iTunes: http://defct.de/tdfit | Beatport: http://defct.de/tdfbp | Traxsource: http://defct.de/tdfts | Spotify: http://defct.de/tdfsp | Apple Music: http://defct.de/tdfam | Deezer: http://defct.de/tdfdz | Google Play: http://defct.de/tdfgp 

The Deepshakerz follow up on the continuing success of their last EP ‘Keep Pumping’ on DFTD, which helped them to be NO.1 selling Tech House artist on Traxsource in early June 2017. Now the Italian duo presents another two tracks demonstrating their flair for deep-reaching, melodic tech house. Employing an impactful ‘less is more’ approach to their productions, the pair go for understated rolling beats on first track ‘Just No Good For Me’, an exemplary contemporary tech house record with the tightest of percussive hooks.

‘Forever’ is a gem of a track, based on a sample written by legendary Brooklyn dance mogul Tommy Musto, who was head of production and A&R for Northcott Productions and one of the first American house DJs to acquire international acclaim. Doing justice to the sample with a jacking beat and real palpable dancefloor energy, ‘Forever’ harks back to Tommy’s late 80s heyday. The dynamic, garage house-inspired bassline gives the track the authentic feel of a timeless Fourth Floor or Sub-Urban classic.

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The Deepshakerz 'Just No Good For Me'

Hastings aka Paul Hastings Kitala is known as one of the most revered members of the Nairobi house scene. Paul has made it his duty to share house beats with a growing global audience as he continues to fine tune his art of mixology while building confidence and learning the intricacies of the music industry with that constant zeal to satisfy his clients and make sure that they are having a good time listening to his signature style of house mixes and mashups that take the audience on an adventure leaving them pumped with a high demand to crave more good house music. 

Hastings proudly hails from Kariobangi South, a city tucked deep in the east of Nairobi. His mom was a staunch soul music lover and it tricked down his 6 siblings. 

Music has always been his passion ever since he was very young. At age 10, he got introduced to a Daft Punk album called Discovery (2001) and ever since then he has always had soft spot for house music over all other genres.  

Since high school to college he always got time to gather new house music records while he played for his peers in parties from backyard barbeques to co-operate parties to club events & outdoor gigs within and out of the country. He and his friend formed Sanctified To Oblivion in 2012 and they were playing house music at small scale events around till late 2013 where he decided to break out on his own as Hastings under his own label and entertainment company, Beats Per Minute Entertainment after he attained his diploma in Aeronautical Engineering at age 22.

With his dial firmly set to musical creations, Hastings’ 2014 was filled with large amounts of studio time as he structured his classical debut LP ‘Just Fine’ that rocked airwaves in Dubai and Abu Dhabi in 2015 as that was where he started his journey as an artist. Occupying studio time with some of the greatest artists and DJs in United Arab Emirates, he learned and gained vast skills and experience in making, producing and playing house music. 

He returned to Kenya late 2015 after his successful endeavours in the middle east and ever since he has been continuing his adventures of spreading house music to the world by playing in over 50 club shows and well renowned local festivals and outdoor shindigs. 

📻 host 

Writer

Management, promo, remix and booking requests:   

✈️🌍 kitalabpm@gmail.com

Slater leads the track with versatility, in constant harmony and evolution, creating a unique atmosphere.

His sets are filled with striking melodies and grooves, always aiming to obtain a better performance and constantly raise the quality of his sets, transiting through House Music, thus expressing his experiences and musical tastes, played harmoniously on the Dancefloor, captivating a cool modern audience.

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Slater conduz a pista com versatilidade, em constante harmonia e evolução, criando uma atmosfera única.

Seus sets são recheados de melodias e grooves marcantes visando sempre obter uma melhor performance e elevar constantemente a qualidade de seus sets, transitando pela House Music, expressando assim as suas experiências e gostos musicais, tocados harmoniosamente no Dancefloor cativando um público moderno descolado.

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Booking
📧iiamslaterofc@gmail.com

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19 year old Producer/DJ from 
Liverpool , United Kingdom
Email - jaytalbot96@gmail.com

supported by 
Dean Cohen

Full Support for 
DJ DIASS https://soundcloud.com/djdiass
Vasco C   https://soundcloud.com/vascoc
DIMO (BG ) https://soundcloud.com/dimobg
David Thanh https://soundcloud.com/davidthanhofficial

Launching early June 2013, DFTD is a breakout label to Defected Records. Focusing on fresh, new and undiscovered talent from around the globe - along with the occasional curveball release from established acts, DTFD has released music from the likes of Guti, Jonas Rathsman, Forrest, Andre Lodemann and NiCe 7 over the past 5 years.

DFTD complements its parent label and has a more diverse musical remit, releasing a broad range of electronic music, focussing on quality, discerning dance music.