Essence Of The Backlight

Free Tibet

From the 2nd Album of NONSOUND : "Rock'n Roll Studies"
(Snow in Water Records, 2019)

ROCK 'N ROLL STUDY #4

Recorded originally in 2012. Thanks for listening to Dr. Thomas Malone.
Music by P è n I n ș o l a r Twisted Perspective
Mixed by P è n I n ș o l a r
Photography by P è n I n ș o l a r
Visual shot in South Korea by Finn Harvor
https://vimeo.com/fharvor 457 videos shot
https://www.instagram.com/fharvor/
https://www.instagram.com/p/CCbj4YQhCJP/
Sample provided by https://globalbem.com/

Navies as useless as the paper boats...

BeAISiO 32618 (mirror mix)

@ScilentSymphony created a chord progression.
@MystiqueWind use the progression to create synth audio loop.
@EnigmaCurry created a song out of it, sampling @myrhyum's voice.

S04E02 ft Myrh - Kali Gutt

Uploaded with AudioShare app - http://kymatica.com/audioshare

PpGpQ

Performed & Recorded by Matteo Mariano (2019/2020) http://macrogramma.com
Original cover art by Dario Panzeri (2020). http://dariopanzeri.org

"Metafonia" is the Italian word that identifies the phenomenon known in parapsychology as "electronic voices". Metafonia III is the third in order of publication and the one where the source voices are more treated, in fact they are unrecognizable compared to the other sound elements that create the track.

Each piece was made starting from vocal samples recorded and processed in real time with a laptop (and with the addition of some synths). The only voice behind these pieces is mine (at least I think, and above all I hope, even if I can never be completely sure), recorded while I was improvising random phrases, as if I were my own medium.
I waited a long time before deciding to finish and release this series of songs, the gloomy atmosphere of this end of October 2020 made me realize that it was time to let them go.
The project is to release all the tracks, one or two at a time, between today and the evening of October 31st (as per pagan tradition), to collect them in a single album that will be available on Bandcamp ...
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"Metafonia" è la parola italiana che identifica il fenomeno noto in parapsicologia come "voci elettroniche". Metafonia III è la terza in ordine di pubblicazione e quella dove le voci sorgenti sono più trattate, infatti sono rese irriconoscibili rispetto agli altri elementi sonori che creano la traccia.
Ogni brano stato della serie è realizzato a partire da campioni vocali registrati ed elaborati in tempo reale con un laptop (e con l'aggiunta di un po' di synth). L'unica voce alla base di questi brani è la mia (almeno credo, e soprattutto spero, anche se non potrò mai esserne del tutto certo), registrata mentre improvvisavo frasi casuali, come fossi il medium di me stesso.
Ho aspettato diverso tempo prima di decidere di terminare e pubblicare questa serie di brani, l'atmosfera cupa di questo fine di ottobre 2020 mi ha fatto capire che era arrivato il momento di lasciarli andare.
Il progetto è di rilasciare tutte le tracce, una o due per volta, tra oggi e la sera del 31 ottobre (come da tradizione pagana), per raccoglierle in un unico album che sarà disponibile su Bandcamp...

Released October 31, 2020

all rights reserved

Metafonie Volume 1

Metafonia III

He_lium - A L'ouest De La Planète En Toc

Padua, Italy - Moscow, Russia (November 2020)

Poem in Italian: Ilaria Boffa @ilaria_boffa
Poem in Russian, field recording & photo (poplars & recorder): Nata Boundariver @CrazyCompass
Music: Sergey Kobzev @Assembly-of-Honey

Traduzioni (Ilaria Boffa)

Una precisa geografia di pioppi bianchi
frassini e aceri circonda quest’area fluviale.
Narrazione di fruscii, conversazioni rumorose.
Traduzioni. Ciò che sentiamo e il linguaggio
udibile implicano indagini
sui modi di ascolto dell’altro.
In dubbio l’affettività, il riverbero degli oggetti
che scontra soggetti oltre noi.
Dentro quei metri cubi di suolo e aria
il suono prende spazio, costruisce e colpisce.
Neuro-trasforma e impatta la plasticità
delle cose.
Abbiamo tradotto le nostre voci in 
riferimenti e formulazioni. Ora, ascoltami.

География (Nata Boundariver)

На свете так много мест, куда я не смогу попасть.
Попасть бы хотя бы туда, где я есть.
Почти нигде и почти никогда.
Забытое слово я.

English versions:

Translations (Ilaria Boffa)

A clear geography of silver poplars 
ashes and maples surrounds this fluvial area.
A narrative of rustles, chatting loudly.
Translations. What we hear and the language
that makes it audible imply investigations 
on others’ listening modes.
We question affectivity, objects’ reverbs 
crashing into beings beyond us.
Inside those cubic metres of soil and air
noise spacialises, builds and hits. 
It neuroshapes and impacts the plasticity 
of things.
We translated our voices into exact
references and wording. Now, hear.

Geography (Nata Boundariver)

There are so many places in the world where I cannot get.
Get at least where I am.
Almost nowhere and almost never.
Forgotten word I am.

Geography Of Translations (Crazy Compass & Ilaria Boffa)

One day I was traversing Soundcloud and came across the fabulous Italian poet, Ilaria Boffa. This is why I love Soundcloud. @ilaria_boffa. Her words and voice flowed out of my web browser and into my heart and soul. So  I reached out and begged her to collaborate with me. Lucky for me she agreed and then allowed me some creative license. So this is for you Ilaria, to you and your voice. May the world be as touched as I was by your words and creative spirit.

Ilaria took the piece published here on SC as "Music for Trains and Station Platforms" and captured it's mood and wrote some stellar, powerful words that created a whole new life and vision for the music. I applaud and am humbled by her multilingual approach to her art using a beautiful vividness of expression of human soul! Bravo Ilaria , bravo. 

Days in Autumn w/ Ilaria Boffa Mix 2 @https://soundcloud.com/ilaria_boffa/days-in-autumn-mix-2-re-evolution-cafe-orchestra-ilaria-boffa

Days in Autumn ©2020 Ilaria Boffa and Re-Evolution Cafe' Orchestra.
Re-mixed @ Broken Glass Ranch, Colorado and Padua, Italy
Words by : Ilaria Boffa
Music by : Re-Evolution Cafe' Orchestra.

Days in Autumn (homage to ‘You Must Believe in Spring’ by Bill Evans) 

we must believe in spring
Earth axis increases
its tilt to the Sun
dew comes, frost no more
vernal peers share light

many a time belatedly
days in autumn
prepare for cold and 
special smell of soil
many a time fitfully

oh we must believe in spring
let snow melt and streams swell
the hardiest flowers sprout
days in autumn
prepare for dark and
many a time forecast the yield

dobbiamo sperare nella primavera
l’asse della terra aumenta
l’inclinazione al sole
giunge la rugiada, scongela la brina
i pari dividono la luce in primavera 

spesso in ritardo
i giorni d’autunno
preparano al freddo
all’odore tipico della terra
spesso irregolari nel modo

oh dobbiamo sperare nella primavera
lasciamo la neve sciogliere e i fiumi gonfiare
che spuntino i fiori più temerari 
i giorni d’autunno
preparano al buio e
spesso dicono il raccolto

Essence Of The Backlight

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