69whateverber

zonedout - WEBCORE TRACK 528 (prod. phntmzn bR)

0:00 - 1:42 @unknxwn0
1:42 - 3:56 @prodnikick

enjoy :)

ECLIPSE w/ NIKICK

Nyaa

Born in England (1976), raised in HongKong, U.S. and now in Tokyo,Japan. Age Yoshida gave birth to his solo and started solo project under the alias COM.A. many compilation and remixes appearances and foundation building releases such as a split 12" on FatCat's classic split series, countless internet trading of his tracks which were also popping up on dj mixes and playlists worldwide.

COM.A started his own label NOTEK REC and on January 2001,released his Debut album "DreamAndHope" and the follow up remix album "We are the pervert?". on Oct 2002, he changed NOTEK REC to ROMZ, he released 2nd album "shot of love" from ROMZ and Tigerbeat6, on Dec. 2003, released singles and remixes collection 3rd album "My Way". 
On 2007, the 4th album "Coming Of Age" has released from ROMZ, Tigerbeat6, and Shanshui label.
COM.A is one of the first and most inventive japanese electronic music hailed by many as the japanese equivalent to groundbreaking artists, Com.a is sounding the warcry as the leader of an electronic music all over Japan .
http://www.discogs.com/artist/8884-ComA


My Way Allmylovingto

New data package from our core members, since2side and silént phil, represents the wildness and beauty of intact technological sound design.

since2side: @sincetwoside
silént phil: @silentphil

since2side, silént phil - Transmission

Don't Stop Saying Goodbye

Merzbow stands as the most important artist in noise music. The moniker of Japanese artist Masami Akita was born in Tokyo in 1979. Inspired by dadaism and surrealism, Akita took the name for his project from German artist Kurt Schwitters's pre-war architectural assemblage The Cathedral of Erotic Misery or Merzbau. Working in his home, he quickly gained notoriety as a purveyor of a musical genre composed solely of pure, unadulterated noise.
Originally released on CD in 1990 by Alchemy Records as part of the Good Alchemy Series, Rainbow Electronics marks the pinnacle of Merzbow's late 80’s noise phase. Selected and transformed from about 21 hours tape of primitive raw material recorded during three years (1987-1990) in 14 fragments lasting about 74 minutes, this monumental work is an aural trip through a cold plotted universe of intergalactic space ships and golden celestial bodies. Remastered in December 2019 and split into four parts directly by the artist for the double vinyl version it opens up with a slow, kind of creepy tempo, reaching from dirty harsh noise flows coupled with eerie reverbed screeches and scrapes of iron objects. Noise and blasts come from every angle, and all you can do is sit and take it. Then continues with solid drumbeats briefly emerging from the static and disappearing just as quickly, again long stretches of subdued electronic drones buzzing along sleepily and the occasional sudden shift of noise into something more violent, though it all happens kind of slowly and gradually. A truly mesmerizing and immersive body of sound and its intense finish is something of pure artform. 
“I don't need a lot of words about Merzbow. All you have to do is immerse yourself in the sound.” translated from Japanese liner notes of Alchemy Records CD by Toshiji Mikawa.
Double vinyl comes in only 299 copies with gatefold cover that faithfully reproduces the original art work plus a 12" size insert. If you looking for a great starter title by Merzbow, an amazing piece of art, or something to get high to, this double LP is perfect!
Out late November 2020. Please link on webstore via linktr.ee/urashima and join to our newsletter for more information and updates.

Merzbow - Part D Excerpt (from Rainbow Electronics)

Cascades of electronic noise, a psychedelic touch and vocal belching mixed together constitute the ingredients of Mademoiselle Anne Sanglante Ou Notre Nymphomanie Auréolé, the double-barreled name for Masonna. Maso Yamazaki founded his project in 1987, with a charismatic and glamorous personality who become a cult figure in “Japanoise” scene. Masonna’s abundant productions on his own legendary and astonishing label Coquette were presented in very limited edition, sometime totally confidential (one sole copy), and reflect his predilection for 60’s psychedelic music revisited in its own very peculiar way. He transforms his voice into noise, feeding the microphone back through a process of extreme distortion. His shouts become clipped bursts of overloaded sound, doubled and extended by a delay that displace the sounds into stuttered blasts of static.
Freak is an ultra-rare cassette originally released in 1995 by Coquette in an edition of 36 copies in a special gold paper and now return for the first time in a flabbergasting vinyl format fully remastered!
This mature work is very brash, earsplitting and mad. The distortion and effects on the vocals are top notch, they in combination with his awesome screaming create a complete audio assault. Sometimes pleading sobs are heard. And they are all, regularly, philologically broken, retouched, stiffened. And they mingle in the vortex. Or at most they come back to be slaughtered a little more only to be thrown back again, finally in the centrifuge. Everything is scraped, fast and beautiful and focuses an electrically overcharged universe, punctuating the thrilling and vocal sonorous power with some quite moments and brief interruptions, conferring a very particular dynamic to this work.
Originally released as single side tape C30, this vinyl edition divided into two parts of about fifteen minutes each is limited to 299 copies and comes with A3 size poster with Masonna in “action pose”. Freak is an absolutely astounding piece of work by one of the great pioneers of extreme noise from Japan! This is bound to be a revelation for anyone and it can’t be missed!
Out late November 2020. Please link on webstore via linktr.ee/urashima and join to our newsletter for more information and updates.

grounding the ungroundlessness of ungrounded grounds

DIANE 35

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