Official SoundCloud account for Blue Note Records
www.bluenote.com

OKeh short history: 

OKeh was founded by Otto K. E. Heinemann when he set up his own recording studio and gramophone record pressing plant in New York City in September 1918. Heinemann formed the name of the record label "OKeh", from his initials.  OKeh began by issuing popular songs, dance numbers, and vaudeville skits similar to the fare of other labels, but Heineman also wished to experiment with music for audiences neglected by the larger record companies. OKeh produced lines of recordings in German, Czech, Polish, Swedish, and Yiddish for the USA's immigrant communities. In 1920, Ralph Peer's recordings by African-American blues singer Mamie Smith were a surprise smash hit for Okeh. The company perceived the significant, little-tapped market for blues and jazz by African American artists. Louis Armstrong, Duke Ellington and Bix Beiderbecke are only a few names of jazz greats that have recorded for the label. By 1926 Columbia Records bought the label and kept it running into the 60's with jazz and R&B recordings. 

In 1994, Sony Music reactivated the OKeh label as a new-age Blues label. Okeh's first new signings included Keb' Mo, Popa Chubby, and Little Axe. By 2000, the Okeh label was again retired, but in 2013 it will see its re-launch as a jazz label once again.

Management:
American International Artists, Inc.
Cynthia B. Herbst, President
+1 (518) 686-0972
Cynthia@aiArtists.com

Much like songbird Edith Piaf, Madeleine Peyroux spent her teenage years busking the busy streets of Paris. Just like the ‘little sparrow’, Madeleine befriended the city’s street musicians and made its Latin quarter her first performing stage. Years later, Peyroux would cite iconic Piaf as an influence on her music and record a rendition of the classic La Vie En Rose, soulfully capturing the tune’s romanticism and melancholy.
 
Born in Athens, Georgia in 1974, Madeleine “grew up in a house filled with music” and from an early age “instinctively realised music’s soothing power” but it was her teenage years in the French capital that turned the childhood notion into an all-consuming vocation for life.

Young Madeleine moved to Paris with her mother in 1987 following her parents divorce. “To soothe me during the upheaval”, she recalls, “I was given a guitar and took to playing in the streets almost immediately.”

Thirty years after her formative busking days Peyroux is the proud curator of nine beguiling albums and an accomplished performer with sell out worldwide tours under her belt. Her atmospheric version of Serge Gainsborough’s La Javanaise was used in the soundtrack of Oscar Winner The Shape of Water and her countless accolades
include the coveted BBC International Artist Of The Year honour.
 
Madeleine’s thirst for creative exploration is unfading and her willingness to face creative challenges remains as solid now as it was three decades ago.

With endearing passion and great curiosity the unstoppable genre-defying virtuoso continues her search for the good and examines life with the treasured William Congreve belief that Music has charms to soothe the savage beast.
 
Madeleine might attribute her success to “mostly luck” but to the industry and loyal fans alike, it is the immense talent and utter dedication to her craft that shines through.
“Peyroux is a tremendous talent and almost a total intuitive” reflects Larry Klein, “she has the capacity to get the magic. When she sings and plays her guitar, great things happen.”

The multiple Grammy-winning catalog division of Sony Music Entertainment.


Payung Teduh was created by two close friends that used most of their time in playing music at the canteen of FIB as well as providing background music for the Pagupon Theater of Indonesia University. These two close friends, Is and Comi, played their music anywhere from the canteen of FIB UI, hangout places inside the campus complex, to the lake side near UI’s Center Administration Building. Their togetherness in playing music has been supported by friends around them which then lead to the creation of a duo that eventually became the next big thing at UI.      

 

Payung Teduh was then born in late 2007 with their first formation, Is on vocal & guitar, and Comi on Double Bass. After playing duo for some time, it was necessary for them to improve their exploration in their music as well as improving their stage performance. In doing this, they recruited Cito as a drummer and Ivan as a guitalele player in 2010. Angin Pujaan Hujan was the first song that eventually known as the signature composition of Payung Teduh’s style of music. As time went by, they wrote new songs such as Kucari Kamu, Amy, Untuk Perempuan Yang Sedang Dalam Pelukan.  They also played songs written by a colleague/mentor Catur Ari Wibowo who is also a director of Pagupon Theater that wrote songs such as Resah, Cerita Tentang Gunung dan Laut. Amalia Putri, a good friend of them, also wrote songs like Malam and Tidurlah that were then added into their album. Payung Teduh then recorded these songs and released their first indie album in late 2010.  

 

In this first album, it can be said that the musical characteristic of Payung Teduh is like the music in the 60’s with a blend of keroncong and jazz music. Whenever they were asked what kind of musical genre that Payung Teduh played, it was up to the listeners to define what kind of genre that they played, in a sense that they won’t stop playing music in just one genre, but in many other genres while still maintaining the strong characteristic that they already have.

‘An Evening with Silk Sonic’ available now: https://SilkSonic.lnk.to/AEWSSSO

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