Luttun

Cassette/digital available from Imprec.com

“The Generous Law,” a new album by organist Jack Langdon and guitarist Anthony Vine, presents a glimpse of the inner voices and acoustical splendor of the Fisk Organ at Wellesley College, enlivened by the intuition of two improvisers. At the keyboards, Langdon crafts geometries of patiently braided lines and incisions, configuring the hues and shades of organ stops with an ear to the materiality of sound. Vine seizes on this, tuning his guitar to the organ and bringing his strings into alignment with the harmonics of the reeds and pipes, becoming an extension of the instrument, an organ stop of sorts. The guitar flows in and around Langdon’s angular counterpoint, like the shimmer between the divots of a jigsaw puzzle, illuminating its matrix. 

The tonal design of the Fisk Organ brings these interactions into vibrant relief through its quarter-comma meantone tuning and 17th c. Danish and German stops—giving organists access to sonorities only found in historic North European churches. Resurrecting a distant sonorous past echoes the design of Wellesley College's Houghton Chapel itself, a braiding of ecclesiastical motifs with no historical center, designed to impart a sense of old-world sacredness. Fisk’s ahistorical mélange yielded something extraordinary, not a cheap replica or period imitation, but an instrument of sui generis chroma and expressivity.

The musical idioverse of Langdon and Vine is defined less by interior imaginations, established style, and compositional formality, and more by the inexplicable pull of the organ, its guiding and grounding voice. In a letter to Ross Feld, Philip Guston speaks to this abstract, yet ubiquitous dynamic in artmaking with his notion of the “generous law,” the namesake for this collection:

“I think you are writing about the generous law that exists in art. A law which can never be given but only found anew each time in the making of the work. It is a law, too, which allows your forms (characters) to spin away, take off, as if they have their own lives to lead—unexpected too—as if you cannot completely control it all. I wonder why we seek this generous law as I call it. For we do not not know how it governs—and under what special conditions it comes into being. I don’t think we are permitted to know other than temporarily. A disappearance act. The only problem is how to keep away from the minds that close in and itch (God knows why) to define it.” -Philip Guston to Ross Feld

This music is not driven by concept, process, or system, but by the wanderlust of sound, time, and listening.

Jack Langdon & Anthony Vine - The Generous Law - 1  July 27, 2022 - 1pm

Atlas of Green

Age & Rain

Taken from 'Salt And Sugar Look The Same' (MFM070)
Buy Vinyl: https://www.musicfrommemory.com/
Buy Digital: https://music-from-memory.bandcamp.com/
© 2024 Music From Memory

Salt And Sugar Look The Same

The Maybes Are Endless

B6. The Maybes Are Endless

You can get this album from:

Bandcamp: https://pnfa.bandcamp.com/album/lost-and-found
Spotify: https://open.spotify.com/intl-de/album/3RYm59f4gi2dAiVCIMRXsR?si=TgX58JrVQkGmOFDS7YDFjg
Soundcloud: https://soundcloud.com/pnfa/sets/lost-and-found-4408941
Juno: https://www.junodownload.com/products/pnfa-lost-and-found/7225201-02/
Youtube Music: https://music.youtube.com/playlist?list=OLAK5uy_l2G0o9Cag84P2s9NUTVir5VujhKA6xhBM
Apple Music: https://music.apple.com/de/album/lost-and-found/1831446103
Amazon: https://music.amazon.com/albums/B0FLDBZ8V2
Tidal: https://tidal.com/browse/album/452480000
Deezer: https://www.deezer.com/de/album/800202561
Audiomack: https://audiomack.com/pnfa-1/album/lost-and-found

About the album:

"Lost and Found" is a moving and finely detailed album by PNFA, the musical project of German artist Wolfram Gruss. Known for his reflective and atmospheric style, Gruss delivers a collection that blends downtempo, chillout, and trip hop with cinematic and electro-acoustic elements, resulting in a rich, immersive sound.

Most of the tracks are instrumental, unfolding slowly through layered textures, ambient tones, and subtle rhythmic patterns. Each composition is carefully arranged, showcasing a strong focus on sound design and emotional nuance. The music feels organic and spacious, balancing electronic precision with a warm, human touch.

