Mondnacht

5 field recordings from Maribor on this 5-minute tape... (06.08.22/09.08.22)
5 enregistrements de terrain de Maribor sur cette bande de 5 minutes... (06.08.22/09.08.22)
http://zuunzug.com/2022/10/05/maribor/

Maribor (montage)

From a recording of Jimmie Lunceford and his Orchestra "I'm in an Awful Mood":  https://archive.org/embed/78_im-in-an-awful-mood_jimmie-lunceford-and-his-orchestra-jimmie-young-young-buckner_gbia0078613a

Vinyl Variation #13

Performed by Riot Ensemble during Klangspuren Schwaz Festival, 2022

Riot Ensemble:
Klarinette: Horia Dumitrache, Alt-Saxophon: Amy Green, Schlagzeug: Sam Wilson Piano: Siwan Rhys, Violine: Sarah Saviet, Viola: Stephen Upshaw, Cello: Colin Alexander, Kontrabass: Marianne Schofield
Dirigent/Ensemble-Leiter: Aaron Holloway-Nahum

lost burdens, for ensemble (2022)

Sätze - Wörter - Zeichen (2022)-E-Mex Ensemble- #Tonedmelisma MusikFestival

Hello, I created this one today morning (Friday 18th Nov 2022) using a felt piano library sound and synthesisers along with a descending shepard tone for the bad dream's part. (I have that as a recurring dream: me falling for ever)

There's a "nightmare" chord (some sort of C minor "alt") and then the "sweet dreams" chord (C6/9)
Around 1 minute into the piece the "sweet dreams" chords tries to get in but fails, to be eventually fully heard at the end, before the *rallentando* at 1:42 and back to a nice sleep.

photo by Greg Rosenke

For a junto challenge about dreams, Read more here:
Step 1: We’re going to make music inspired by recent research on sleep habits. Read the article here:

https://www.sciencealert.com/nightmares-can-be-silenced-with-a-single-piano-chord-scientists-discover 5

Step 2: Think about the hallmarks of a nightmare.

Step 3: Spend some time with the C6/9 chord. The notes are C E G A D. (In other words: the root, major third, perfect fifth, major sixth, and major ninth.)

Step 4: Create a piece of music that begins with the hallmarks of a nightmare and then gradually transforms into a more positive piece through the use of piano chord C6/9.

A Cure For Nightmares (disquiet0568)

un plongeon dans nos propres arcanes intérieures..

Catacombes

This is just a simple ambient solo using the Buchla Music Easel and Christopher H.M Jacques "Sleepwalker" patch for the Zoia. Hopefully it will be of some use to someone for the trio project.

disquiet0591

I chose "Frugality" after a long listen. big thanks to encym for inspiring guitar track!!!

https://soundcloud.com/encym/the-loneliest-number-disquiet0591?si=83fa6974ce6d4b768ab7f3e457589658&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

then played as freely as I could on my Soma's Enner

Frugality & Enner & nothing feat. encym(disquiet0592)

mountain’s red leaves
the setting sun returns
to the sky

Haiku by Kobayashi Issa https://www.poetryfoundation.org/poets/kobayashi-issa

Picture by Laura Vinck https://unsplash.com/photos/Hyu76loQLdk
Waveform background by Darren Bourne

For more information visit http://www.naviarrecords.com/about/naviar-haiku

more halF unusuaL

halF settinG [naviarhaiku496]

Dilay Doğanay was born in Izmir, Turkey, in 1999.
Her music evolves in an effort to understand the theatricality of sound and implicit and explicit communication. Her pieces, which she created inspired by language, literature, oral and written communication, sometimes include texts she wrote.
She studied composition in İzmir with Mehmet Can Özer, Füsun Köksal, and she is continuing her Master’s with Franck Bedrossian at KUG. Her music has been performed by different ensembles such as Ensemble Intercontemporain, RIOT, Schallfeld Ensemble, IEMA, hand werk, Next Ensemble; in different parts of the world: Italy, Germany, Austria, Turkey, Ukraine, Netherlands, Switzerland, Colombia, France (...)

lost burdens, for ensemble (2022)

Dilay Doganay

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