To possess less is to perceive more. The silence between possessions becomes a field of expansion where thought breathes and perception is honed. Through the geometry of words and the depth of wisdom, the universe is rewritten, not in things, but in understanding.

Inner Reflection

foam

UFO INFLUENCE V1 DEMO D

Juju & Jordash - Sis-boom-bah! - Dekmantel (DKMNTL052) 

a1.	Juju & Jordash - Herkie
a2.	Juju & Jordash - Rah-Rah
b1.	Juju & Jordash - Back Tuck Basket Toss
b2.	Juju & Jordash - Deadman
c1.	Juju & Jordash - Paper Dolls
c2.	Juju & Jordash - Hanging Pyramid
c3.	Juju & Jordash - L-Motion
d1.	Juju & Jordash - Attack The Crowd
d2.	Juju & Jordash - One Armed Liberty

https://shop.dekmantel.com/release/5775/

Gal (Juju) and Jordan (Jordash) return home to the Dekmantel stable for their fourth LP. It’s their most complete record to date. A series of purpose-written compositions, that highlight their maturity as musicians, and adept dexterity in the studio.

Without the pairing of Juju & Jordash, there would be no Dekmantel. The duo are an integral part of the label’s history, dating back to 2009 when they where they were the first act to release on the imprint. The two vagabonds can often be found performing live at various outdoor festivals and renowned clubs around the globe, jamming away behind a tabletop of buttons, knobs, synths, and drum machines - like a retro, control-station from Star Trek - albeit one that hums along with the jazz-centric, discordant house, and techno whirrings played by the musicians.

Nowadays Juju & Jordash have evolved far beyond their ’oddball house’ moniker. Their freestyle approach to performance, and immaculate refined sounds have became somewhat more defined, in a style that’s unique, yet elaborate, with a sense of otherworldliness, not only befit for the dancefloor, but otherwise transcendental moments. Following on from their previous LP, 2014’s Clean-Cut, a record of primal, forward thinking, variations from the studio, Sis-boom-bah is an album steeped in studio traditionalism, with a direction towards composition. “We wanted the focus of this album to be the music and not necessarily the process, so we made sure to perfect the performances before shifting the focus on to the production,” states Jordash about the record. Recorded over the space of a few, intense weeks, and built upon years of improvised live shows in front of thousands of listeners, Sis-boom-bah was written around grooves written by Juju on the guitar, and Jordash on the Rhodes. It was the first album the duo have written using such an approach, and solely produced and mixed by Jordash in Amsterdam over the course of a year, making it their most authentic record to date. 

Sis-boom-bah’s diverse, spiritual nature is built around Juju & Jordash's use of polyrhythms. The percussive sequenced grooves, and rhythmic backbone was generated using the Yamaha DX7, along with the Roland TR606 drum machine. This approach to rhythm can be heard from the outset within the very first track ‘Herkie’, an ephemeral, yet tribal approach to minimalist funk. The spirituality flows throughout the record, where it sounds like the duo have brought along the nature with them from the foresty raves. In actually fact, the background noise comes courtesy of “noise generators from two separate synthesizers, each with its own filter slowly opening and closing so it kinda sounds like waves or wind.” There are also nods towards their acid influences, with some surefire slices of house music too. Sis-boom-bah is still very much a Juju & Jordash record, yet it's one with a greater depth, musically and stylistically. As electronic music albums go, you'll be hard pushed to find one more complete. "People should listen to this on a loud and clear sound-system," explains Jordash, "high on life, in their own special safe place."

DKMNTL052 // Juju & Jordash - Sis-boom-bah!

Za Talent - The Whale

READ > inverted-audio.com/premiere-cabasa-defective

‘Defective’, is a seven minute ritualistic trip where Cabasa brings together a vocal snippet of Zeta 3’s 1991 debut album, warped Kpanlogo drum samples, boomy kicks, and snappy hats joined by vocal samples samples which sound like taken from an African ritual.

Uncle Sigmund's EP

Cabasa - Defective [Eclipse Tribez]

READ > https://inverted-audio.com/premiere-vivance-etoile-dalai-original-groundscape-version

After a couple top-notch releases from label founder @dj-sentiments, including a joint 12" featuring longtime partner in crime Franck Gérard, Lyon-based label Light On Earth returns with the vibrant debut of mysterious Lyon producer @vivance1, including remixes from Lamusa II and label boss Sentiments himself.

Vivance - Étoile D'Alaï (Original Groundscape Version) [Light On Earth]

Personne lit jamais ça mais j'ai décidé de filer des edits de temps en temps, en commençant par ce gros track de Ploy

PLOY - GARYS (Puzupuzu "le feu" Edit)

Thessa Torsing also knnow as Upsammy returns to Die Orakel with her second EP entitled Branches On Ice – four tracks full with crystal clear, multi-layered textures.

upsammy – Shaky Limbs [Snippet]

URA and Dust-e-1's collaboration exists somewhere on the venn diagram between IDM, celestial dub and forward-thinking Balearic.

'Montreal Pleiades' is out July 15th on Cosmic Tones.

Pre-order: bit.ly/2LqL39E

@unsignedrecordingartist
@duste1
@cosmictonesrecords

Premiere: URA DUST - Dream [Cosmic Tones]

Florence - Analogue Expressions - Delsin Records - dsr-eevo001

vinyl: https://www.delsinrecords.com/release/6268/
digital: https://florence-eevolute.bandcamp.com/album/analogue-expressions

a1. Exploration (Mystical Mix)
a2. It's In The Hands
b1. Analogue Expressions
b2. Robotica
c1. The Vineyard (Moving Mix)
c2. Foreign Dimensions
d1. Quartertraxx
e1. A Touch Of Heaven
e2. Sea Of Tranquility
f1. The Vineyard (Reprise)
f2. Revival

Delsin turns its attention to the archives of one of the great early pioneers of Dutch techno – Eevo Lute Muzique. The label was founded in 1991 by Wladimir Manshanden and Stefan Robbers (who was already recording seminal early techno records as Terrace for Djax-Up-Beats). Channeling the inspiration of the Detroit originators and mixing it up with their own synth pop and new wave influences, Manshanden and Robbers (adopting the Florence alias) forged a bold aesthetic with Eevo Lute, both musically and visually. This was an early iteration of techno as listening music, with an emphasis on expression and narrative over dancefloor functionality, helped in no small part by Manshanden’s striking poetry. This double set of remastered, reissued tracks gathers together the earliest Florence and Wladimir M. material, largely recorded between 1991 and 1994, across five discs – the definitive document of a treasured piece of Dutch techno history.

Buy @ Delsin Shop

Florence - Analogue Expressions (dsr-eevo001) 3LP

Die Orakel is a Frankfurt based music platform run by Oliver Hafenbauer.

Die Orakel (Engl. the oracles) might not know it all but has the capacity to observe and sense it: Oliver Hafenbauer's imprint operates as an experimental field for electronic music on the playfully indecisive end where it exceeds genre-specificity to focus on tunes that function beyond. This is not to say that there are no four-to-the-floor productions. The Frankfurt-based label features contributions by artists like Reptant, Poly Chain, Edward, Roman Flügel, upsammy or O-Wells, all known as dance floor doyens. The releases yet encompass what can slip the attention on a traditional dance label. Uplifting and downtempo appear here as two categories that do not exclude each other. The visual representation of the venture is undertaken by Stefan Haag and label boss Oliver Hafenbauer himself, who have a clear approach to communicating Die Orakel’s standards.