Streaming

Dexter Britain

All music is available to license for commercial, charity and online use via my new licensing website and some via The Music Bed.

www.dexterbritain.co.uk/license.html

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Dexter Britain Composer Set

Cool

Instrumental Contemporaneo

My playlist of music what i like! Listen and be happy. ;-)

Music #1

Creative Commons

the simplicity awe.

License this track at The Music Bed: http://www.themusicbed.com/#!/The-Stars-Are-Out-7173/

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The Stars Are Out

Shooting Star

The Stars Are Out Interlude

Music inspired by simple moments in life. This is a somewhat classical compilation.

Download the album: http://dexterbritain.bandcamp.com/album/same-old-moments

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(All Rights Reserved)

A Threat Of Snow

Creative Commons Volume. 6
Contemporary classical, soundtrack music.

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Overcoming Stage Fright

Creative Commons Volume. 6
Contemporary classical, soundtrack music.

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The Turth Is In There

Country Trouble

Back To Life

Join the official newsletter for your free download: http://po.st/EinSoundCFD

Islands: Essential Einaudi is the first time that all of Einaudi's best known music appears in a single collection. It’s available as both a single disc and special double disc version. Islands also includes new tracks The Earth Prelude and High Heels as well as two new remixes of Lady Labyrinth and Eros.

Available to order now:
iTunes: http://po.st/EinSoundCIiT
Google Play: http://po.st/EinSoundCIGP
Spotify: http://po.st/EinSoundCISpot

Una Mattina

Nuvole Bianche

The Rules Of Social Class

Breaking Light

Libérez comme des enfants

Does kinda what it says on the tin. Music To Sell Cars By is an album of contemporary classical music which is often fused with electronic or world musical ideas. Perfect as the soundtrack to a many thing, maybe even a car advert.



Buy Album: http://dexterbritain.bandcamp.com/album/music-to-sell-cars-by

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(All Rights Reserved)

Timelapse

For more information visit: http://www.klassikakzente.de/recomposed/home 

Some works are so familiar that it is almost impossible to hear them afresh, but that is what Max Richter has achieved with Vivaldi “Recomposed”. This is no mere arrangement; instead Richter has absorbed Vivaldi’s The Four Seasons into his own musical bloodstream. At first Richter followed the example of other works in the “Recomposed” series, which re-mix existing recordings, but, he says, “I wanted to open up the score on a note-by-note level, and working with an existing recording was like digging a mineshaft through an incredibly rich seam, discovering diamonds and not being able to pull them out. That became frustrating. I wanted to get inside the score at the level of the notes and in essence re-write it, re-composing it in a literal way.”Richter calculates that, in the process, he has discarded around three-quarters of Vivaldi’s original. He opens with what he describes as “a dubby cloud which I’ve called Spring 0. It functions as a sort of prelude, setting up an electronic, ambient space for the first Spring movement to step into. I’ve used electronics in several movements, subtle, almost inaudible things to do withthe bass, but I wanted certain moments to connect to the whole electronic universe that is so much part of our musical language today.” Other resonances are no less unexpected: Richter describes part of the first movement of his Summer as “heavy music for the orchestra. It’s relentless pulsed music, which is a quality that contemporary dance music has; and perhaps I was also thinking about John Bonham’s drumming. Then, in the second movement of Autumn I asked the harpsichordist Raphael Alpermann to play in what is a rather old-fashioned way, very regularly, rather like a ticking clock. That was partly because I didn’t want the harpsichord part to be attention-seeking, but also because that style connects to various pop records from the 1970s where the harpsichord or Clavinet was featured, including various Beach Boys albums and the Beatles’ Abbey Road.” Clearly, Richter has brought his own frame of reference to the project. As he says, “Vivaldi’s music is made of regular patterns, and that connects with post-minimalism, which is one strand in the music that I write. That felt like a natural link, but even so it was surprisingly difficult to navigate my way through it. At every point I had to work out how much is Vivaldi and how much is me. It was difficult but also rewarding because the raw material is so fascinating.”Just as Richter’s Seasons plays tricks with the way we hear Vivaldi’s original, so it also asks questions of the soloist, Daniel Hope. “Violinists have Vivaldi’s The Four Seasons hardwired in their brain. Daniel is likely to play the original I don’t know how many times in a year, and for him to have my parallel text going on in another part of his brain is a challenge. I think he did a wonderful job. He brought to it a deep engagement with the original, but he was fully prepared to cut this new swathe through the text.”


Spring One - Vivaldi Recomposed - The Four Seasons

Spring 1 (2012)

Since the creation of this theme it's been over a year.. 
This is my experience of how much music is able to change the state of mind. You wrote about its ability to calm hearts, rejecting grief, diminish suffering and sorrow. Indeed, he dismissed also my fears. And on the thorny road of sadness started to appear sparkling lights of hope..

Lama Rafat Dalbah poem:
https://soundcloud.com/lama-dalbah/tp3pxamdy56e

a Miserable Heart (Chillout Version)
https://soundcloud.com/shyprinceorchestral/a-miserable-heart-chillout-version

a Miserable Heart

Creative Commons Volume. 5
Contemporary Classical soundtrack music.

Download at dexterbritain.bandcamp.com

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Download / License

The Time To Run (Finale)

Contemporary classical, soundtrack music.

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Beyond The Finish Line

A track for the new year.

Keep me making free music by licensing its use on my website.
www.dexterbritain.co.uk
(www.dexterbritain.co.uk/products/nothing-to-fear)

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Name Your Price

Nothing To Fear

Music for string orchestra, piano, vocals, and woodwinds.

Vision

Traversing

Composed in the deep of the night when dreams and reality secretly blur. This is a case of whimsical inspiration meets the day job. This is the day and the night scattered with nuance and dissonance.

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Utopia Part One

Utopia Part Two

Utopia Part Three

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Starless Night

Quick Wednesday morning track (needs to be mastered)

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Lots To Do

https://soundcloud.com/pipjohn | http://www.facebook.com/pipjohnmusic

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Pip John - Dante's Riddle

Lucky Ones

Creaking Emotions

Light Of Life

A teaser from my next project. This isn't the finished article. I'm not happy with the brass, so will be changing this. Creating more flow and harmony.