Happy discover!
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bookings & contact: pushinwoods at gmail com

Vincenzo nasce nel 1991, già da giovanissimo inizia ad ascoltare con particolare interesse la musica classica e moderna.
All'età di 9 anni comincia a strimpellare qualche sinfonia all'organo. Sempre alla ricerca di una pace interiore magari dettata dall'ascolto di un brano o dalla gratificazione di riuscire a riprodurre anche per gioco una semplice sinfonia, intraprende così involontariamente una ricerca perenne del proprio io nella musica.
A 14 anni L'old Centaur Disco è il club che gli dà la possibilità di esibirsi realmente per la prima volta in pubblico. L'anno seguente trasmette in radio per la prima volta, il sabato sera su radio web Agropoli.
Di tendenza Hard Core\Drum n' bass inizialmente nel passare del tempo, la curiosità lo spinge ad esaminare generi più lenti come l'Elektro, Ambient, Chill out. Influenzato da dj come Villalobos, Sven Vath, Floorplan, e tanti altri della scena Techno se ne innamora infatti si esibisce in set dove spazia dalla Deep Tech alla Techno Dub, Techno Acid , Techno Berlin, Techno Detroit e non solo anche Chicago House, House Detroit ecc. Attualmente durante le sue esibizioni si possono denotare intrecci di genere vario, prettamente sperimentali, che con armonia si miscelano tra loro, creando così situazioni davvero piacevoli ed originali!

One of the amazing things about the deeply Jamaican music called Dub is its ability to act as a conduit. From its early days as stripped down versioning of popular Reggae tunes to its indoctrination into late 80 / early 90s UK Soundsystem & Dance Music culture, to its current massive mutation (with the “Step” planted firmly in its behind); Dub has shown itself to be not only a musical art form that stands strongly on its own, but also a vehicle of sorts that can transport and connect disparate musical universes. And it’s at the unique nexus of Dub and Arabic music that the Spy From Cairo sits the most comfortably. 

The Spy From Cairo aka Zeb is the kind of musician that fits perfectly in with the downtown NYC music scene – Italian by birth, Gypsy by heritage, and Brooklynite by residence, he has been closely associated with the Turntables on the Hudson scene for close to 12 years – producing dozens of albums as Zeb, the Spy From Cairo and the Organic Grooves project, as well as remixing for everyone from Baba Maal to Tosca to Billie Holliday to Novalima, steadily garnering a worldwide collective of fans and followers 

The Spy’s new album, “Arabadub” is perhaps his most realized vision of deep Middle Eastern and Jamaican sounds coalescing into something that sounds right and natural – because it was conceived and produced in just that natural way. There are no samples used on the album, and Zeb has programmed everything, as well as playing traditional Middle Eastern stringed instruments called the Oud, Chifteli and the Saz himself. Check the opener “Alladin Dub”, with its echoed out skanks, pulsing bassline, and majestic strings – and the deepness that is “Taksim Square”, complete with swirling, psychedelic accordion. Other highlights include the tense four-to-the-floor stomper “Desert Tears”, the rolling dub of “Sons of Hannibal” with it’s beautiful Middle Eastern vocal chants, the nostalgic “Egyptian Pulse” with its Steppers sound and melancholy vibes, and the dancehall vibes of “Prince Ahmed” – sounding like 3AM Kingston wrapped in a Bedouin Tent!
credits


The Racubah Sound System is a collective of music enthusiasts exploring dance sounds from around the globe. Musicians, producers, promoters, travellers, diggers and DJs we are all part of a musical family dedicated to finding, creating and sharing the fruits of the worlds' musical heritage.

In the eyes of Philipp club culture has no secrets; it has no limits. He takes the most fascinating, exciting and stimulating part of the night and brings it all back to the music. Hailing from Florence, he’s a veteran dj due to his disc jockeying skills and ties to organizing some of the most relevant parties all over Italy, down to his hometown. From Tenax, Fragola's Night to Sunflower and on to Reunion, Philipp’s iconic parties have become an institution for the Italian clubbing scene. Throughout his vast career, he’s had numerous experiences at some of the most important European clubs and festivals. His currency is his sound and the ability to create a proper connection with the crowd. Now resident dj at Tenax, renowned international club since 2008, Philipp has produced tracks for some italian labels. Throughout his career, he’s always been surrounded by music and he also worked as radio personality.

Watch the All I Have Official Video:
https://youtu.be/t1IsG1DBKaI 

https://ryx.myflodesk.com/closer

日本の民謡をバイレなクラブミュージックに再世！
Rebuild our traditional Japanese music to dance music.
Booking:theater249@gmail.com
global bass by DJ MADARA(Echigo Syuichi) in Tokyo Japan.

DJ&Track maker in Tokyo.
@White Space Labo on 1st Friday even-numbered months.

Ayala's story with music starts the usual way, through his father’s record collection.  The first parties with friends, the first times behind the turntables. 

Picture the early 2000s and Southern Italy's summers were just sweet. The sound of "Black Music" was the core of all his ideas, both on the decks and in his very first home studio. The idea to fuse hip-hop and drum machines with Classic Jazz, Latin and Afrobeat atmospheres made his sets and productions an interesting mixture of evergreen music.  It's a constant look for balance, the respect of the roots while keeping an eye on the future with the use of synths, brass, guitars, arps, acoustics and synth bass. 

Ayala's music is a journey through ethnicities from all over the world; different cultures in music are his inspiration. There is a parallel world, far away or at least there must be. A place with peaceful vibes, happiness, and music. It’s the primal source of Ayala’s creations, where ethnic atmospheres meet jazz, disco and a pure 4/4 beat.

instagram ofc: @ayalaitofc

Lifetime evolving dj, 
Feeling music through people vibes,
Going with the flow

didje doo is following