This unedited and unprocessed recording (from an unattended overnight recording) runs from 05:16 to 06:56. It was recorded at a location about 315 metres from the shore of the Coorong lagoon, at the nearest point, and about 3.5 kilometres from the ocean shore, at the nearest point, on the far side of the dunes that enclose the lagoon, from which the eternal environing ‘Coorong roar’ emanates.

The recording provides a companion piece for ‘2022.03.03 White Ibises Roosting. Night. Coorong. Inland. Late Summer.’ (https://soundcloud.com/hearingbeings/20220303-white-ibises-roosting-night-coorong-inland-late-summer)

96/32 wav to 48/24 flac.

2022.03.03 A Coorong Dawn. Inland. Late Summer.

Piece of soundtrack music I wrote for an adaptation of Sarah Ruhl's Eurydice directed by Kanya Viljoen.

The track uses a bunch of free sample instruments from Pianobook (https://www.pianobook.co.uk), including Flautando Violin, Soft String Spurs, Soft String Spurs Extras, Soft Cello Spurs, Kawai Felt Piano, Tatak Muted Felt Piano, Subtle Clarinet, and Bedroom Clarinet.

Eurydice - Love Theme

Using only HKM1.1 from piano book
additional processing added. 

link to download inst.
https://www.pianobook.co.uk/packs/hkm-1-1/

Atmospheres | 'HKM 1.1' PianoBook

Viagra Boys - Worms (Part Of Nothing Cover)

This record combines the work of two artists who have previously released solo and collaborative albums for Whitelabrecs. Andrew Heath is renowned for quiet, lowercase Ambient music, with his music appearing on labels such as Giraffe Tapes, Shimmering Moods, Rusted Tone, not to mention regular contributions for Disco Gecko and Whitelabrecs. Simon McCorry is a cellist and composer, who has been working for theatre, dance and film for over 15 years. His work in the contemporary Ambient sphere has seen releases on the likes of Naviar Records, Polar Seas, Shimmering Moods and Hidden Vibes.

Both artists are also keen collaborators, with discographies listing co-production work with the likes of Hans-Joachim Roedelius, Anne Chris Bakker, Anthéne, James Osland, Mi Cosa de Resistance and Toby Marks between them. For the first time, these two Stroud, UK based artists have worked together to create a soundtrack themed around the onset of Autumn, clocking in at almost an hour.

Andrew and Simon bring together their love of improvisation to create ‘A Is For Autumn’ which sits between tonal, electronic minimalism and neo-classical restraint - a warm balm for cold autumn days. Using a different palette of sounds for each of the recording sessions from instruments such as cello and modular, to piano and guitar, they engender a constantly shifting tone to these soundscape pieces, all influenced and informed by the time of year - a rich mellowing of landscape and of a withdrawing into a more intimate space as the year slows and the light levels fall away.

The rhythms of the world’s internal clock appear ever more skewed in these times, and the timing of the seasons are becoming more unpredictable. For some, Autumn may fall at a different time to the rest of the world and for some, not at all. This album is a homage to Autumn, as interpreted by the artists. For the listener, this might tap into your own memories of this colourful season. Or, it may transport you into the environment that has been created.

Credits:
Written and produced by Andrew Heath & Simon McCorry
Mastered by Ian Hawgood
Photography by Rita Kuklenko
Art and design by Andrew Heath

A Is For Autumn

wlr122 Andrew Heath & Simon McCorry - A Is For Autumn

Composed by Dan Stesco

For more information about Dan Stesco, visit 
http://www.danstesco.ro

©2022 KORG Inc. all rights reserved.

EXs321 Xpansions

Monster Metal Wave

‘Floating World’ is an album by US based artist Todd Gautreau, who records as Tapes and Topographies. It was created in response to a collaboration project called Thirty-Six Views of Newland Island with British artist Jonathan S Hooper. The album follows last year’s ‘Amplitudes’ and is another entry to Todd’s discography, alongside music on labels such as Past Inside The Present, Dronarivm, Shimmering Moods and his own Simulacra Records.

Jonathan S Hooper is a mixed-media artist based in London, who works with paintings, photography, sculpture and film. Thirty-Six Views of Newland Island is an evolving multi-factorial project in which Hooper continues his exploration of ontological concepts of time and space through the landscapes of his native Cornwall. Specifically, the project focuses on a small uninhabited outcrop called Newland Island, which lies just off the Cornish coast in the Atlantic Ocean’s most westerly margins. The project’s title is inspired by Katushika Hokusai’s series of woodblock prints of Mount Fuji, drawing in Hooper’s broader interest in Japan’s artistic heritage. It also adds to the cultural connection between Cornwall and Japan first established in St Ives, in the 1920’s, through the collaboration of master potters Bernard Leach and Hamada Shoji. A collaboration that continued through much of the twentieth century.

A particularly fascinating consideration is that Mount Fuji is an instantly recognisable geographic icon, yet in contrast, Newland Island is unknown to most. This frees the project from the limits of preconception, opening up opportunities to explore further ideas of landscape, and our place within it. Through collaboration with Gautreau (who is based some 5000 miles away), Hooper sought to give creative licence to a composer, in order to encourage another viewpoint. He had first discovered Todd’s music through Elizabeth Alker’s BBC Radio 3 Unclassified programme, and subsequently reached out to invite him to work on a soundtrack, which has now become ‘Floating World’. He sent photographs of his paintings, scans of the polaroids and his studio notes; the work developed organically into a collection of nine soundscapes, in which Hooper sees as independent views of Newland Island in their own right.

Hooper will be working to share this project through galleries and installations and we felt it was apt to assign full creative control over the CD packaging design to these two artists. Todd, also a graphic designer, has pulled together some of the polaroids for the outer and inner sleeves. There is a 16 page booklet included, which contains paintings, further polaroids and text from both artists. This is also included with the digital version of this album.

Written and produced by Todd Gautreau
Mastered by James Edward Armstrong
Paintings and polaroids by Jonathan S Hooper
Design by Todd Gautreau

https://www.jonathanshooper.com/

floating world - reflections on 36 views of newland island

wlr126 Tapes and Topographies -Floating World - Reflections on 36 Views of Newland Island

Last time

viewer moving image

🎹 Gentle Echoes – Soothing Piano & Dreamy Instrumentals (Jaded Sounds Records)

Gentle Echoes is a tranquil journey through the art of piano music, blending the intimacy of solo piano, the warmth of lo-fi piano textures, and the ethereal beauty of dreamy, whimsical string arrangements. 🌙🎶 Released under Jaded Sounds Records, this collection captures emotion in its purest form — soft, reflective, and timeless.

Each composition drifts effortlessly between tenderness and imagination — the sound of quiet mornings, starry evenings, and moments of calm between thoughts. With gentle melodies and cinematic grace, Gentle Echoes invites listeners into a world where every note feels like a breath of peace. ☁️🕯️

Memories of June

Thank you, Bishop Larry L Booker.
Tues. Thanksgiving service Pm.

Goodness KJV 48: Results

I still don't really know what I'm doing.

I also write and produce for this project called Hoarder: https://open.spotify.com/album/7KAgOZHqTQCa2dvJ0gA44t?si=Bu2Y6-fLRgOowZMtbg1gUQ

...and play drums in this band (Friends With Pools): https://open.spotify.com/artist/3NPWoA7g83BwdDyA2AoQKw?si=LyDenfTaRymQslA7nB2_GQ

Eurydice - Love Theme

diffie bosman