Doin Detroit [Mix 1] - features a classic electro and detroit tech style release. with acid and deep tech and various for of nine oh nine break beat. classic and diving into the realm of analog. these songs hit with soft grit or originality. Distributed by Label Engine - www.label-engine.com

Stereoimagery - HaK Jib

More info: https://www.xlr8r.com/news/2016/11/premiere-stream-rx-101s-new-album-in-full/

@suction-records

Like Yesterday

Premiere: RX-101 - Bloom (pt.2)

Limited edition 12" vinyl in shrink-wrapped printed sleeve with paper inner.
Includes White Silence, Fear, Frightening Thoughts and Alpha & Omega.

Watch the video here: https://www.youtube.com/watch?v=23zbiX3Vz_Y

White Silence

Noumen - White Silence

Recorded in Schevenigen, La Haye, in 2018.

Dim Garden - I won't cry

urth cut

12" iDEAL187 2019 
Edition of 230 copies
Hand numbered

IDENTITY IS THEFT

Carl Abrahamsson & Genesis Breyer P-Orridge - Third Minds Think Alike (iDEAL187 12" MAXI)

A special mix from Andrew Lagowski featuring some of his musical influences.

▲ Lagowski

From the forthcoming '37 Minute Workout Vol.2' DIAG055.

THE PRESENT INTERWEAVES WITH THE PAST: 
NOTES ON RUSSELL HASWELL’S 37 MINUTE WORKOUT VOL. 2

A less frenzied sister act to the original, Russell Haswell’s 37 Minute Workout Vol. 2 explores yet new ground for the artist. Opener ‘The Wild Horses of the Revolution Have Arrived Without a Knight’ bubbles and froths in a wide-open space that’s immediately at odds with the mostly dense and combustible torrents in volume one. The Quietus acutely observed of his 2018 mini-LP, Respondent, that rhythm feels like liberation rather than confinement for Haswell, and here we swim in a seething assemblage of rhythmic objects that ceaselessly curve, warp and reemerge around stretching/contracting moments of silence — and our minds. If Xenakis had written ‘Nomos Alpha’ for drum machine rather than single cello it might have sounded something like this. 

Haswell often jokes that the first volume was the first time a record took less time to make than the actual duration of the recording, and this second volume continues the approach: 37 minutes of realtime improvisation that progressively degrade the non-categorisable, outside-time structures he creates. The sense is that the machines have been running since 2014, and Haswell has chosen to hit record again, segmenting a slice, not just of the music, but of the forces at play in his life. The title of ‘Painful Memories From the Past Need to Be Acknowledged’ suggests such an intervention of the present into the past, while the piece itself affirms as a sparkling mosaic of synthetic interpolation. 

There is beautiful compositional intelligence at work despite the immediacy of the process, an intelligence ruled and mediated by machines serving other machines, which are, in turn, governed by the artist. Technique here is not simply improvisation/randomisation: it is years of immersion, work, love, vision — all consolidated into an intensely personal process, the physical means that brings these musical objects into existence. The record assumes the feeling of a luminous flow or emission of photons caught in varying degrees of density and disorder.

The artist, on submitting the final recordings, wanted it known that he’d recently visited CERN, The European Organisation for Nuclear Research, in Geneva; he also had dinner with Ted Nelson, whose theories of interwingularity and transclusion seem apt. Embedded within Haswell’s own hyper-text/hyper-audio formations are an array of sonic influences, from Xenakian stochastics to strobing flashbacks of Mills bringing down the legendary Eclipse back in the artist’s ho
metown of Coventry [‘Cov!’]; but there is also the sense that, embedded here, are the effects of new paths forged outside music — the uprooting of home and studio from London to Glasgow, or simply the malignant political and social forces that swirl around us, dragging us all, kicking and screaming, over the cliff of 2019. 

As Plato said in Timaeus, the movement of sounds, even when not conforming to representational standards [something Haswell has always sought to resist], “procure a common pleasure for those who do not know how to reason; and for those who do know, a reasoned joy through the imitation of the divine harmony which they realise in perishable movements.” The structures here stoically assembled — and disassembled — by Haswell leave openings through which the most complex and mysterious factors of the intelligence may penetrate.

37 Minute Workout Vol.2

DIAG055 Russell Haswell 'The Wild Horses Of The Revolution Have Arrived Without A Knight'

Slipping into a new persona, @anasisana premiers their latest project  'Perfect Stranger' and upcoming EP for INCHMIX063. 
Having released on @vaagner @holygeometry and @perfectaesthetics, Anasisana has already a solid foundation of mesmerising modern-ambient releases drenched in contemplative loops and haunting environments for your mind to melt into. 

Released soon via @trustcollective this mixed EP is a melancholic trip through hissing and steaming industrial ambient, layered meticulously over vulnerable drone sequences and cautiously broken up with elements of noise and distortions.

Artwork by Anasisana
SC: @strangeandperfect

INCHMIX063: Perfect Stranger

Interview de @vazyjulie du @metaphorecollectif avec @ola_terreur, qui aborde ce superbe collectif à l'occasion de la sortie de la compilation ICI DANSE LE PEUBLE OUBLIÉ. 

“Depuis quelques temps l’équipe de Metaphore Collectif réfléchit à une façon de garder une trace de son histoire, de l’ancrer dans le temps. La crise sanitaire a précipité les choses lorsque, suite à une fermeture forcée, un grand appel à l’aide a été lancé pour sauver le Meta, leur lieu associatif, bastion de la fête libre à Marseille. Un appel auprès des membres de l’association, mais aussi auprès des artistes passés par la case Meta. La liste était longue, et ils ont quasiment tous répondus présents !
C’est ainsi qu’est né la compilation de 64 titres intitulée «Ici danse le peuple oublié».

Ola te parle • avec Vazy Julie (Métaphore Collectif)(20.08.20)

from CS029: VOILER "000" Tape – out on 21.08.2020
http://www.cutsurface.com/voiler/

DIAG055 Russell Haswell 'The Wild Horses Of The Revolution Have Arrived Without A Knight'

DIAGONAL