Alongside the instrumentals, the album features several vocal pieces that add lyrical weight and emotional clarity. These songs deal with themes of love, separation, and the emotional complexity of letting go, offering a contrast to the abstract mood of the instrumental tracks.

PNFA’s production style is deeply nuanced, with every detail—from gentle melodies to atmospheric field recordings—thoughtfully placed. "Lost and Found" stands as a cohesive and expressive work, shaped by both technical skill and a strong emotional core.


Released on Diventa Music
Distributed by DigDis

Follow me on Facebook: https://www.facebook.com/PNFA-298137787393/
Follow me on Twitter: https://twitter.com/officialpnfa
Follow me on Soundcloud: https://soundcloud.com/pnfa
Subscribe to my Youtube Channel: https://www.youtube.com/officialpnfa

If you like my music, please also check out my other project Spoq:
Soundcloud: https://soundcloud.com/spoqmusic
Youtube: https://www.youtube.com/channel/UChzuFuBdOJ5af0EYvXBiaNw 
Spotify: https://open.spotify.com/artist/30iXz2T5RHECSDNhmpt9Cy

#triphop #downtempo #chillout #chilloutmusic #electronicmusic #midtempo #electronic #chill #ambient #darkpop #dnb #drumandbass #liquiddnb #psychill #artpop

Lost and Found

Longing

EN: Sacred ambient soundscapes with Sanskrit mantras and ethereal choirs.
A journey of peace, light, and inner reflection. IT: Paesaggi sonori ambient con mantra sanscriti e cori eterei. Un viaggio di pace, luce e introspezione.

Namah in the sky

Light emerges from fragments scattered in the void, floating like shooting stars in rivers that move against time. Each moment is a breath caught between worlds, where silence expands into vast labyrinths and melodies flicker like hidden codes at the heart of the unknown. The journey unfolds like a dialogue between earth and sky, revealing secrets that bring shadows and whispers written in memory. What begins as a broken light becomes a timeless weight of dreams: forgotten yet eternal, fragile yet endless.

Between Earth and Silence

Physical: geographic-north.com/#/GN37-detail
Digital: geographicnorth.bandcamp.com/album/inversions
Catalog #: GN37
Enharmonic black cassette, limited to 100
Mastered by Sean McCann

Arp is the solo project of Alexis Georgopoulos, a composer/artist/producer based in New York City. Inversions is the latest chapter in Arp's evolving narrative, a diverse musical sprawl that has issued sets of captivating brilliance on the likes of RVNG Intl., Mexican Summer, and Smalltown Supersound. This cassette fortuitously bridges together Arp's shapeshifting identity, from avant-koscmische tinkerer to avant-classical composer and dance-floor modulator.

"Raga for Moog & Violin" and "Flamingo" were originally created for a sound installation presented at Jack Hanley Gallery in New York City in 2014. Both tracks were composed in the same key (C minor Dorian), chosen for its ability to be heard in great lengths of time, its root in cultures from ancient Greece to India, and its link to visions of futurism, Arp's sound installation reflects and refracts themes explored by both creative studio RO/LU and filmmaker Paul Clipson. 

Using a Moog synthesizer, and featuring Nicky Mao (who records under the name Hiro Kone) on violin and piano, the mode allows the listener/visitor to focus on sound at times and plays a subliminal, sometimes barely perceptible role, at others. Analog synthesizer overtones give way to violin, moving gradually at first, then building into a cascade of sound, before receding. This process regenerates over the course of the piece, each time doing so differently.

Inversions also includes "East of the Sun, West of the Moon," a track intended for the installation that was not used in the end. Here, it refinds its original companions.

A1 - Raga for Moog & Violin (ft. Hiro Kone)

Cerket

'Flor' from the upcoming Release 'Moto Perpetuo' on Marionette.

Written and Produced by Benjamin Kilchhofer and Michael Anklin
Cat. no.: Marionette09
Format: 12” Vinyl (180g) + Digital
Release Date: March 2019

Age & Rain

Dialect