Digital Structures proudly presents Eucalyptych Volume II, compiled by ZigMon, the founder of Euca Music Management and Stone Seed.

Another complete collection of progressive house, smooth techno, and uncategorizable gems paint the aura of the magnificent eucalyptus trees that encompass the heart of the Australian festival scene.

Eucalyptych is a response against the normalized order of the music industry, crumbling the fabricated borders. By inviting the owner of a label to compile a release for a label that is not their own, we can deepen the connection, collaboration and strengthen the sound.

Art by Dan Power

Enjoy!

Eucalyptych Vol. II

Pre Order or Stream

Connor Mac - Dearfach (Original Mix) [SoundCloud Clip]

Without sun there would be no sunflower but without sunflower who's gonna love the sun.
 you don't need to read books
read hearts
read clouds and the sky
read every moment that passes by

Starting as a guitarist in high school, I fell in love with electronic music at 16 and began attending raves. This passion continued into college, where I discovered DJing. Along with college friends and San Diego community members, I co-founded the Afternoon Umbrella Friends, a collective that allowed me to explore different styles and find my artistic identity.

Playing at Umbrella Weekend is a highlight of my career, and I look forward to delivering uniquely crafted sets in that space. Now primarily focused on music production, I DJ only a few times a year while building my studio and honing my skills. Currently, I am working on releasing my first EPs to share my sound more widely.

My musical journey began with the psychedelic rock of Pink Floyd, the soulful melodies of the Black Pumas, and hip hop beats. These early influences laid the groundwork for my evolving sound. In the electronic realm, the dark bass music of the Deep Dark and Dangerous label and Digital Vagabond shaped my approach to depth and bass. Live electronic artists like Pretty Lights, Griz, Gramatik, Glitch Mob, and Four Tet inspired me to blend live instrumentation with electronic elements. Techno from Berlin, Australia, and Mexico added a dirty, psychedelic edge to my music.


Musical Style:
My house and techno style is a dynamic blend of driving, dark, and psychedelic elements. It pulses with relentless energy, keeping the dance floor moving while creating immersive soundscapes. Progressive elements ensure each track is a journey, evolving and transforming as it unfolds. By bending styles and genres, I push the boundaries of house and techno, integrating diverse influences to create a unique sonic experience that challenges expectations and invites exploration.

Since 1999
DJ & productor Argentino
nacido en Playa Unión, Chubut.
Apasionado por el arte de la musica y adicto a las emociones que esta genera.
Instagram: tadevillalba

“If I can get my self to the space in between the music, then I have achieved much. Thanks 
to the creative source for allowing me to plug into it. I am forever humbled.”

Kriz was born into a musical family where he developed an early passion for music. His father, an electronic engineer, built him a synthesizer and a DJ mixer when he was 8 and 13 years old respectively. These devices became his tools for learning music synthesis and sound design, skills that he has honed for over 30 years. He produces music under the alias ---Ӝ LIVING THEORY Ӝ ---and performs as☼ K-R-I-Z-Z-O-L-O-G-Y ☼.

Kriz has been part of the electronic dance music scene in South Africa since its underground beginnings. He has played at various clubs and raves, sharing the stage with many other DJs. However, he does not measure his success by his venues or collaborators, but by his ability to create a journey for the dancers on the floor. He says: "It has always been about the journey". His sets are characterized by smooth transitions, groovy melodies and tight beats that build up to a sonic climax. Besides being a career airline pilot, Kriz also draws parallels between flying and making music. He says that both require respect for the art and subtle movements that can change the direction or mood.

Kriz's motto as a producer and performer is to find the space between the music and use it to manipulate the groove. He says: "If I can get myself into that space, then I have achieved much, because it is there that I can make the dancers move as one with my pace".