Monsieur Renard is an electronic soloproject wavering between retrowave, ambient, electro en acoustic music, always trying to introduce weird instruments and experiment with different styles and sounds.


Goldy guitarworshipping, Marley mentioned Eminem-listener, plays Koningsplein every sunny day, oldschool champ, and caretaker of lost, old, and broken souls, woodworker, stringing and kinging and littl-Ewing oil cbd promotor, psychonaut in r.e.d. with more friends and admirers than I have hairs on my head. Excellent for children, head in the clouds, and veg'N. druid, magic, anything baby🚼🚾🏧

"Trying to organize freedom....how very Scandinavian"
'Swimming with a hole in my body'
 "I don't think we should rehearse at all before recording it would somehow destroy it. I don't think any band ever has become any better by rehearsing!"

producer, technician, composer, arranger, musician.

6,12, 25 String Fretted and Fretless Virtual Guitar, Live Loops,
6,12, String Acoustic Guitar, Banjo, Synths, Delays, Holds, Live Samples, and more.

Gunnar says this about his own music. ”I play more and more free form music based on sounds and live loops, live samples and live delays. I have also written classical pieces, such as an organ concert that had its premiere i St. Petersburg, Russia. I have also written choir works, string quartet chamber music, etc.” He is presently working on a number of studio projects where his group WONKA LIVE are playing a major part. He is also doing a number of projects for independent bands as producer, recording engineer, and mastering engineer.

DVD production, CD-LP mastering, recording, mixing,
arranging,composition, concertos, and more

35 years in the music business : music for : dance, performance, films ,
theater, tv, radio, Cd, Cd-rom, Ep, Lp.Choir Works, Concerto for Church Organ, String quartets
Big Band Suites


Pop, Rock, and World music m.m.Performances in : USA, Denmark, England, France, Japan, Austria, the Netherlands, Spain, Sweden, Germany , Finland and elsewhere. 


Mastering for Soundclouds users 10% off see prices
http://brakophonic.com/studio.html


Peeter Uuskyla - drums
Mike Lloyd - trumpet
Anders Berg - bass 
Gunnar Backman - fretted and fretless virtual guitar and live loops 
http://brakophonic.bandcamp.com/album/trash-nova
Release today ! March 13 2014

Chris Reid " Sounds like miles Davis in the Bitches Brew or even Aura period but on acid. Cool." Producer in Toronto, Canada
release party/gig to be released

http://www.freejazzblog.org/2014/08/baptet-trash-nova-brakophonic-2014.html

 Baptet - Trash Nova (Brakophonic, 2014) ****
By Stefan Wood

Baptet is a Swedish jazz rock group whose music embraces the spirit of 70s era Miles Davis sound, with prog rock sensibilities.  Gunnar Backman, producer and composer, plays guitars and electronics, with Mike Lloyd on trumpet, Anders Berg on bass, and Peeter Uuskyla on drums.  Trash Nova, their debut album, is a nine track high energy jam session, that takes the Miles' jazz rock fusion era, and adds contemporary elements to it, such as samples and tape loops.  Backman uses these as a foundation for his free form compositions.

The opening track, "Gnome," is ethereal and dreamy, Backman's guitar spare and Lloyd's trumpet almost flute like, conjuring part far eastern influence and mid 70's Santana.  It's clear that this just sets the stage, because the next track, "Aspen," kicks the album off proper, with Uuskyla leading the charge with a funky and rocking beat, and Backman mixing synths, guitars and Lloyd's muted horn on top.  "Bon Bon" has a full out sonic drone with crushing drums, bass and guitars, but the focus, like many of the tracks, is on Lloyd, whose horn recalls Miles' technique, never over playing but accentuating and emphasizing space with minimum and efficient notes.  "Nova" goes even harder, as the sound becomes a rolling thunderous sheets of sound, everyone equally pushing each other as fast and hard as possible.  Rising above the din, the trumpet or guitar takes turns in soloing.  It's fast and furious, but coherent.  "Trash" starts of with a sitar-like solo, then Backman leading another sonic charge with a long lead improvisation, before settling down to Uuskyla's medium tempo and Lloyd's electronic enhanced trumpet playing.  It's the longest track on the album, and never short on imagination.

Trash Nova is an excellent album, mixing jazz and rock effectively, without being derivative.  Recommended.


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