🎶 | study, chill, sleep, repeat.
🎧 | Listen everywhere: 
https://link.lofigirl.com/m/music

For All Bookings Please Contact:
info@restructured.net

Greg Gow is one of Canada’s most accomplished electronic musical talents with a growing presence and impact at home and across the world. He regularly brings his unique sound and performance excellence to premium venues across four continents. The award-winning producer and DJ consistently pushes the boundaries of his art, with his hypnotic sound, a skillful hybrid of soulful Detroit techno, marinated in the diverse flavors of his Toronto roots. 

There are haunting echoes in Greg’s music to the sounds of legendary world techno pioneers Derrick May, Kevin Sanderson, and Carl Craig, all of whom are his musical mentors and his abiding inspiration. Greg’s track “The Bridge” was instrumental in re-launching May’s iconic Transmat label, and his releases on Sanderson’s KMS took the techno world by storm at a pivotal time. Multiple collaborations have spread his penetrating sound to other leading labels, including Radioslave’s Rekids/ RSPX, Steve Bug’s Poker Flat, Christian Smith’s Tronic, Adam Beyer’s Truesoul, and Dubfire’s SCI+TEC.

Since 2001, Greg’s own label, Restructured Recordings, has pushed deep, funky,
driving melodic techno from artists such as Mateo Murphy, Samuel L Session, Ian
O’Donovan, and of course, Greg himself. For over three years he has produced and distributed a well-received monthly podcast series. This Is Modulations, features recordings of live sets as well as studio mixes.

Beyond his studio prowess, Greg is one of Canada’s most respected techno
ambassadors, regularly playing alongside other behemoths of dance music. He has starred from coast to coast in each of Canada, the United States and Mexico; from the top to the tip of South America; and widely across Europe and Asia. Global highlights include The BPM Festival; Output NYC; Movement Detroit; Movement Torino, Italy; Watergate Berlin, Ushuala, Ibiza; Club Space Miami; Creamfields, Dubai; and Club Air Tokyo; among many more. 

On his home turf, Greg has a residency at Toronto’s Vertigo, highlights at Montreal’s Stereo, and appears frequently at many of Canada’s premiere festivals like Electric Island. Greg’s track I Knew Techno, released on his Restructured Recordings label, won the 2023 Juno Award in the Underground Dance Single Of The Year category. These prestigious awards presented annually by the Canadian Academy of Recording Arts and Sciences to recognize outstanding national achievements in Canada’s music industry. 

With the help of Avid Artist Agency Greg Gow is now planning a world tour to celebrate his 20 years of ever evolving success and spread his vibrant Techno sound.

collection of dj sets and original house music productions of mine
its all about house music

pounding grooves

bookings: anastasia@totesonne.com
podcasts + promos: future.triplesix@gmail.com 
resident https://soundcloud.com/bcco

Founder and curator of @perfectlocationrecords

Selector, cataloguer, vinyl collector of 25 years
Celebrated for technical ear
Bringer of the deeply wild or wildly deep
Lover of electronic sound and experimental attitude
"Pillar of the underground"

Releases on @mirrortapes, @identityspectrumrecords, @schmer_records, @cqqlrecords, @jacktonerecords, @antime_music and more

Your trance and progressive librarian

If you want to support me and this project, please tip - 

https://boosty.to/rave_on/donate - Should work worldwide in theory, please let me know if there are any problems.

https://boosty.to/rave_on - подписки, только по России

4276 4000 3945 8535 - plastic card (только по России)

Paypal - https://paypal.me/raveon (temporarily not working)

Make sure that you have checked all my playlists - https://soundcloud.com/rave_on/sets

Update April 23 2025 - I would like to say a special huge thank you to Coasterfreak (@coasterfr), thanks to whom the account is paid for again and fully functional.

If you have a request, please contact me here in PM.

I don't expect you to know me
Or how I lost all my dreams
When I can't even find myself
In the choices I made

These wounds won't seem to heal, this pain is just too real
There's just too much that time cannot erase

Open to everything happy and sad
Seeing the good when it's all going bad
Seeing the sun when I can't really see
Hoping the sun will at least look at me

Focus on everything better today
All that I needed I never could say
Hold on to people, they're slipping away
Hold on to this while it's slipping away

He who makes a beast of himself gets rid of the pain of being a man.

Many thanks to all these sites for tracklists, sets and information:

tranceaddict.com
mixesdb.com
discogs.com
https://archive.org/
urtrancezone.com
extradj.com
vk.com/oldschool_trance
http://rutracker.org/forum/index.php?c=23
themixingbowl.org
https://www.crystalclouds.com/
lsdb.nl
ex.ua
hybridized.org
cuenation.com
tiesto.jp
http://www.hulkshare.com/stev0b
mercuryserver.com
mixriot.com
oakenfoldmixes.com
judgejulesarchive.co.uk
trancepodium.com
https://mega.nz/#F!DI8CjZaY!VL5zPFG-lcGs_oNyHFFEfg
https://cyanghost.com/perry_oneil_sets.html
markusschulz.com/forums
oldskoolanthemz.com
trancefix.nl

For more tracks, check out my label Vizual on SoundCloud: http://soundcloud.com/vizual (Vizual Records) and Iz & Diz: http://soundcloud.com/izanddiz

Follow me, my label and Iz & Diz on Twitter: @joshuaiz, @vizualrecords, @izanddiz

Hey everyone...I make music because I love music and how it makes me feel. It's as simple as that. The music I create has to have feeling, and more often than not what I call 'the feeling' — that feeling that you get when the hair on the back of your neck stands up and demands your attention.

I'm heavily influenced by design and patterns. Reggae riddims are like mathematical formulas for me — the ultimate patterns waiting to be discovered. This notion of patterns can translate to any music...if you can make something with 3 or 4 elements that can capture an audience yet still be relevant generations later, you've done something amazing. 

Not all of my tracks follow that formula but I try to let the sounds and elements speak for themselves in any track.

dHub is following