I don’t remember making this that month i feel like i made it earlier but idk any just having a lil fun with uploading

“9/4/25”

Another track from Köhn's new album 'Kreis Plön', out on KRAAK, on the 9th of June. Pre-order at kraak.bandcamp.com.

Almost 20 years ago Jürgen De Blonde debuted on KRAAK with the nowadays unfindable and almost visionary album köhn 1. It was the starting point for a vital and wondrous exploration that lead him over paths of glitch, idm, shoe gaze, hypnagogic pop, improvised music, straight forward synth music, field recordings and kraut. 

In the middle of this ungraspable adventure through contemporary electronic music, Köhn stands as a genuine artist that stayed true to the curious spirit of the DIY knob twiddling and boggling boy he once was. 

KRAAK is proud to present his 7th album on KRAAK — Kreis Plön, which documents and envisions 20 years of exploring. It’s an album that is about a fusion of the past and the future, of separation and reconfiguration, of mourning and rejoicing, of noise and peace. Kreis Plön is about geolocation. It’s about probable fiction and looking for bits of different puzzles that fit together. An exercise in linear and perpendicular coherence devoid of any objective logic. 

In the middle of the album an artist is envisioning his place in the Now, questioning how or when he got there, as he links memories to imaginary places, and real places to imaginary histories. Kreis Plön stands as such a masterpiece that bluntly envisions the future of electronic music.

Klinker

Prescott Circle Percussion - Bad Times

Eerie synths and tape manipulations from Bordeaux, ATN037 by Radiante Pourpre, in collaboration with Parisian gallery Treize, will be out on September 25th on Antinote.

Pre-order it: http://www.rushhour.nl/distribution_detailed.php?item=97496 // Digital: https://antinoterecordings.bandcamp.com/album/atn037-radiante-pourpre-radiante-pourpre

Radiante Pourpre

ATN037 - Radiante Pourpre - III

Second track on side A of the new Dilloway album "Switches". Released on November 16th 2017.
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The master of twisted noise is adding a new album to his incredible discography. Following his monumental album ‘The Gag File’ on Dais, ‘Switches’ is the next chapter in the evolution of Dilloway's sound. Created on piano and tape ‘Switches’ is a spiralling journey into the rugged mind and soul of one of the most influential figures in radical modern music.

The album is pressed on green 180 g vinyl and housed in a reversed board sleeve illustrated with artwork by Cejero favorite Henri Jacobs. All music mastered by Jason Lescalleet.

Released in edition of 400 copies.

For wholesale, please get in touch at: eks @ cejero . net
US buyers can order directely from Hanson: ://hansonrecords.bigcartel.com/product/aar…p-cejero-dk

Switches

Aaron Dilloway "Switch 17"

Moon Wheel — Patience

Krikor Kouchian - Saudi (GRVTS011)

A - Saudi (Face A)
B - Saudi (Face B)

Limited edition of 80 copies.
Every box has been hand-painted by French typographer Tiphaine Buhot-Launay. Comes with 3 colour postcards. Design by David Coquelin

Buy at Bandcamp

Krikor Kouchian - Saudi

Purchase: geographicnorth.bandcamp.com/album/catch-a-blessing
Catalog #: GN52
April 5, 2019
LP+DIGI

Matthew Sage is a composer, producer, label owner, and publisher based in Chicago, IL. Since his earliest recordings, Sage has carefully considered and crafted each of his various approaches to experimental music. His debut LP A Singular Continent was an endless epic that charted imaginative aural cartography and seemed to soundtrack actual worldbuilding. Now, after five years personal changes and growth, Sage returns with his tried and true sonic trademarks, but with a noticeably liberated approach to his brand of experimental studio music.

Catch a Blessing shows Sage in a much more impulsive light. Where past work existed in space that was cerebral, meditated, and composed, the music here is more natural, playful, and effort-less.

Opting for chance and the unknown rather than rules and conceptual rigor, Sage "practiced" an amorphous technique that led to profound moments of accidental, unplanned beauty. And the perks were plenty. As Sage explains: "Learning to know less and to just feel more about what I am making has become important to me. I like, or am learning to like, the possibility of that openness, that uncertainty. Not knowing. It is uncomfortable, but it is nourishing."

Recorded over a summer in a tiny room on the second floor of a 120-year-old apartment in Chicago, 'Catch a Blessing' is the result of and the meditation on the exquisite exhaust and lavish lushness of his crumbling (and rebuilt) locales. 

Presented as a collection of ornately expressionistic portraits of Chicago, Sage approached the album more as paintings or sculptures than musical compositions. Album opener "Avondale primer Gray" unfurls a calm but vibrant quasi-melody that dissolves into a blur of found sonic objects both familiar unknown. "Lions to Baffle" is a semi-synthetic symphony of muted, sax-laden alien jazz, while "Elevator Straffing" maintains a whirling, glittering hum of echoed dissonance. "Claiming Air Rights" could be the literal sound of a piano floating through space, levitating despite an impossible weight. "Michigan Turquoise" brings an exquisitely eerie hymn with the same ghastly grace of Sparklehorse. Album centerpiece "Window Unit +Three Flat" is an open-ended epic of texture and ambiguity, immediately followed by the warped and trickling elegance of "Polish Triangle". "Wolfe Point Fog" closes 'Catch a Blessing' with peculiar focus, departing with an open-ended and wholly optimistic focus.

The moods and modes are constantly, entirely at odds with themselves: private vs. public, abject vs. profound, rural vs. urban(e), and so on. Where other players of experimental studio music take a more high-minded, often stuffy approach, Catch a Blessing floats in airier, more refreshing modes. It’s endlessly lush but sincerely marked by decay. This is naturalism in the truest sense.

M. Sage - "Polish Triangle"

From DIAG049 Not Waving / Jim O'Rourke - Side A / Side B

Side A / Side B

DIAG049 Not Waving / Jim O'Rourke  'Side A'

Degradia (2018) is a sound work by Anni Puolakka and Miša Skalskis, originally made for an exhibition of the same name. They were inspired by some old Finnish poems in which vulva plays a central part and becomes a powerful character of its own right. Parts of Degradia are translated and altered lines from these poems, for example, where vulva is likened with a biting dog's jaws and a running wolf's gums.

www.annipuolakka.com
https://soundcloud.com/ang3l_sp1der

Anni Puolakka and Miša Skalskis – Degradia

READ > https://inverted-audio.com/feature/in-perspective-radiante-pourpre

Resurfacing with the followup to their eponymous first LP, originally released in 2014 and pressed to vinyl for the first time two years ago, French outfit @radiantepourpre return to @antinote-records to land the second volume of their groundbreaking sonic adventures.

DIAG049 Not Waving / Jim O'Rourke 'Side A'

DIAGONAL