remix for https://soundcloud.com/mrkittydm "Unstable".
supposed to be released on the "Unstable" remix EP, but something got in the way... so here it is!

XP8 Digital Store

Mr. Kitty - Unstable (Violent Ghost Mix By XP8)

“Elegies in Darkness” is the title of the 11th studio album by Diary of Dreams, and the name speaks for itself – the new work couldn’t have been deeper, darker, more organic or more melancholic. All the time, it feels familiar to be lead through the dark compositions of this apocalyptic epic, and yet there’s always the sense of some kind of hope within the darkness, some positive thought, some sincerity. Lyric-wise, four songs come with German words while the rest are in English, and they lead the way through an incredibly eclectic album, mindfully produced with great care for detail – small wonder that it took the band three years to come up with this spectacular masterpiece! But it definitely has been worth the wait …

You’ll dip into deep and viscous soundscapes strengthened by big choirs and massive orchestras, but also into pounding rhythms, touching ballads, pulsating club hymns and apocalyptic grooves. The album thrives on its variety, diversification, power, dynamics, fragility and last but not least on the experience that defines every single note. Adrian Hates – the charismatic voice and song writer of the band – was particularly keen to make sure that the album he calls EiD wasn’t composed within a higher, conceptual setting: he wanted to create an individual history for every track and provide these singular pieces with a common headline to connect and unify them. This work is emotionally song-orientated, while the compositions of the album have a strong connection to each other.

In contrast to the previous record, guitars have reclaimed the role they typically had with Diary of Dreams before: sometimes you don’t even realize that the unusual sounds you’re hearing are brought forth by guitar strings, sometimes they are responsible for the power and dominance of a track, and sometimes they provide the delicate and tender melodies melting skillfully into the whole soundscape. The overwhelming co-existence of synthetic sounds and classical stylistics has always been the main attraction that provides the unusual and extraordinary characteristics of Diary of Dreams. As, without doubt, this new album proves once again.

The band has played more than 500 concerts in 36 different countries … there are only a few bands who can claim such a history, and Diary of Dreams have every right to do so: They live their dream … as darkly beautiful and melancholy it may be.
Short after release, DIARY OF DREAMS will be on Tour with Special Guest IN STRICT CONFIDENCE! Here are the Dates:

DIARY OF DREAMS & Special Guest IN STRICT CONFIDENCE:
02 April 2014 D NUREMBERG HIRSCH
03 April 2014 D REUTLINGEN KULTURZENTRUM FRANZ K
04 April 2014 D LEIPZIG WERK 2
05 April 2014 D ERFURT HSD GEWERKSCHAFTSHAUS
06 April 2014 D MUNICH BACKSTAGE WERK
08 April 2014 D FRANKFURT BATSCHKAPP
09 April 2014 D BOCHUM ZECHE
10 April 2014 D HANNOVER MUSIKZENTRUM
11 April 2014 D BERLIN C-CLUB
12 April 2014 D HAMBURG MARKTHALLE

DIARY OF DREAMS - Mythology of Violence

Slaughter Of The Black Sun

"THE KLF" coverversion 
Release date 28.06 via [aufnahme + wiedergabe]
"WHAT TIME IS LOVE?" [a + w 12" 006] 
limited to 150 copies - black vinyl 
Available here: http://thedevilandtheuniverse.bigcartel.com/


What Time Is Love?

Track #4 from the forthcoming Oranssi Pazuzu album Värähtelijä, to be released February 26th, 2016 by 20 Buck Spin and Svart Records.

