https://diehexen.bandcamp.com/

 “Glowering electronica that takes a purposeful steer to the dark side. Essence of Berliner Bowie and sombre Siouxsie. The sound and the vision are powerfully conjoined." (BBC - Across The Line - Track of the Day)

VIDEO EXCLUSIVE
https://www.youtube.com/watch?v=PGutvbvgTBs

SIAMESE is a ceremonial magic audio-visual created in response to a visually powerful mutual lucid and reoccurring dream still happening amongst two very close friends. A mutual vision where two female friends would lure each other or be led by an unexplained force into a burning forest which would then engulf them into flames.

A dark premonition. The communication of two minds via a shared reoccurring dream. A visual representation of female solidarity and empowerment. The power of occultist ceremonial magic.

SIAMESE

Album en cours de création, je reviens bientôt 😘…

https://www.instagram.com/jacques_mansuy_art?igsh=MXhkdHB5dzM4cnQyaA%3D%3D&utm_source=qr

Globalized Swede - Amsterdam/London/New York/Berlin. Keen curator and connoisseur of alternative-electronic-post-punk tracks.

𝖈𝖚𝖗𝖆𝖙𝖔𝖗 𝖔𝖋 𝖌𝖗𝖊𝖆𝖙 𝖒𝖚𝖘𝖎𝖈

DIE HEXEN is a Film Composer, Sound Designer, Musician, Producer, Performance, Visual Artist & Filmmaker. 

IFTA 2025 & SITGES 2024 award-winner DIE HEXEN runs the industry gamut — from indie films to epic features. Their work has drawn widespread acclaim from film critics such as Mark Kermode, with comparisons to Vangelis (Blade Runner), Mica Levi (Under the Skin), Krzysztof Penderecki (The Exorcist), and John Carpenter (The Thing), among others.

DIE HEXEN's scores use a diverse and eclectic sound palette that caters to the unique gestalt of each film, its characters, setting, and tone. They are known for integrating sound design elements into their work, adding textural layering in order to impressionistically emulate the world of each film.

Recent credits include the first Irish language Irish horror FRÉWAKA (2024) which world premiered Locarno won Best Original Score at IFTA '25 & SITGES '24 , Double Blind (2023), and You Are Not My Mother (2022), which found an international audience and a thumbs-up from RogerEbert.com when it landed on Netflix last year. It has since been screened at the Museum of Modern Art and currently sits at 89% on Rotten Tomatoes.

DIE HEXEN is also known as a performance artist, as well as directing and scoring their own films, Am I Dead and the multi-award-winning EL HOR.

FOR ALL COMPOSER COMMISSIONS/BOOKINGS etc. diehexenmusic@gmail.com

"Indescribable and incredibly atmospheric. The cold hand on the back of the neck" — Mark Kermode, leading British film critic

“[Die Hexen’s work combines] the avant-garde energy of mid 70’s Euro-horror, the ghosts of Penderecki, and the adventurous spirit of Mica Levi. The rising star recently scored Academy Award-longlisted Saul & I and Kate Dolan’s Irish folk horror You Are Not My Mother” — Mark Kermode

“[Die Hexen’s] atmospheric, unearthly compositions have won widespread praise, including from film critic Mark Kermode, who [in Empire Magazine] declared her ‘a composer whose name you should know’” — The Irish Times

“Glowering electronica that takes a purposeful steer to the dark side. Essence of Berliner Bowie and sombre Siouxsie. The sound and the vision are powerfully conjoined" — BBC Across The Line

"Liszt sits alongside Lynch, the triumph of the synthetic over the organic, and vice versa...... a pop-cultural melting pot where Bergman, Bowie and Grace Jones meet Scott, Besson and Hazel O'Connor. .. DIE HEXEN channels esoteric, intangible nature of sound and vision" — The Thin Air

"DIE HEXEN transports us to other worlds, other emotions, and other places that we might not have ever considered visiting. The memory of this incomparable performance will stay with me for many a moon" — Louder The War