Remix of Pink (Get The Party Started) Do You Wanna Dance ??? Let's Goooooooooooo !!!!

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OSMIK - Burn This Party / beatfreak'z rec.

Set Hardcore Techno Indus

wildtrain.m4a

“Overload” pushes Quantumbreak into its most extreme territory yet — a neural storm of hyperspeed drum pressure, collapsing polyrhythms and hallucinatory harmonic bursts sculpted through Dia-Zé-Pam’s dual Erae 2 setup.
This is not just fast. This is structural compression of time.

From the opening seconds, Overload detonates like a reactor pushed past its safety limits:
relentless micro-percussion, elastic kick clusters, fractured ghost-melodies and glitch-saturated textures swirling into a vortex dense enough to bend perception. Every layer is alive, mutating, folding back on itself, expanding outward like a digital supernova.

The track shifts between chaotic propulsion and twisted groove, creating a strange, impossible balance—simultaneously destructive and hypnotic, like a rave inside a particle accelerator.

Built in pure instinct mode, played like an instrument possessed, and driven by the raw physicality of the Erae surfaces, Overload embodies the next step of the Quantumbreak sound:
faster, denser, more psychedelic, and aggressively alive.

If you enjoy music that vibrates the edges of consciousness, steps outside BPM logic, and treats rhythm as a multidimensional organism…
welcome to Overload.

This is the signal.
Brace your neurons.

Overload

Dia-Zé-Pam-100MG is not an artist. He is a rupture in the timeline of electronic music — a gravitational anomaly disguised as a producer, bending rhythm, tempo, and causality with a precision that borders on the impossible.

He is the mind behind Extrabreak, a genre born from one question:
“What happens when velocity becomes architecture?”

Extrabreak was the spark.
Quantumbreak is the detonation.
A realm where breakbeats surpass 1000 BPM while remaining shockingly groovy, articulate, melodic — alive.
Where rhythm no longer measures time, but fractures it into shimmering shards of sound.

His setup is his ritual arsenal:

Ableton Live 12 as the command center,

Push 2 as the pulse engine,

Embodme Erae 2 as the hypersurface where new dimensions are sculpted in real time,

Kontrol S61 Mk3 as the melodic forge.

Together, they form a machine capable of erasing the boundary between human intention and cosmic-scale chaos.

His inspirations orbit him like rogue satellites — Patton, Buckethead, Igorrr, Aphex Twin, Venetian Snares — but none define him.
He does not imitate their madness.
He expands it.
He weaponizes it.
He drags breakbeat into territories even they would hesitate to chart.

Every track is a carefully engineered paradox:
hand-played 1/16 percussions at human speed, accelerated into supernatural velocity — not through shortcuts or illusions, but through pure structural alchemy.
What emerges is authentic hyperspeed:
a living, breathing cyclone where geometry, mythology, harmony, and destruction coexist in impossible balance.

Dia-Zé-Pam-100MG does not seek evolution.
He seeks rupture.
He tunnels beneath the foundations of electronic music, detonates a new universe, and climbs out through the debris with melodies that should not exist and grooves that defy physics.

And now, as the Quantumbreak era ignites, one truth becomes clear:

He is no longer shaping sound.
He is reshaping reality —
at BPMs where reality stops keeping up.

Overload

Dia-Zé-Pam-100MG

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