Name: Rain Over Granada (Jadaka al-Ghaithu) by Dikheel Aldikheel in String of the Compass (Oud & Guitar Instrumental Lounge Fusion)
Duration: 7 min 48 s
Description: A soft rain finds the courtyards of Granada. The oud speaks in warm, unhurried phrases; the guitar answers like light on wet stone. Small echoes, quiet smiles, and the hush that comes after the first drops. It feels like walking slow under arches, listening to the city breathe. Put it on for reading, late tea, or a calm evening—when the rain is part of the room.

A quiet journey in sound. Oud & guitar guide you like a compass through gentle moods—sometimes solo, sometimes sharing the same line—always warm, close, and unhurried. Think evening light, soft steps by water, and conversations that breathe. Perfect for reading, late coffee, or letting the room exhale.


String of the Compass (Oud & Guitar Instrumental Lounge Fusion)

Hard Bop Jazz, Thelonious Monk

Pannonica

Evergreen Avenue [Instrumental]

This track is a quiet conversation between two voices. The oud speaks first with a shy hello. The guitar answers with a smile. They trade lines like two people walking slowly through a courtyard at dusk, not rushing, just enjoying the moment. Nothing loud. Nothing busy. Just soft light, easy breath, and a feeling that love knows how to listen.

Play it while the evening settles. Let it fill the room without taking it over. It is music for candlelight, for coffee cooling on the table, for reading a page twice because the mood feels better than the words. When the last notes fade, the silence feels friendly.

Oud & Guitar in Saba Romance - Instrumental Lounge Fusion

Not a song — a scented goodbye.

“Closing Rituals” moves like a whisper through a candle-lit concept store after dark. Nylon-string guitar threads through ambient textures, brushed percussion fades like footsteps, and synth layers hover like scent in the air.

This track holds the sacred silence of closing time — when mirrors go still, the last guest lingers, and you remember why this space was built. A benediction in sound.

Closing Ritual

Two voices walk beside a quiet river. The oud speaks first, easy and low, like water touching stone. The guitar answers with a warmer light. They take turns, unhurried, trading small phrases the way close friends trade memories. The mood stays gentle and close. Nothing pushes. Nothing crowds. It feels like dusk settling on the banks, a soft breeze, time moving in slow circles. Put it on while you read, think, or share a calm evening. When the final note fades, the silence keeps the feeling company.

Saba by the River - Oud & Guitar Instrumental Lounge Fusion

Andalusian Courtyard (Final Edit with Ambient Effects)

An ambient cinematic piece that follows the quiet arc of first light to full day. Soft textures, spacious harmonies, and gentle motion create a calm rise in energy without abrupt peaks. Built for reflection, focus, and warm beginnings.

First Light in the Alhambra (with Stone and Water)

The day slows, and the courtyard fills with gold. The oud speaks first—unhurried, close—then guitar answers like warm light on stone. They trade gentle phrases while the evening gathers: small smiles, soft steps, the hush of a garden at dusk. Nothing rushes. Nothing crowds. It’s music for candlelight, for a last cup of tea, for letting the room breathe. When the final notes fade, the quiet feels friendly.

Sunset in the Alhambra (with Ambient Fountain)

A soft rain finds the courtyards of Granada. The oud speaks in warm, unhurried phrases; the guitar answers like light on wet stone. Small echoes, quiet smiles, and the hush that comes after the first drops. It feels like walking slow under arches, listening to the city breathe. Put it on for reading, late tea, or a calm evening—when the rain is part of the room.

Rain Over Granada (Jadaka al-Ghaithu)

Crimson Shadows

Pink Martini - "Anna (El Negro Zumbon)"

Elias Rahbani - Dance Of Maria (1974) (1)

All the Way

Un Jour De Difference

Salt Peanuts

All The Things You Are

L'album S3NS (sens) est disponible partout / New Album S3NS available: https://IDOL.lnk.to/IbrahimMaalouf_SENS

Tournée 2019 / 2019 Tour ☞ http://bit.ly/TournéeS3NS

On Tour :

23, 24 et 25 septembre : Paris, Olympia - COMPLET
 
28 septembre : Brest Arena 
29 septembre : Zénith Nantes Métropole
6 octobre :  Le Liberté, Rennes 
12 octobre :  Zénith Toulouse Métropole 
13 octobre : Arkéa Arena, Bordeaux
19 octobre : Zénith Arena de Lille 
20 octobre : Den Atelier, Luxembourg (Luxembourg) 
26 octobre : Le Summum, Grenoble 
27 octobre :  La Halle Tony Garnier, Lyon 
2 novembre, Arena de Genève (Suisse) COMPLET
9 novembre : Rockit, Groningen (Pays-Bas) COMPLET
10 novembre : Paradiso, Amsterdam (Pays-Bas) COMPLET
16 et 17 novembre : La Sirène, La Rochelle COMPLETS
23 novembre : Zénith de Dijon 
24 novembre : Zénith de Nancy 
30 novembre : Opéra Garnier Monte-Carlo (Monaco)
1er décembre : Le Dôme, Marseille 
8 décembre : Zénith Sud Montpellier 

YouTube ☞http://bit.ly/2Nb2XvE
Facebook ☞ http://bit.ly/2tQM7ZQ
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www.ibrahimmaalouf.com

© Copyright: 2019 Mister Ibe
℗ Production: 2019 Mister Ibe

01 Una Rosa Blanca (Feat Harold López - Nussa)

C'est Si Bon - Emilie-Claire Barlow

I’ve always lived at the crossroads of music and poetry — where feeling becomes form, and melody turns memory into meaning. Whether it’s a lingering jazz note, a well-placed rhyme, or a shift in tempo that tells a deeper story, I’m drawn to that quiet magic where art reflects life with a little more style.

My roots are in classic music — the kind that doesn’t chase the moment but lingers with you long after the last note. Over time, that love expanded into poetry writing and jazz — especially the kind that swings, speaks, and smirks all at once. Jazz, to me, isn’t just a genre; it’s a personality. A conversation. A little tilt of the head and a grin that knows more than it says.

When I set out to create an album, it’s rarely just a collection of songs. I approach it like a personal playlist — one that drifts and flows as if the entire tracklist were one long, uninterrupted piece. Each track leans into the next, shifting mood, pace, or voice, but always carrying the same thread of feeling. I want you to listen the way I do — not as a shuffle of moments, but as a cinematic arc. One breath that lasts an hour.

Lyrically, my work is rooted in lived experience. Sometimes it’s obvious. Other times it’s just the skeleton of a memory, dressed up in wit, irony, or longing. I draw from real-life events, then let the poet in me twist, stretch, or sweeten them to taste. Depending on the tone of the album — playful, romantic, nostalgic, or something in between — I try to keep the emotional truth intact while giving it a fresh coat of creativity. A little humor where it fits. A deeper dive where it hurts.

My newest jazz album continues this tradition — short-lined swing tracks, conversational duets, and tongue-in-cheek storytelling. It’s an homage to late-night alleyway ballads, rooftop serenades, and train station goodbyes — all bound together with a sense of charm and cohesion. Each song is its own little scene, but together they tell a story — one you can revisit with each replay.

Thanks for stopping by my profile. I hope you find something that earns a spot on your repeat-play list — a melody, a lyric, or a moment that feels like it was written just for you.

Rain Over Granada (Jadaka al-Ghaithu)

Dikheel Aldikheel

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