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Alias is delighted to announce that it has won the 2023 Archiproducts Design Awards with the Prima chair designed by Mario Botta, a re-edition of the iconic chair presented at the 2023 Milan Furniture Fair.


Or you can set up a single surface beneath the given design surface - I see the base surface of the pattern has linear edges along the x-axis. Then you can apply your patterning definition to the single surface until it creates a point set. Before making the actual pattern, you need to project the points to the given surface (Polysurface or whatsoever) to constrain the points to reside in the design surface (the given). That way, the point list or datatree will keep their data structure intact. Then with the adjusted point set, you can continue your pattern-making logic. For the fading effect, I am not sure how you would achieve the smooth transition back to the given surface. By the way, you first need to sort out your surfaces - some of them are not even touching.


Autodesk 
Alias
 (formerly known as Alias 
StudioTools
) is a family of computer-aided industrial design (CAID) software predominantly used in automotive design and industrial design for generating class A surfaces using Bézier surface and non-uniform rational B-spline (NURBS) modeling method.


The product is sold specifically as CAID rather than CAD, and its tools and abilities are oriented more towards the "styling" aspect of design - that is to say, the product's housing and outer appearance. It does not go into mechanical detail like other CAD programs such as Siemens NX, Inventor, CATIA, Creo and SolidWorks.


The product suite starts with Alias Design as the entry-level conceptual design system, progressing to Alias Surface, and then to Alias Automotive as the top-of-the-line product with all of the options.


Tools for sketching, modeling and visualization are combined in one software package. It meets the specialized needs of designers:[
according to whom?
] sketching, freedom to experiment with shape and form, creating organic shapes, visualization for design review, and data exchange with CAD packages.


If the block effect becomes a model term of design matrix X1 i guess it would optimize predictability (predictive variance) of the blocks as strongly as other model terms. If the block effect was in the model terms for matrix for the alias X2 we would optimize it's orthogonality against the X1 terms but it's predictive variance would be greater and estimated block effect sizes would not necessarily be orthogonal against potentially aliased effects.


All of the furniture by 
Alias
 is characterized by minimalism. When designing the creations at 
Alias
 the current needs of customers in the home, workplace and outdoor area are always considered so that 
Alias
 can offer the perfect contemporary designer products.


The designer Riccardo Blumer created, among other things, the legendary 
304 Laleggera chair
 for 
Alias,
 which seems to be full of ease. The simple wooden chair was so successful that he won the Design Award of Switzerland in 1997 as well as the Compasso d'Oro a year later.





The stylish 
Tagliatelle Chair
 by Jasper Morrison had its debut at the Milan Furniture Fair in 2011. The liveable 
To'taime coat rack
 by Starck + Quillet, the modular 
Tec Table
 by Alfredo Häberli and the wonderfully comfortable 
Manzù armchair
, which the world-famous designer Pio Manzù designed, were presented at the exhibition. A year later, in 2012, came the feminine 

Elle chair
 by Eugeni Quitllet.


At AmbienteDirect you will find many interior design and outdoor items from the Italian furniture manufacturer 
Alias
. With

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The receiver is scrubbed of the crest as well as the original serial number (I think) but has been re-stamped with a different number. It still has the "Zbrojovka Brno, A.S. VZ.24." markings on the receiver side wall. The bolts serial TR2837 leads me to believe at least the bolt was from a Romanian contract rifle. The receiver serial is hard to read exactly what it is and the numbers look like ones you would see on Russian Nagants.


The vz.24 became the primary rifle of the Czechoslovak Army before World War II. It resembled the German Karabiner 98k, which it predated by more than a decade. Unlike the K98k, the vz. 24 has a longer top handguard, and it retains a straight bolt handle.[5] Between 1924 and 1938, Czechoslovakia manufactured more than 775,600 rifles, with the first rifles entering service in 1926. The final order was placed in July 1938, as tensions escalated with Nazi Germany over the Sudeten Germans. Following the German occupation of Czechoslovakia, production continued for the Slovak Republic (a Nazi client state). The exact number of rifles manufactured between 1938 and 1939 is unknown, but may be less than 10,000, based on serial numbers of surviving rifles.[6]


