Digital Structures is proud to present ‘Spark’ - a mini-album by James Monro.

Stretching from tangerine sunset tree lines to flickers of freshly formed nebula glowing in ever-expanding darkness, ‘Spark’ howls unsuppressed expression through copious psychedelic scenes.

Despite the delightfully far-reaching, feverish architecture of each track, Monro produces with absolutely flawless skill. Roaring tribalistic, futuristic, hypnotic compositions smother the senses in soulful summertime spirit whilst mentally twisting into infinite oblivion.

Completing this epic collection Breger reinterprets ‘Icarus’ with his renowned groovy psy-tech treatment, while Digital Committee enters a deeper exploration of ‘Places’ and Diamandy shines a light on the melodious moonstruck belly of our title track.

Enjoy!

Spark

James Monro - Spark (Lockdown Tech Dub) [SoundCloud Clip]

Unity is the dream. Music is the way.

Melodic and progressive Psy tech. Downtempo/organic. Inspired by flora/fauna, world, psychedelic, and classical elements.

Journey music from the shadow to the light—Soulphonious blends world, psy-techno, and ancestral sounds into sonic medicine. His signature ancient future style of ritual techno, fuses primal rhythms with melodic and psychedelic textures to create transformative dancefloor journeys.

Based in Melbourne and originally hailing from Adelaide, Soulphonious moved interstate to fully pursue his music vision. Since then, his sound has evolved into a unique spiritual and sonic catharsis. 

He recently released “Cover Up”, a collaboration with Sciotech on the acclaimed Canadian label Alpaka Musik, featured on their Bushpaka Vol. 4 compilation curated by Unknown Concept—a landmark moment in his trajectory. Past releases also include tracks with Aussie label Frisson Records, including “Ancestral Calling” and a remix of V:Code’s “Call of the Carnyx”, with more on the horizon.

Soulphonious has brought his ritual sets to venues like My Aeon, 24 Moons and New Guernica in Melbourne, and previously closed the Frisson vs Soliq Full Moon Mayhem in Canberra. This winter marks a powerful homecoming, with an upcoming headline gig in Adelaide at Ancient World for Doof Techno.

Each set and track is an invitation—a return to the source, a release of fear, and a reminder of the infinite power of the universal language of the soul.

One half of the Techno Project > Mēttasoul https://soundcloud.com/mettasoulmusic

Starting as a guitarist in high school, I fell in love with electronic music at 16 and began attending raves. This passion continued into college, where I discovered DJing. Along with college friends and San Diego community members, I co-founded the Afternoon Umbrella Friends, a collective that allowed me to explore different styles and find my artistic identity.

Playing at Umbrella Weekend is a highlight of my career, and I look forward to delivering uniquely crafted sets in that space. Now primarily focused on music production, I DJ only a few times a year while building my studio and honing my skills. Currently, I am working on releasing my first EPs to share my sound more widely.

My musical journey began with the psychedelic rock of Pink Floyd, the soulful melodies of the Black Pumas, and hip hop beats. These early influences laid the groundwork for my evolving sound. In the electronic realm, the dark bass music of the Deep Dark and Dangerous label and Digital Vagabond shaped my approach to depth and bass. Live electronic artists like Pretty Lights, Griz, Gramatik, Glitch Mob, and Four Tet inspired me to blend live instrumentation with electronic elements. Techno from Berlin, Australia, and Mexico added a dirty, psychedelic edge to my music.


Musical Style:
My house and techno style is a dynamic blend of driving, dark, and psychedelic elements. It pulses with relentless energy, keeping the dance floor moving while creating immersive soundscapes. Progressive elements ensure each track is a journey, evolving and transforming as it unfolds. By bending styles and genres, I push the boundaries of house and techno, integrating diverse influences to create a unique sonic experience that challenges expectations and invites exploration.

If you have any further information about this project 

Of forest festivals and dusty dancefloors.

⇸ Immersive ⇸ Innovative ⇸ Grounded ⇸
⇸ Progressive ⇸ Psychedelic ⇸ Bush Techno ⇸
⇸ Minimal Techno ⇸ Prog-House ⇸ Electronica ⇸

A vibrant Australian record label, artist management and touring agency surfacing innovation across the electronic music spectrum.

✤ To book a Stone Seed Artist, Label DJ or Stone Seed Label Showcase - Contact: zigmon@stoneseedmusic.com

✤ Management Roster ✤

⇸ @tom-baker-music
⇸ @gabrielmoraesmusic
⇸ @fabrication_billy
⇸ @doppelau
⇸ @k-se-kochen
⇸ @zigmon_stoneseed
⇸ @john-baptiste

✤ Label DJs ✤

⇸ @vorpalaus
⇸ @safira-no
⇸ @freya_aus
⇸ @adakt
⇸ @nikki-sig

✤ Artists (Label Producers) ✤     

Aio, Breger, Carbon, Doppel, Electrypnose, Gabriel Moraes, Harrison Downes, Hypnagog, Jamie Stevens, John Baptiste, Jossie Telch, Käse Kochen, K.A.L.I.L, Lampé, Luis M, Maksim Dark, Matan Caspi, Quivver, Rainbird, Rauschhaus, Ryanosaurus, Smilk, The Riddler, Tom Baker, Triforce, Yuli Fershtat, Amuze, Ariose, Arturo, Automata, Axon, Bass To Pain Converter, Ben Coda, Ben Rama, Beyond Senses, Biomass, Chamberlain, Charles Oliver, Child, Concrescent, Christopher Brooks, Dan Baartz, Dark Design, David Di Sabato, Diamandy, dreamAwaken, DUCKEE, Dylan Carroll, Dysphemic, Eegor & Zark, Flembaz, Funkform, GMJ & Matter, Hayato Simpson, Hoodat, Ken Zo, Liam Sieker, Lewis, Luka Sambe, Mecca, MNGRM, MŸDA, Mose, Nanoplex, Nineteen Sines, Not Without Friends (Luke Alessi & Jordan Brando), Oliver B, One Man Orchestra, Quackers, Samwise, Sandokan, Slipp, Somersault, Spintribe, Spoonhead, Stoned Ape Theory, TAYA, Thankyou City, The Journey, Timmus, Timo Lissy, Unique Repeat, Victor Y, WAVEBACK, Zankee Gulati and more.

✤ DEMOS ✤
EMAIL ONLY, with a PRIVATE SOUNDCLOUD LINK
✤ Contact: demos@stoneseedmusic.com ✤

If you want to send a demo PLEASE READ:
Demos sent to our soundcloud or facebook pages will be ignored. Download links will be ignored. Please make sure your music is up to the same quality standard and the same style as our recent releases. We will listen to all demos that meet our demo submission requirements but due to the high volume of demo submissions we receive we will only contact you if we are interested in the music you have submitted. Thanks for your understanding.