𝐏𝐑𝐄𝐌𝐈𝐄𝐑𝐄: Divenitto, António Barbosa - Venezia (Melodic Version) [I Am Boho Records]

Buy on Beatport
https://www.beatport.com/release/whispers-between-strings/5218420

𝐏𝐑𝐄𝐌𝐈𝐄𝐑𝐄: Divenitto, António Barbosa - Venezia (Melodic Version) [I Am Boho Records]

WINGED SIMIANS IS:
EVA BIRDY aka Orphan Fairytale
ERNIE MONKEY aka Bear Bones, Lay Low

First tape out now on NO BASEMENT IS DEEP ENOUGH
https://soundcloud.com/nobasementisdeepenough
https://www.flickr.com/photos/nobasementisdeepenough/ 


Winged Simians - Moon Tears

Kam gjetur këtë shirit në një shportë plehrash

Young Hearts Run Free

This mix was made by Joseph Sannicandro (A CLOSER LISTEN) for Secret Thirteen, originally published in December 2014. 

Read more about the mix, including tracklisting: 

http://secretthirteen.org/joseph-sannicandro-a-closer-listen-mix/

https://acloserlisten.com/2015/01/10/acl-mix-for-secret-thirteen/#comment-127414

Secret Thirteen Mix

Secret Thirteen Mix 139 - A Closer Listen

Pre-order ISLE002 here >> https://12thisle.bandcamp.com/releases

For their second release, 12th Isle proudly fling 'Blubber Tottum' into the waxen sonic abyss for your full listening pleasure. The inaugural LP drubbed from the Glaswegian machines of Cru Servers is perhaps best framed as what it would sound like if early life took its first steps out of the primordial gloop, dragged itself ashore, decided to make dance music and discovered they had a knack for it. It dangles precariously in the fault lines between discordantly melodic rhythm tracks, steadily paced chaos and swamp-soaked bass oddities. Laden with eerily familiar samples yet always in a world of its own. 

"Cru Servers did my head in" - JD Twitch (Optimo)

Distributed by Rubadub - https://www.rubadub.co.uk/

Pre-order on Bandcamp

Cru Servers - Blubber Tottum LP (ISLE002)

This piece was made for the opening of the Radio Belgrade Electronic Studio on March 2 2018. 

This is my 1st recording of the real-time improvisation with EMS Synthi 100 + my computer setup.

Computer setup was based on the TouchOSC interface, Pure data patch and Ableton live. Improvisational dialogues between Synthi and computer were done through a dynamic interactive interface on my tablet and tweaking of the Synthi sounds live and playing with their parameters. I haven't used Synthi's sequencer (or a computer sequencer), but rather variety of key triggers, joysticks and envelope shaper trapezoids.

Due to a wide frequency range, it's not advisable to listen to this recording through a laptop speaker or similar.

This is my first use of the modular synthesizer in live performance and/or composition.

TV recording of the whole event: https://youtu.be/9tUwHGweUxY
(simultaneous performance in 2 studios of the Radio Belgrade with audience, live TV and radio broadcast)

Radio Concert No.1

https://ultraeczema.bandcamp.com/album/dark-arc

Dan Melchior & Sigtryggur Berg Sigmarsson (Dark Arc A Side)

Purchase: geographicnorth.bandcamp.com/album/catch-a-blessing
Catalog #: GN52
April 5, 2019
LP+DIGI

Matthew Sage is a composer, producer, label owner, and publisher based in Chicago, IL. Since his earliest recordings, Sage has carefully considered and crafted each of his various approaches to experimental music. His debut LP A Singular Continent was an endless epic that charted imaginative aural cartography and seemed to soundtrack actual worldbuilding. Now, after five years personal changes and growth, Sage returns with his tried and true sonic trademarks, but with a noticeably liberated approach to his brand of experimental studio music.

Catch a Blessing shows Sage in a much more impulsive light. Where past work existed in space that was cerebral, meditated, and composed, the music here is more natural, playful, and effort-less.

Opting for chance and the unknown rather than rules and conceptual rigor, Sage "practiced" an amorphous technique that led to profound moments of accidental, unplanned beauty. And the perks were plenty. As Sage explains: "Learning to know less and to just feel more about what I am making has become important to me. I like, or am learning to like, the possibility of that openness, that uncertainty. Not knowing. It is uncomfortable, but it is nourishing."

Recorded over a summer in a tiny room on the second floor of a 120-year-old apartment in Chicago, 'Catch a Blessing' is the result of and the meditation on the exquisite exhaust and lavish lushness of his crumbling (and rebuilt) locales. 

Presented as a collection of ornately expressionistic portraits of Chicago, Sage approached the album more as paintings or sculptures than musical compositions. Album opener "Avondale primer Gray" unfurls a calm but vibrant quasi-melody that dissolves into a blur of found sonic objects both familiar unknown. "Lions to Baffle" is a semi-synthetic symphony of muted, sax-laden alien jazz, while "Elevator Straffing" maintains a whirling, glittering hum of echoed dissonance. "Claiming Air Rights" could be the literal sound of a piano floating through space, levitating despite an impossible weight. "Michigan Turquoise" brings an exquisitely eerie hymn with the same ghastly grace of Sparklehorse. Album centerpiece "Window Unit +Three Flat" is an open-ended epic of texture and ambiguity, immediately followed by the warped and trickling elegance of "Polish Triangle". "Wolfe Point Fog" closes 'Catch a Blessing' with peculiar focus, departing with an open-ended and wholly optimistic focus.

The moods and modes are constantly, entirely at odds with themselves: private vs. public, abject vs. profound, rural vs. urban(e), and so on. Where other players of experimental studio music take a more high-minded, often stuffy approach, Catch a Blessing floats in airier, more refreshing modes. It’s endlessly lush but sincerely marked by decay. This is naturalism in the truest sense.

M. Sage - "Polish Triangle"

From DIAG049 Not Waving / Jim O'Rourke - Side A / Side B

Side A / Side B

DIAG049 Not Waving / Jim O'Rourke  'Side A'

info: https://radio.syg.ma/episodes/klammklang-marble-misha-sultan
https://klammklang.ru/
https://soundcloud.com/klammklang
https://soundcloud.com/m-rble https://soundcloud.com/mishasultan

Klammklang

Klammklang – Mårble & Misha Sultan

This 45min archival oddity is a live recording of a private improvisation at the home of William Basinski & James Elaine in Venice, California (aka The Pink House) on a lovely summer’s day as afternoon turned to twilight, June 23, 2004. 

Some elements were later utilized and reformed for the 2013 collaborative work ‘Aurora Liminalis’ on Chartier’s label LINE.

DIAG049 Not Waving / Jim O'Rourke 'Side A'

DIAGONAL