Formed in 1994 by Bob Becker, Fearless Records initially became known for launching the careers of respected punk rock acts such as Plain White T's, At The Drive-In, Bigwig, The Aquabats, and Sugarcult. In recent years, the Huntington Beach, CA label has become an internationally-renowned hotbed for up-and-coming rock bands, including Breathe Carolina, The Maine, Mayday Parade, The Word Alive, Motionless In White, Alesana and Every Avenue. The label recently signed multi-platinum act EVE 6. Fearless Records is also home to the "Punk Goes Series," which is one of the top themed compilation series available. 

With songwriting credits, TV placements, millions of streams from a strong catalogue of 6 EP’S and a full length record, Patrick now sets his ambitions on delivering work that is free from the normal scaffolding. He simply states “being an independent artist in 2021 is both challenging and liberating. I now really love the idea of my listeners having a real time release experience that parallels my own output as a songwriter. To share as I create, and not be bound by any formal structure”. 

With this setting out his approach right now as an artist, Patrick James is back with a new single ‘Grateful’, a song written in the middle of COVID, relating to the feeling of appreciation and admiration towards people around us all that lift us up, make us feel something true and give us a positive spirit. 

Having toured Australia extensively as a headline act and also supported the likes of Boy & Bear, The Paper Kites, Josh Pyke, Emma Louise and Pete Murray, Patrick has been very active on the live seen for many years. His travels to the UK and Europe have seen him performing alongside the likes of Bears Den at London’s Brixton Academy and Albert Hall in Manchester to name a few. Using these opportunities to grow a global audience, Patrick will be taking the stage when the time presents itself in the near future and bringing with him a collection of new songs and a repertoire built from the years of honing his craft.

constantly evolving

BOOKINGS/MGMT: justagent@fatcatmusicgroup.com

born 97 | newcastle (mulubinba), australia

#KREWLIFE

MGMT:
fiona@small-town.co

Booking: 
asia: robb@supermodifiedagency.com
eu: paul@primarytalent.com

As one of Iceland’s most successful exports, singer-songwriter Ásgeir has always pushed the boundaries of his thoughtful brand of folk-pop. His debut album, ‘Dýrð í dauðaþögn’, became the best-selling debut in Icelandic history, leading to the English-language version ‘In The Silence’ in 2014. He continued to refine his sound with ‘Afterglow’ in 2017, ‘Bury The Moon’ in 2020, and ‘Time On My Hands’ in 2022’, earning praise from press and radio worldwide, including the likes of The Independent, MOJO, NME, The Line Of Best Fit, Clash Magazine, BBC 6 Music and Radio X.
 
In recent years, Ásgeir has embraced solo performances, playing nearly 70 intimate shows across Europe, the Nordics, and Iceland, including a UK tour with Icelandic singer GDRN. He also performed with the Icelandic Symphony Orchestra and recorded a live session for Arte TV in Berlin. His passion for live music has taken him to unique venues, including small churches, deepening his connection with audiences. He wrote a song for a Kafkaesque play that was hosted at The Reykjavik City Theatre called Sýslumaður Dauðans.
 
Ásgeir is now back with his next album, focusing on songwriting with a fresh approach; prioritizing melody and personal storytelling, exploring themes of relationships, aging, hope, and nostalgia. His influences range from Leonard Cohen and Daniel Lanois to contemporary artists like Adrianne Lenker and Dina Ögon.
 
The album’s production was a hands-on process, with Ásgeir playing most of the instruments and collaborating with a select group of musicians, including Nashville cellist Nat Smith. Recorded both solo and with a band, the songs capture an organic, heartfelt energy. With this new chapter, Ásgeir continues to evolve, offering music that is as introspective and accomplished as ever as well as deeply resonant.

Glass Animals are a Grammy and BRIT-nominated British band whose genre-blending sound and cult-like fandom have made them one of the most exciting acts in global pop. Their third album Dreamland became a cultural multi-platinum selling phenomenon and spawned Heat Waves, the record-breaking single that topped charts worldwide and made history as the first UK band to reach #1 on the Billboard Hot 100 in nearly 30 years. Last year, the band released their fourth critically acclaimed album I Love You So F**ing Much, a sci-fi-infused odyssey about love, connection, and what it means to feel real in a surreal world. It arrived alongside a 44-date world tour that included headlining The O2 Arena in London and Madison Square Gardens in New York. Frontman Dave Bayley — also one of pop’s most in-demand producers — writes and produces every song, often with an experimental DIY edge that blurs the lines between music, tech and visual art. This experimental production is particularly evident in the band’s Fresh Fruit series. Bayley uses these standalone singles to bring in guests and collaborators, giving himself space to play with new sounds. Their live shows are euphoric and surreal, driven by a deep connection with fans built through open-source creativity and unexpected digital drops.

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