The rifles, which were referred to as "Brnos" or "Bernos", after their city of manufacture, proved to be prized by Iran's various tribal groups, which frequently rebelled against the government of the Shah. After Reza Shah was deposed in 1941 by the Anglo-Soviet invasion of Iran, significant numbers of the rifles fell into the hands of tribal rebels, and they were used in tribal conflicts throughout the 1950s.[31] During the Anglo-Soviet occupation, the Soviets seized and distributed 10,000 of the Brnos to Kurdish tribes in western Iran, which they also helped to train. The Kurdish force proved to be the basis of the Peshmerga.[32]


In common with elsewhere in Europe, Brno also refurbished large numbers of German Kar 98k rifles in the immediate post-war period. These are distinguishable by a larger serial number stamped on the underside of the stock behind the pistol grip adjacent to the original German number. Czechoslovak-refurbished Kar 98ks were sold to other Communist states in Europe, and were used by military and paramilitary forces into the 1960s, and were retained for some years afterward as reserve weapons.


Top of receiver ring is marked "CESKOSLOVENSKA / ZBROJOVKA / BRNO", with the Czechoslovakian army acceptance mark with the year 1927. "VZ24" marked on right receiver wall. Matching numbers on receiver, bolt, front barrel band, floor plate, trigger plate, and stock. Buttstock has a sling cut-out with the sling swivel removed and the letter "A" stamped in the grip area. With a leather sling. German modified stock with bolt firing pin disc present.





A small number of vz.24 pistols were manufactured during the German occupation in World War II. These guns do not have serial numbers or any markings other than CESKA ZBROJOVKA A.S V PRAZE on top of the slide, though they do have a Waffenamt proof mark on the barrel.
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Hierarchical problem-solving has been used to lower the computational cost of planning since artificial intelligence was first developed. The widely acknowledged principle behind hierarchical problem-solving is to prioritize problems based on their relevance, starting with the most pressing issues. Its fundamental benefit comes from a considerably smaller search space that may be obtained while looking for a strategy by emphasizing some actions while temporarily disregarding others.


Hierarchical planning in artificial intelligence (AI) is a planning approach that involves organizing tasks and actions into multiple levels of abstraction or hierarchy, where higher-level tasks are decomposed into a sequence of lower-level tasks. It provides a way to efficiently reason and plan in complex domains by utilizing a hierarchy of goals and subgoals. Hierarchical planning allows AI systems to make decisions at different levels of abstraction, enabling them to tackle complex tasks and environments effectively.


In hierarchical planning, the high-level task is represented as the ultimate goal, and it is decomposed into subgoals or actions at lower levels of the hierarchy. The hierarchy can be organized as a tree or a directed acyclic graph (DAG), with the high-level goal as the root node and the lowest-level tasks or actions as leaf nodes. Planning can occur at different levels of the hierarchy, with the system selecting goals and generating plans for achieving subgoals or actions. The plans generated at different levels are then synthesized into a cohesive plan for execution.


Hierarchical planning refers to a problem-solving approach that involves breaking down complex tasks into a hierarchical structure of smaller sub-tasks or actions that can be executed by an intelligent agent.


Hierarchical planning in artificial intelligence (AI) involves the use of various techniques to effectively decompose tasks, abstract them at different levels, allocate tasks to appropriate agents or resources, and integrate execution plans. Here's a brief overview of these techniques:


Hierarchical planning in artificial intelligence (AI) is a rapidly evolving field, and several future directions hold promise for advancing the capabilities and applications of hierarchical planning. Some of the potential future directions of hierarchical planning in AI are:


Automated machine learning (AutoML) seeks to automatically select, compose, and parametrize machine learning algorithms, so as to achieve optimal performance on a given task (dataset). Although current approaches to AutoML have already produced impressive results, the field is still far from mature, and new techniques are still being developed. In this paper, we present ML-Plan, a new approach to AutoML based on hierarchical planning. To highlight the potential of this approach, we compare ML-Plan to the state-of-the-art frameworks Auto-WEKA, auto-sklearn, and TPOT. In an extensive series of experiments, we show that ML-Plan is highly competitive and often outperforms existing approaches.


In this paper, we present ML-Plan, a new approach for AutoML based on hierarchical task networks (HTNs). HTN is an established AI planning technique (Erol et al. 1994; Nau et al. 2003) usually implemented as a heuristic best-first search over the graph induced by the planning problem. There have been earlier HTN-based approaches to configure data mining pipelines by Kietz et al. (2012) and Nguyen et al. (2014). However, the optimization potential of these techniques is rather limited. In fact, Kietz et al. (2012) ranks candidates based on usage frequencies of RapidMiner, and Nguyen et al. (2014) adopts a hill-climbing approach guided by a database of known problems. In contrast, ML-Plan guides the search by randomly completing partial pipelines like the one

Hierarchical Planning In Artificial Intelligence Ppt

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Despite the curiously outrageous INTERROBANG and the jargony ERYTHROCYTE bookending this puzzle it went down very quickly for a Friday. There's lots of other fresh, less obscure stuff here too. 

