Very cool prgression. I also like the pic. The third eye is resonating ;)

...my favourite tracks of Emmanuel Top...
Starts with 128bpm and ends with 141bpm....
Here the links for part 2,3 and 4:
https://soundcloud.com/diiinooo/acid-reminder-vol2
https://soundcloud.com/diiinooo/acid-reminder-vol3
https://soundcloud.com/diiinooo/acid-reminder-vol4
https://soundcloud.com/diiinooo/acid-reminder-the-compilation-hard-stage

☺ACID REMINDER☺

Produced, Mixed & Mastered by Ivan Emanuel

Yeah, That´s Right... EP

Yeah, That's Right...

Sublabel: Liquid One
Cat.Nr.: LQD028
Artist: Inherent Stasis
EP Name: Once In A Blue Moon
Format: Digital
Design: Nico Rinker
Mastering: request@yangyinlermastering.de

Releasedate:

29th of August 2025

Releaseinformation:

With „Once In A Blue Moon“, French duo Cléry & Catartsis introduce their collaborative project Inherent Stasis on Schimmer Records’ digital sublabel Liquid One. As their debut, this five-track EP sets the tone for a sound that is both detailed and reduced, hypnotic and driving.
The release floats between trippy drones, bleepy minimalism and stripped-back rhythmic structures. Each track is carefully shaped — spacious in its arrangement, yet grounded in groove and functionality. The focus lies on clarity and atmosphere, creating a deep, club-oriented listening experience without relying on excess.
A strong first statement from Inherent Stasis — precise, explorative and full of
subtle tension.

Tracklist:

1. Inherent Stasis – As Endless As Laundry
2. Inherent Stasis – Moist Whispers
3. Inherent Stasis – The Yellow King
4. Inherent Stasis – As Simple As Obvious
5. Inherent Stasis – Unstitched And Patched Up

Bandcamp

GTG Premiere | Inherent Stasis - Moist Whispers [LQD028]

Trout Fishing in America
	By David Husted
	16 MAY 2020
	
	V1a
	 I can't hit that  top………can't take it any longer
	 0.1% ……….not taking new members
	They say you got to give your life to me
	They say they'll help you dig your grave
	Still shucking that corn for da man who don't mourn you
	
	V1b
	What you gonna do when the world won't play?
	What you gonna do when we break those chains?
	What you gonna do when we're face to face
	See our blood, sweat and tears,……. maybe a little taste of
	Peace …………Love…….and some of that Amazing Grace
	
	Pre-ch
	Down for the count now, I really had to meet ya
	rolling on the ground without your power, without your millions
	Leaking out the pockets of the towered coward leaders
	Bribes, lies, recognize you ain't got nowhere to rise
	
	V1c
	I refused
	I will not be used
	Wont give my life away
	Gonna make my own plans
	Gonna pay my own way
	
	Ch
	But Today, Baby
	Wanna spend my life with you
	Cause I Love You
	
	{instrumental}
	
	I lay down but I ain't gonna sleep
	Cause I ain't gonna close my eyes
	I am the lion; I dream
	
	V2 {call and response}
	
	I refused
	{I Can't Hit that  top………can't take it any longer}
	I will Not Be Used
	{0.1 % ……….not taking new members}
	Wont Give My Life Away
	{They say you got to give your life to me}
	{They say they'll help you dig your grave}
	Gonna make my own Plans
	Gonna pay my own way
	{Bribes, lies, recognize you aint got nowhere to rise}
	
	Ch
	But Today, Baby
	Gonna spend my life with you
	What you gonna do when we're face to face, You'll See
	Our  blood, sweat and tears,……. maybe a little taste of
	Peace …………Love…….Amazing Grace
	
	Bridge
	Cracks; burning inside  of my baby grand
	Slap the keys like nutter-butter slippin-in the frying pan
	Cranking out the metaphors better than a Brautigan
	I hope he still out there "Trout Fishing in America"
	
	Outro
	
more detail on the song production process below for those who care to dig deeper:

I happened to surf across an article about Richard Brautigan. I found the story mildly interesting. The article's author was writing about a recent biography that had come out about Brautigan.  The  picture he painted of the man did not seem flattering.  In fact, he made him sound like a real misogynistic, drunken asshole which I am sure he very well may have been.  However, what caught my eye in his write-up was a reference to Brautigan's book called "Trout Fishing in America".  

I recall chuckling at the way the article's author stated Brautigan used the phrase "trout fishing" or "trout stream" in ways that made the reader double-take. Some of the book's cultural popularity was misleadingly due to that title's use in the more conventional sense. However, Brautigan would personify the phrase "trout fishing" onto people or places or things throughout the book. This was un-conventional for the time and trippy to me. It created a sort of ear-worm of magic on me during my own song development process. It was a needed hit of hippie, beat generation, creative juice just in the nick of time. The trout stream which had been simmering for close to a year was dusted off, revised and finally completed.  

This song may be about my ongoing discontent with the state of our world. It may be about my deep conviction that we can and will do better. It may be about my general state of happiness despite the world we live in. It may be about trout fishing in America.  