ORANSSI PAZUZU - Hypnotisoitu Viharukous

10. Shadows Of The Dying Sun.mp3

Sprawling space sounds tell stories of far galaxies - the music fuses single instruments into each other and the sound gets a swirly acid madness… This is psychedelic music without being bound to certain stylistic directions: What matters is the flow. A wonderful soundtrack for a journey to the far out vastnesses of the inner cosmos.
Interkosmos were founded in 2008 by Sula Bassana (Electric Moon, Zone Six, Krautzone) on bass, Pablo Carneval (formerly Electric Moon, The Blowing Lewinsky) on drums und Sergio Ceballos (RIP KC) on guitar.
They recorded the complete album „Hypnotizer“ incessantly. After a tour through Spain and several gigs in Austria, Sergio went back to his home in Spain, so the line-up of Interkosmos got changed. One livetrack with the second line-up you will find as bonus on this album.
„Hypnotizer“ got released initially as „Interkosmos - same title“ (in it’s archetype, without the bonus track) as a tiny CD-R edition and as free download on the platform „Clinical Archives“ (where it got downloaded more than 30.000 times!).
Now, after 8 years, it is certain: there must be a proper release of this stuff!
After some reflecting, Sulatron Records decided to release „Hypnotizer“ as a proper CD issue (even if it is available on bandcamp now), limited to 500 copies in Jewelcase.
Mastered by Krautrock-legend Eroc. Coverdesign by Lulu Artwork!.
The norwegean label Pancromatic will release it as double vinyl (lim. to 300 on marbled wax and 300 on black wax) in April.
Tracklist:
1. Lift Off 11:27
2. Hypnotizer 10:56
3. Edentrip 7:29
4. Kosmos Amigos 10:51
5. Floatboat 10:17
6. Rockit 12:30
7. Samphonic Trip 13:53 (Live Bonustrack)
available here:
http://www.sulatron.com/xoshop/lng/en/interkosmos-hypnotizer-cd.html

INTERKOSMOS - hypnotizer

#BrotherhoodSwe
ORDER NOW ➤ https://goo.gl/VAjYgh

Brotherhood - Damned

Bauhaus - The Man With The X-rays Eyes

Diary of Dreams - Malice (The Anatomy of Silence)

The reference points for Patrick Walker's emotionally searing, purely melodic brand of doom metal are Justin Broadrick's Jesu project, Bob Mould's bleak rock (à la Black Sheets of Rain), and Michael Stipe's singing at his most nakedly confessional -- though he sounds like no one but himself. Walker's former band, Warning, released one of doom metal's classics in 2006's Watching from a Distance, which created high expectations for any subsequent project. The Inside Room doesn't disappoint. A trio fronted by Walker and featuring engineer William Spong on bass and former Warning drummer Christian Leitch, 40 Watt Sun deliver five songs (ranging from just under seven minutes to nearly 11) that draw on all of his strengths. His protagonists are tortured people; they're literally ripped apart by love, desire, the wish for deliverance, loneliness, and regret. He's unafraid to give them a clear voice, allowing their pain and vulnerability to give them dimension. The pace here is slow to very slow and the guitar is as pronounced as anything in the doom or metal genre, without all the jive, "evil for it's own sake" or faux gothic clichés for lyrics. "I can't see my way when shame is covering my eyes" are the opening words in the album's first track, "Restless." As Leitch's drums plod, accenting each sung line, Spong's bassline adds an element of danger to the clarity in Walker's voice. His guitar lines, from one snail-like chord to the next, reveal the coiled power of chaos that lies just under the surface of his character's frailty. The riff in "Open My Eyes" is spun out one layered, distorted string at a time, with well-placed rim shots and a steady thrumming bassline. The protagonist seeks to express his gratitude to his beloved, all the while seeking to pull her from sinking under the same emotional depths she's pulled him from previously. A subtle second melody creates another series of tensions as the singer finds himself powerless to help affect this change. "Between Times" is the most representative doom tune here, with its words "Carry me over between times/In your red room on quilted blankets/Laying awake in this low light." The gorgeous lyrics (printed in the booklet) are murkier on "Carry Me Home," wrapped in a blanket of fuzz and melancholic menace. "This Alone" is seemingly pastoral in contrast to the rest, but its twinned guitars and basslines underscore the funereal pace of Leitch's drums. It rings, on and on, seemingly forever, even as Walker's voice expends itself, professing love even as it expresses terrible loss and projects total loneliness. The Inside Room is almost monstrously great even as it pushes doom metal to its margins and over them. (via allmusic.com) 
