Two years after releasing the acclaimed Crash Recoil, Anthony Child aka Surgeon returns to Tresor with new LP, Shell~Wave. Retaining the minimal equipment list and studio-version-of-live-show-sets approach of the previous album in order to focus on the work itself, Shell~Wave is a deeply personal document of both where Surgeon is and has been, converging three decades of experience with a continued curiosity in the untested.

"To make this project, I had to dig really deep in terms of what my relationship was to techno; I've been involved with it for a really long time and there's a lot about it I feel dislocated from, so I had to really think hard about what techno is to me. I often get asked "what is techno to you?" but I can't answer that with words; this album is the answer."

From the complex, twisting track Infinite Eye to the caustic Soul Fire, the eight tracks that make up the body of the album are single-take explorations of the vast, hard yet minimal techno Child is synonymous with. 

Neatly dividing the record in two, the emotional centre of the record comes in the form of Dying, a vibrating, beatless piece that with a mantra-like vocal loop steeped in reverberating effects.

Further echoes of dub production appear throughout the record as tracks like Divine Shadow, and Empty Cloud have an almost ever-present mist of reverberation, driven by the appearance of a new delay unit in the equipment list; while much of the philosophy of Crash Recoil's creation is present, the process and the instruments have changed as Child again switches up his approach to studio work.

This insistence on trying novel techniques doesn't preclude returning to old ones, as this use of modern digital machines with live, hands-on takes that are as inspired by 60s producer Joe Meek and 70s reggae as they are by this year's synthesiser expos.

"For me, it's an interesting experience returning to old techniques again after 30 years. [I'm] always exploring and finding myself back at the beginning. Connecting the present with the past."

This philosophy of 'time travel' is inherent to the music itself as the synchronised loops repeat while the delay and effects branch out, forming unique eddies; distinct quantum moments within the circular whole; the future leaking through the spaces between the sounds. All of the concepts on the album are perfectly communicated through the painting by Taiwanese artist Jazz Szu-Ying Chen which suggests the movement of water, sound waves, and the chitinous shells of sea creatures.

BANDCAMP

Surgeon - Forgotten Gods

Diffuse Reality Podcast 256 : The Brvtalist
→ bit.ly/417f6Yj
www.diffusereality.net

Diffuse Reality Podcast 256 : The Brvtalist

@luke-slater, AKA Planetary Assault Systems, enlists a crew of forward-thinking artists to reimagine cuts from his discography on new EP, ‘Reassembled’

The project is out 28th March via @mote-evolver – and have an exclusive first listen to ‘Desert Races (Luke Slater Reassembly 2025)’ now

More info: https://djmag.com/listen/premiere-planetary-assault-systems-desert-races-luke-slater-reassembly-2025

Premiere: Planetary Assault Systems ‘Desert Races (Luke Slater Reassembly 2025)’

I am happy to announce the next release of mine on my label summerpup, called “Embers”. This release is two intimate tracks that showcase something different than my dancefloor oriented techno tracks. 

I originally made these just for myself as a means for reflection and catharsis, and as a form of journaling through writing music. However, after closing many sets with the track "Embers" last year and seeing how people connected with it deeply on dancefloors, wrote to me about it, and also found cathartic release or had a special moment to it, I decided that these should be shared with the public.

The second track, "As The Desert Exhales", is a solo guitar instrumental I wrote and recorded in Seattle in 2021 to mark a significant moment in my life. 

I hope you enjoy these tracks that are quite different but very personal to me, perhaps you can connect to them in a meaningful way like I have. 

x

BANDCAMP: https://summerpup.bandcamp.com/album/embers

All tracks written, produced, performed and recorded by D.Dan
Art Direction by Samantha Shin
Mastered by Joel Krozer at Six Bit Deep

D.Dan - Embers (PUP004)

HEPTASEAS 023 - Boyd Schidt

Tracklist:
A1. Hypernova
A2. Echo Drift
B1. Halo
B2. Infinite Flux

Release date Vinyl + Digital: Friday 16th May

ORB017 - ORBE - Hypernova

Release Date: May 27th 2025


Katnada presents the first EP "Liminal Bloom'' on her new label, Divine Nature.
The EP is a reflection of her sonic identity — a fusion of raw emotion, meditative grooves, and ethereal vocals.

The journey begins with “Rhythm,” where her voice becomes a hypnotic chant — a hymn to rhythm itself. A minimal groove slowly expands into orchestral movements and emotional peaks, bringing into a full journey. The Edit version releases the orchestral rise and flows back into the stripped-down beat.

“Untamed” follows with a fluid, rolling groove, where all elements are elegantly woven together. The vocal evokes surrender to the course of this mysterious life, driven by a mystical pad that adds spaciousness and introspection.

“Aphrodite” slows the tempo into a sensual groove with a dreamy soundscape.

The EP includes a remix of “Rhythm” by End Train, who reimagines the track, transporting the vocal into a haunting new realm.

Katnada - "Liminal Bloom" EP

1. Rhythm
2. Untamed
3. Aphrodite
4. Rhythm (Edit)
5. Rhythm (End Train Remix)

Release Date: May 27th, 2025

All tracks written, produced, and mixed by Katnada
Remix by End Train
Mastered by Conor Dalton
Distributed by Triple Vision

Artist Socials: 
https://www.instagram.com/katnada
https://soundcloud.com/katnada

Label Socials:
https://www.instagram.com/divinenature333/


BCCO Premiere: Katnada - Rhythm [DN001]

Tsukuyomi is the alias of Tbilisi-born DJ and producer Dadu Dzagnidze. Rooted in fast-paced, proper techno, his sound blends groovy rhythms, hypnotic layers, and raw experimental textures—built with a deep connection to the dancefloor.
Always searching for new directions, Tsukuyomi is focused on improving himself and his sound—both behind the decks and while developing his first live set.

HEPTASEAS 031 - Tsukuyomi

gyro.mp3

stinky boi - mobile subscriber

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