Thank You for sharing a moment with me. I appreciate your friendship as I continue to cobble my musical creations together one trout fish at a time. 

Here's to you with much gratitude. 

V/r

Dave

the nook

Trout Fishing in America

Inspired again by one of Paul's open canvases, I found the creative juices flowing. Stop by his profiles and check it out:
https://soundcloud.com/paploviante-and-friends
Here's the original track:
https://soundcloud.com/paploviante-and-friends/urban-express-paploviante
Hope you ENJOY IT, as much as, I did making it!

Urban Express - Paploviante & IPG1

Walking Ears' lovely track B Dorian with some psychscaping going on :)

B Dorian - WalkingEars Collab

Mimosa (available at terrywigmore.com with all other WAG tunes)
Wigmore Allen Gibbons 
Ontario has opened up to stage 3. Just about everything is open, now, albeit with masks and safely social distanced.  So, in celebration of beating the Covid curve, at least it seems that we have, we offer this summer tune to celebrate. A return to summer, in the new normal :)

This was a different tune for us. We were striving for a pop sound in the Adult Contemporary area, and this seemed to fit the bill. Keith grabbed some fine lyrics and sang them like one of his canaries. This has a warm, summery sound, to my ears, sweet harmonies, and a lightness of step that makes me simply feel good and tap my toes. I'd say it makes me fee like getting up and dancing, but that is not what I call what I do...sway maybe...and that was good enough for me :)

MIMOSA : Lyrics:
And there she stood, all alone, by the window 
A trick of the light, of the day, just the shadow 
Don’t try apologise for staring at whatever lies within 
Hey Mimosa…Why’d ya have to be so sweet? 
Dark as earth, heavy air, damp as morning dew 
A villa of cream, strawberries growing on the cliffside 
It’s hot as Hell, It’s something else as well, it’s all part of her 

Oh Mimosa…Why’d ya have to be so… Aaaah…Aaaah… 
Let the sunlight shine x4 (Inst) 
Oh my sweet Mimosa…
Oh my sweet Mimosa… 
Oh Mimosa…Why’d ya have to be so sweet x2 

Flash of light, a swirl of green, then she drops her leaves 
She turns around, within a beat, and throws her head back 
She’s on the radio, She’s dancing only flamenco tonight…all night
 
Oh Mimosa…Why’d ya have to be so sweet 
She takes a drink, and rolls her eyes, in a fun way 
She takes a bath, and shakes the rain off, give it back, give it back, it’s my turn 
She feels the sun, because it makes her burn. 

Oh Mimosa…Why’d ya have to be so sweet
Dark as earth, heavy air, damp as morning dew 
A villa of cream, strawberries growing on the cliffside 
It’s hot as Hell, if only looks could tell… if only looks could tell…looks…tell 

Oh Mimosa…Why’d ya have to be so sweet 
Oh Mimosa…Why’d ya have to be so sweet 

Wigmore : Music and production, backing vocals 
Allen : Bass, guitars, lead vocals, harmony vocals, lyrics

Terry's Picks

Mimosa

For ever in moonlight bay.

A longtime Many Years Ago , When Mark & Myself Discovered Who We Were.
Vocals & Drums By Mark Heenan,
Guitars & Bass By Martin Reed,
Produced By Martin Reed.
Originally Recorded In 2001.

When We Both Drank Colours Shapes & Lines

VIDEO - https://www.youtube.com/watch?v=kf76O_1xi1g&ab_channel=winkandwoo
Our 4th Collab and I was once again honoured with the unique talents of the MTM team , co-writing this gem with the wonderful Freddie M Band , and then having it professionally mixed and mastered to such a high contemporary level , I think you will agree this is a bit of a masterpiece.
GO Follow and think about using their services ,  https://soundcloud.com/masterigtruemusic

Musical creation: Freddie M. Band
Mixing and Mastering: Mastering True Music.
Lyrics - melody-Interpretation: winkandwoo

* Mastering True Music * / winkandwoo copyright ©. 2020
LYRICS:-
So you can sell us pretty pictures in your cinemas
And you can sell us your technology and real fast cars
So you can tell us pretty stories in your history books
But you won't tell us of the heroes who've been overlooked

And now it seems the tide is turning on your great facade
You just ran out of luck and drew the losing card

We are now in a once in a lifetime
And onto a whole other timeline
It's clear this is just at the right time
It's true
Yes this is once in a lifetime
And we have been given a lifeline
We know this is just about high time
It's new

So you can can sell us all the war and hate and we just lap it up
And you can sell us all the ammunition to back it up
So you can tell us of the brand new cure for your disease
But you can't keep us from uniting that's our expertise

But now it seems the tide is turning on your great facade
You just ran out of luck and drew the losing card

We are now in a once in a lifetime
And onto a whole other timeline
It's clear this is just at the right time
It's true
Yes this is once in a lifetime
And we have been given a lifeline
We know this is just about high time
It's new

* Mastering True Music */ winkandwoo copyright ©. 2020

☺ACID REMINDER☺

Dino . . .☺

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