"Gloomy Sunday" is a song composed by Hungarian pianist and composer Rezső Seress and published in 1933, as "Vége a világnak" ("End of the world"). Lyrics were written by László Jávor, and in his version the song was retitled "Szomorú vasárnap" (Hungarian pronunciation ("Sad Sunday"). The song was first recorded in Hungarian by Pál Kalmár in 1935."

"Gloomy Sunday" was first recorded in English by Hal Kemp in 1936, with lyrics by Sam M. Lewis,[2] and was recorded the same year by Paul Robeson, with lyrics by Desmond Carter. It became well known throughout much of the English-speaking world after the release of a version by Billie Holiday in 1941. Lewis's lyrics referred to suicide, and the record label described it as the "Hungarian Suicide Song". There is a recurring urban legend that claims that many people committed suicide with this song playing."

Danilla JPR - Gloomy Sunday Cover

The space between a rock and a hard place (sped up)

in another life (ft. xvlonely)

Ghost in the Wallpaper
This song paints a haunting portrait of emotional absence and surreal memory. Set in a decaying domestic space, the narrator is surrounded by eerie remnants of a lost love—shoes in strange places, lipstick stains, and voices in machines. The lyrics blend poetic melancholy with cryptic imagery, evoking a sense of psychological unraveling. The chorus likens love to a “phantom limb,” something once vital now painfully missing. With its quiet-loud-quiet structure and fragmented storytelling, the song captures the tension between longing and madness, memory and reality. It’s a sonic ghost story wrapped in distorted guitars and whispered regrets.

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Lyrics 

[Intro – Ambient build]  
[Soft piano echoes, distant vinyl crackle, heartbeat-like kick]

[Verse 1 – intimate, breathy vocals]  
She left her shoes in the microwave,  
Her laugh still lives in the static haze.  
The ceiling drips with yesterday,  
I sleep beneath her echo’s weight.

[Pre-Chorus – rising tension]  
I trace her name in the frost on glass,  
Time rewinds but never lasts...

[Chorus – cinematic burst]  
Love is a phantom limb—  
Twitching in the wind.  
I scream into the floor,  
But love don’t live here anymore.

[Instrumental 1 – orchestral swell + distorted guitar]  
[Strings rise, guitar bends like memory warping]

[Verse 2 – falsetto + layered harmonies]  
The fridge hums like a lullaby,  
I talk to shadows passing by.  
Her lipstick stains the bathroom sink,  
I drink her name, I drink, I sink.

[Bridge – glitchy, fragmented]  
She’s a flicker in the TV snow,  
A whisper in the undertow.  
I built a shrine from broken phones,  
But all I hear are dial tones.

[Instrumental 2 – glitch-pop interlude]  
[Stuttered beats, reversed pads, ghostly vocal chops]

[Verse 3 – spoken word + ambient pads]  
Her voice spins in the washing machine,  
Curtains twitch when I say her name.  
This house plays a haunted game,  
And I’m the only one left to lose.

[Verse 4 – full band, emotional peak]  
She carved goodbye in a butter knife,  
Left fingerprints on my second life.  
I chase her shadow through the stereo,  
But all I get is vertigo.

[Chorus – final, cinematic crescendo]  
Love is a phantom limb—  
Twitching in the wind.  
I scream into the floor,  
But love don’t live here anymore.

[Outro – ambient fade]  
No more, no more, no more...  
Love don’t live here...  
Love don’t live here...  
Anymore...

[Hidden Track – lo-fi tape loop]  
[Whispers of the chorus, detuned piano, fading heartbeat]
`

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© Lyrics and concept by Martin Oliver Beinersdorf / MOBest  
All rights reserved. Unauthorized use, reproduction, or distribution is prohibited.


Ghost in the Wallpaper

Fading Into Static

A Better Place – Light In The Sea EP

With Light In The Sea, A Better Place pull all the threads together. Across four tracks, the band proves why they’ve quickly become one of the most exciting new voices in indie rock.

From the drizzly intimacy of debut single It Rains, to the dreamlike haze of Don’t Mind, and the heartfelt punch of Someday—already spinning on Amazing Radio UK—the songs carry the DNA of ’80s/’90s alt-indie greats like Polvo, Dinosaur Jr., Unwound, Sebadoh, Teenage Fanclub, and The Posies, but with a freshness that’s entirely their own.

New track Remember When completes the story: a slow-burner that starts with gentle guitars and relaxed vocals, before erupting into a midtempo surge of energy. It’s nostalgic and forward-looking all at once, a reminder of why this band resonates so deeply.

Radio stations in the UK, the Netherlands, the US, and Belgium are already tuned in, and live, A Better Place is the kind of band that wins you over in one set flat.

Light In The Sea isn’t just an EP—it’s a statement. Indie rock, recharged and reimagined.

A Better Place - It Rains

No Way Out

The light comes up
I see the destruction
The light comes up
I see the destruction

Can I do this
I think I'm all right
Can I do this
I think I'm fine

Embrace My Power
Embrace My Power

there's more to life
Than materials things
Take my time
Don't let it control
Or bother me

I got this
I got it good
I got this
I got it good

Embrace My Power
Embrace My Power

Can I do this
I think I'm all right
Can I do this
I think I'm fine

Embrace My Power
Embrace My Power
Embrace My Power

Embrace My Power
Embrace My Power
there's more to life
Than materials things

Take my time
Don't let it control
Or bother me

I got this
I got it good
I got this
I got it good

Embrace My Power
Embrace My Power

Embrace My Power

I Just Want to Hide

Here we are again with an unexpected upload, born from some random experiments that turned out way too good to be thrown in the trash… the Mac trash, obviously 😅
Headlines is inspired by a chiptune melody that likely dates back to the early 90s, at least as far as our keyboard player remembers, though even that isn’t completely certain. The track comes from the demoscene era, but the original title and author are unknown to us and may have been lost over time, so proper credit isn’t possible.
No samples were used. The melody was replayed, rearranged and completely reworked into a new song with a modern production and original vocals.
Too good to be left in a drawer, so here it is.
And stay tuned… in a few days we’ll be back with our new (and last) Christmas song, along with a very fun video where we’ll turn into Santa’s elves! 🎄🧝‍♂️🧝‍♀️
This song is available exclusively on SoundCloud.

Lyrics:

Do you already know this song?
Yeah, you know it
(Oh yeah)
Are you ready to sing along
to this song?

Let's go!

Everywhere I go
I'm hearing this tune
'Cause all the songs sound the same 
nothing feels new

But this one’s got something fresh
We made it loud, we made it real
Way better than
all that noise around

Someone’s even cloning us
So we can blast this track
all over the world
and up in space 
yeah, space!

The headlines now all say:
"Time stands still!"
There’s only one song left
spinning around
Someone's even trying to kill
all our clones
To shut this anthem down
all over the globe

And we’re trying to stay sane
But this is insane
Can’t even leave the house
the doors are locked
Someone said “That’s enough”
Now silence reigns
There’s no more sound 
real music is gone

Youtubers and AIers everywhere
This must be some kind of fever dream
It’s way too much - we’ve had enough

So give us all your strength
your power, your hopes, your dreams
And tell us where you wanna go
for real!

We’re fighting hard to keep alive
the soul of real sound
We’ll make your dreams
the next headlines

Youtubers and trappers everywhere
This must be some kind of fever dream
It’s way too much - we’ve had enough

So give us all your strength
your power, your hopes, your dreams
And tell us where you wanna go
for real!

Bye bye!

Fading Into Static

Dharma Nation Life