing lead combine with looped notation that creates a sense of urgency in the track. Building with intensity, dramatic snare rolls and fast flowing claps propel the rolling groove of this dancefloor focused techno titan, which is timeless in its sound design and full of impact.

ID147 1. Darren Emerson - Birdcage

Out now on Beatport
https://www.beatport.com/release/forza/2330745

Carl Cox is an industry figurehead whos legacy in music includes his iconic label Intec, which he runs with friend and business partner Jon Rundell.

The new Intec release is from DYSART, the artist alias of Matt Tanner. A rising star in the world of techno, he appears following a release on Dense & Pika's Kneaded Pains.

Based in London where he also owns a commercial studio, this will be DYSARTs first release on Intec, and he has a second EP on Kneaded Pains plus music forthcoming on Sasha Carassis Phobiq also in the pipeline.

Matt Tanners Scrutton Street Studios is frequented by artists like Mark Knight, Prok and Fitch, Full Intention, Dave Seaman, Darren Emerson and Danny Howells. The studio is a hub of creativity, and as the owner its now Matts turn to step out into the spotlight.

DJs who have already supported DYSARTs releases include Adam Beyer, Dubfire, Danny Tenaglia, Maya Jane Coles and Skream. He is also a skilled DJ playing numerous sets with Carl Cox at Burning Man, along with past gigs in places like Turnmills and Ministry of Sound.

Forza opens the release with tough percussion forming the grooves skeleton, which is fleshed out with a bubbling acid line and rolling bassline. With a dark and spacious atmosphere the tracks raw aggression ensures its aimed directly at the dancefloor.

Beyond Reason is the slightly deeper of the two Techno cuts on the EP but it still packs a punch with mechanical percussion layered over murky synth textures. Its spooky atmosphere and unnerving tension combine to deliver a subdued but ominous aura of suspense.

ID157 2. Dysart - Beyond Reason

Orbit all

Balade électrique Devyan@tv303

Cycladeclic

Electronic music composer
Industrial & techno dj since 1995
Compositions and vinyl’s mixes

Totalement Hors-Circuit soundSystem
dj fysio (94-2005) aka devyan@tv303

happy listening!
contact : devyanstud@free.fr