A recent "Economist" blog post about the interrobang is interesting. And I see that an erythrocyte is just a red blood cell, from Greek 
erythros
 meaning red. Learn something new everyday, my mom told me. A double dose today from Mr Wiesenberg. Thanks!


I first thought that WOW this was an easy Friday, la la la, as I cruised along. And then I hit SIGIL/SOEVER and ERYTHROCYTE and realized that there was an ATA (which I still don't get) up at the top with the weirdest word I've come across, INTERROBANG. Really? Whose Idea was that? Why not interrobangarang? Isn't English grand?!


Sorry, I just can't get past sigils and interrobang as answers. I thought the rest of it was challenging but, as Sir Hillary wrote, I was impressed with the puzzle but still found it to be an un-fun solving experience.


Never heard of interrobang, but got it, never heard of sigils and got it, but I don't share others' admiration for this particular puzzle. Of course, the first things I filled in were erythrocyte and Anne Bronte,and myrrh...I filled in "Sigils" last, when "Soever" finally popped into my head.. Still, when the very first clue is WTF?? (or should I say ?!) it kind of spoils the experience. But some nice touches, like Juice bar next to tall one, vibrato next to pegs,and a much better clue for "tare" than we had a few weeks ago (which I missed)..



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Alongside the format, the FLAC project also contains a free and open-source reference implementation of FLAC called libFLAC. libFLAC contains facilities to encode and decode FLAC data and to manipulate the metadata of FLAC files. libFLAC++, an object-oriented wrapper around libFLAC for C++, and the command-line programs flac and metaflac, are also part of the reference implementation.


The reference implementation of FLAC is implemented as the 
libFLAC
 core encoder & decoder library, with the main distributable program flac being the reference implementation of the libFLAC API. This codec API is also available in C++ as libFLAC++. The reference implementation of FLAC compiles on many platforms, including most Unix (such as Solaris, BSD) and Unix-like (including Linux), Microsoft Windows, BeOS, and OS/2 operating systems. There are build-systems for autoconf/automake, MSVC, Watcom C, and Xcode. There is currently no multicore support in libFLAC, but utilities such as GNU parallel and various graphical frontends can be used to spin up multiple instances of the encoder.


You can pass --silent/-s to flac and it will not include the copyright info, etc., in the output. Note, however, that it will also not show anything when the file is ok, only outputting if it is not ok.


What I'm trying to do is now convert that .wav to a .flac. I've seen a few ways to do this which all involve installing a converter and placing it in my environmental PATH and calling it via os.system.


So I'm on the latest build , latest android , s22 ultra. On my note 20 ultra it read pretty much all my flac files correctly. Since I transferred everything over to my see ultra it has placed 75 albums in the unknown artist category. All of them are flac files that were properly placed on my old phone. Is there a fix for this?





Do the problem songs show with any other tag data (title, album etc) or just as something like "filename.flac"? If just the filename, try doing a FULL Rescan in Settings > Library, or even remove the chosen folders from Settings > Library > Music Folders and re-assign them and grant permissions again. Avoid using root-level folders on your SD Card. If you copied your settings over, make sure Settings > Misc > File Access Legacy Mode has not copied over too.


So here's a pic of how it's reading them. No data what so ever, legacy mode is disabled. Nothing I'm doing seems to fix the problem. I don't understand why it's not reading them with all the correct data. Some other flac files are properly listed and divided into individual tracks. It's just one long file


'Show CUE Disc Image Files' simply means that in addition to seeing all of the individual songs (created from the CUE info) you'd also like to see that big 45-minute master FLAC file in your folders list too. In your case, the Planisphaerium.flac file has no tag data though, so it can only be shown in the Unknown Artist / Unknown Album areas in lists. Most people don't want this so by default the feature is turned off.


If your music files have already been saved as individual songs, each containing their own title/etc info, CUE files are not necessary. That is the most commonly used system for ripped or downloaded music, so rather than one big file with a separate CUE index, you'd have "Tunnel of Ions.flac", "Geodesic Dome.flac", and so on.


