D₹V & Kreon - Mahal

@/pixlpxl w @/yung_delic @/boyblanck 
prod. w @/aristotlesimone @/prod.manish

LETMEOUT [w Yung Delic + Boyblanck (p. Xander, manish, pixl.)]

This is the original song with the original beat, love the version that's out but this one just hits different bhai.

Darcy x D₹V x Full Power x Sidak - South Delhi Shit

🔴⚪️=👩🏽‍🎤 🦇

shog was here <3 @ecstasy

SPACE CADET Prod. By Brandon Finessin, Bally, ShaunGoBrazy

Candy Flip ft. Bombay (prod. Stunnah Beatz)

official music video out now https://youtu.be/itHhNhKsxLo

Mixin pills on the runway
I got drinks goin on all Sunday
Shawty bring ya bitch we can turn this to a three way
Down to run a train but I’m only goin one way

Shawty like when you gon take me for dinnuh
I’m not a mind reader can you tell me what you innuh
Christian bitch I’m lookin for a sinnuh 
If that’s ya friend babygirl we can skippuh skippuh

It’s too easy
Ya girls in line for the club everybody look up only takin double d-zees
It’s up to ZZ

We used to be friends last year but you brain dimmed down
I don’t got time for no mid right now
Pass me the bill I’ll pay for my friends
6A to the M

Jab hu mai coast pe khata hu soul food 
Paas mere keys maine tape kari drop 
Nahi kara play hu baby mai serious 
Up huye digits mere up huye stocks
Dhyaan mera details pe, never lack
Check kar Steez maine heat kari pack 
Pull up kara scene pe, spot lage dreamscape 
Win kara these days, cheeks kara clap 

Mixin pills on the runway
I got drinks goin on all Sunday
Shawty bring ya bitch we can turn this to a three way
Down to run a train but I’m only goin one way

Shawty like when you gon take me for dinnuh
I’m not a mind reader can you tell me what you innuh
Christian bitch I’m lookin for a sinnuh 
If that’s ya friend babygirl we can skippuh skippuh

Baby, when you walk in this bitch
Girl you turn me on
And I stay on 

Eat that pussy in the coatroom
She takin all my clothes off
I took a close up

I'm zooted, I'm booted, bad bitch on my face 
Been mixing drinks and drugs all day 
My bitch a model, she like makin poses
She take control
No remote

Mixin pills on the runway
I got drinks goin on all Sunday
Shawty bring ya bitch we can turn this to a three way
Down to run a train but I’m only goin one way

Shawty like when you gon take me for dinnuh
I’m not a mind reader can you tell me what you innuh
Christian bitch I’m lookin for a sinnuh 
If that’s ya friend babygirl we can skippuh skippuh

skippuh

stream

#Drill #IndianDrill #HindiRap #IndianHipHop #DesiHipHop #DHH

Andha Paisa - Zorba, DRV (prod. XTACY)

tere saath (i feel good) prod. RiJ

Moonlight

Every DRV record is a love letter to not just hip-hop but music in its purity - from addictive trap bass lines to psychedelic rock dreamscapes, Dhruv Rajpal’s music is an enigmatic force to be reckoned with. 

Dhruv Rajpal is the blazing north star over India’s vivid rap landscape. He broke into his own sonic dimension with a comet-like force—intense, rare, all-consuming—setting in stone that calling him a sensation won’t do him justice. From undeniable earworms like Empty (synced on #1 Netflix show Class Official Playlist) to dreamy distorted track collections like NAKSHATRA, His voice is an oracle through which his extensive experience in mixing-mastering, engineering, music production, and instrumental proficiency resonates through. With Nakshatra, DRV forged creative portals that are both sacred and profane, a testament to his grand artistic vision. He is the melodic rapper’s melodic rapper. Both the tastemaker of the underground and the voice behind projects like Fark Nahi Padta (From "Farzi") . Endowed with an ear for great sound, and the power to push it.

In many ways, the story of Indian trap music is the story of DRV. From his gravity-defying transcendence through desi hip-hop’s indie scene to garnering credible mainstream acclaim, there really has been no cooler household name than DRV. Even though his creative flair reverberates through the Indian trap wave, one truth is clear: there can never be another Dhruv Rajpal. ~ Rishika Arora

Moonlight

DRV

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