Given the somewhat abstract nature of the file/folder structure, I was more thinking that perhaps there is an issue with the folders that have been given permission for Poweramp to have access. This folder structure doesn't really follow the norm, so my concern was more in that regard. If Poweramp can see all files and they are correctly found, that may not be the case here. But at the same time, perhaps the cue files are using a specific path for the flac files that has changed with this move, that Poweramp ca

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Need help with research?
 You've come to the right place! This guide was created to help SJSU students and faculty in urban planning and other researchers find online sources, articles, and books related to Urban & Regional Planning.


This book focuses on disaster recovery from the perspective of urban planning, an underutilized tactic that can significantly reduce disaster risks. The book examines disaster risk reduction (DRR), in particular, the recovery stage of what is widely known as the disaster cycle. The theoretical underpinning of the book derives from a number of sources in urban planning and disaster management literature, and is illustrated by a series of case studies. It consists of five sections, each of which opens with a conceptual framework that is followed by a series of supporting and illustrative cases as practical examples. These examples both complement and critique the theoretical base provided, demonstrating the need to apply the concepts in location-specific ways.


The Planetizen Guide to Graduate Urban Planning Programs is the only comprehensive ranking and listing of graduate urban planning programs available. In its 7th edition, the guide is exhaustively researched by the staff of Planetizen. Thousands of students have used the Guide to inform their decision on which graduate programs to apply to, and ultimately, attend.


This is actually one of my niche interests too though I guess my particular focus is the design of walkable cities and not just urban planning. I blame it all on one of your honorable mentions: Home from Nowhere by James Howard Kunstler. I read that about 20 years ago, and it fit so well with my own thoughts on how we become so disconnected when we spend more time in cars than anywhere else. This also pairs well with my interest in the design of community spaces. As a psychology grad student, one of my proudest moments was convincing my committee to approve 2 classes in the college of design that were in the area they called city design because it made sense to me that if we care about the mental health and well-being of people that we also need to understand how the design of our living spaces and cities influence that in good and bad ways.





I tell everyone I can about A PATTERN LANGUAGE. Fell in love with it in the early 90s and love to pick it up and just read a bit. Relaxing! And so many helpful ideas when it comes to planning living spaces, like a table to set things on when you come in, a seat by the door outside, the uncomfortable worthlessness of tiny decks, and the proper dimensions for a useful porch and what to have around it.



Avery index to architectural periodicals
 indexes more than 1,000 periodicals published worldwide on archaeology, city planning, interior design, and historic preservation, as well as architecture.


MIT Press Open Architecture and Urban Studies is a robust digital collection of classic and previously out-of-print architecture and urban studies books on our dedicated eBook platform, MIT Press Direct. The collection was funded by a grant from the Andrew W. Mellon Foundation as part of the Humanities Open Book Program, which they co-sponsored with the National Endowment for the Humanities.


Chandan Deuskar has several years of experience working on urban development in Asia, Africa, and elsewhere, with the World Bank and other organizations. He holds degrees in city planning and architecture from the University of Pennsylvania, MIT, and Columbia University. He was raised in Mumbai, India, and currently lives in Washington, DC.


The best cities become an ingrained part of their residents' identities. Urban design is the key to this process, but all too often, citizens abandon it to professionals, unable to see a way to express what they love and value in their own neighborhoods. In

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But heres the question, what language did you code this game with, and using what methods? Did you code the entire game from scratch? Or did you code a software, where of you then started creating the actual game, using that software. A game engine, I guess you could call it?





CD key info: Yes your Desura key will also work on steam


and for people that don't know where your CD key is do this
in desura(client) go to ''Play'' right click the game(bloody trapland) and click ''View CD Key'' it should be there

or just go to Secure.indiedb.com (you need to be logged in)


and you can find all you're CD keys here: Secure.indiedb.com (still need to be logged in)

to add a CD key you can open desura(client)>>login>>click the blue desura logo in the top left and click ''Tools''
then click ''Activate Game CD key or Gift''



to find your CD key in steam: Right-click Bloody Trapland in LIBRARY and click View CD key


to add it on steam go to ''LIBRARY'' and down in the lower left corner there should be a ''+ ADD A GAME'' click it and
then click on ''Activate a Product on Steam'' and follow the instructions. (Just use the same CD Key)




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