Demo submission: https://www.stealthrecords.io/
Stealth Records is distributed by Label Worx: www.LabelWorx.com

BOOKINGS
Worldwide (excl NA) - Alberto Ballarani
alberto.beatoflife@gmail.com

North America - Chad Cohen
chad.cohen@unitedtalent.com

● http://www.prokandfitch.com
● http://www.facebook.com/ProkFitch 
● http://www.twitter.com/prokfitch 
● http://www.youtube.com/prokfitch 
● http://www.beatport.com/en-US/html/content/artist/detail/42095/prok_and_fitch

DJ & Producer from Stockholm (Sweden)

http://facebook.com/hmandj
http://twitter.com/hmanofficial
http://mixcloud.com/hmanofficial

Booking / Contact
info@insomniaprod.com
-Hungary:
whitefacerecordings@gmail.com
+36203437979

In a basement music-making studio in the south of England sit a bunch of machines. A Moog System 15, a Juno 106, classic Roland TR-808, TB-303 and TR-909s, an Emu SP1200, a Sequential Circuits Prophet 5, Akai MPC, a Mini-Moog… these machines have been some of the foundation hardware for electronic music over the years.

But these machines can’t make music by themselves. Despite all the hype about artificial intelligence (AI) and robots, these machines need somebody to collaborate with — a human — to draw out their soul and funk.

We’ve been fascinated by machine music since the second half of the 20th century, and electronic music has been powered by the ever-developing automation of new technology. “I’ve collected these machines for a long time now, and each one has a story,” says uber-producer Steve Mac, owner of all these machines. “Every time I buy a new one, the rule is that I have to make a track with it.”

The variety of people who drop by to play on these machines are what make the music coming out of this studio so diverse. Whether it’s house music legends like Marshall Jefferson or Danny Rampling swinging by, or cult Trainspotting author Irvine Welsh laying down some vocals on a German/Scottish kosmische disco ditty; a session with dubwise breakbeat rave act Genaside II to making a track with unknown guitar n’ bass whizkid Scott Booth; from working with young house hotshots Cousn from Bristol to some songs with a Brazilian band Steve met in the pub — these machines need humans to collaborate with. They can’t do it themselves.

The above-mentioned Brazilian band member Rafael Berrio provided the impetus for ‘Martina’, a Balearic Brazilian love story that’s the first single from Steve’s new project. It’s backed by a melodic breakbeat piece that also utilises those Brazilian vibes. “I want to make music from the heart,” says Steve. “It’s the interaction of people and machines that I’m really fascinated with.”

Each of these machines is a feat of engineering. Machines like these have created countless classic electronic music cuts, and lately Steve has been adding to that cannon — with a slew of tracks ready to go. The electricity is on. The motor is running. Are you ready for the sound of These Machines?

<a href='http://gigs.gigatools.com/u/RalphGood' target='_new'>Ralph Good's Upcoming Gigs </a>Saturday 31 August, 2013 <a href='http://gigs.gigatools.com/u/RalphGood' target='_new'>Zurich City Shuffle, Club Bellevue, Zürich, Switzerland</a> <a href='http://www.gigatools.com' target='_new'>Powered by GigaTools</a> Currently flying high with his tracks „SOS“, „Stop The World“ or „In The Zone“ which are getting support from all the big jocks from Mark Knight to David Guetta and Roger Sanchez – and reached the No.1 spot on the Beatport Releases.
Former member of "The Good Guys". Producer and Remixer for Ian Carey, Snoop Dogg, Avicii, Timbaland, Yves Larock, Richard Grey and many more. Played, charted and supported by the industry's biggest names like: Fedde Le Grand, Dubfire, David Guetta, Chuckie, Tiesto, Axwell, Bob Sinclar, Erick Morillo, Pete Tong, Armin van Buuren, Miguel Migs - as well as brands such as: Pacha, Hed Kandi, Kinky Malinki.

He was born in 1983 in Milan. He has been fond of techno music since 1997 and in 1999 he started to go to rave parties,discovering the magic of live sessions, played by sequencers. He immediately bought a drum machine and started to create his first patterns, taking inspiration from French acid techno,house, Detroit, electro and minimal. At the end of 2003 he expanded his studio, learned to play decks and dedicated himself into productions .In 2004 he played in some clubs and in 2006 he frequented a course for sound engineering and worked together with the Napolitan producer Markantonio in the realisation of the track "Soma" released on Analytic Trail n13 That's what i like vol.2 EP whit Valentino Kanzyani and Joy Kitikonti. during high school he released "tabu ep" on Footlover music a digital label from joy kitikonti,in july 2007 he Graduated as Sound engineer at the "N.A.M." school in milan, in 2008 he released "white ep"on Loose Records the label owned by Rino Cerrone with a rmx of Markantonio. In 2008 produces music for various labels such as Analytic Trail, Loose Rec, Perc Trax, Playmobil, Agile, Suara and many other.play as a guest in some Italian clubs including the may day event "Play The Music" at Old River in Caserta with Oxia, Rejected, Markantonio ,Joseph Capriati and Abnormal Boys .In 2009 on the label of Glasgow "Sleaze rec" released the EP "Space Invaders" with the remix of Uto Karem and Seismal D.
After the release of "poltergeist ep" Martin Lee Gore selects the track "poltergeist Perc remix" will be 'played for their pre-show world tour of Depeche Mode "Tour of the Universe"sponsored by their site DepecheMode dot com.the same track in the chart comes from artists such as Adam Beyer and Speedy J.Produces successive "War Page EP " on the American label "Enemy" label owned by Dustin Zhan with the remix of Acid Circus.
2008 to 2009 is remixed by international artists such as Perc, Alessio Mereu, Gary Back, Markantonio, Joseph Capriati, Uto Karem, Dandi & Ugo, Butane, Sasha Carassi, Gennaro Mastrantonio, Dokser, Abnormal Boyz and other. In late 2009 and early 2010 remix Anderson Noise, Matador and Alex Bau. In 2010 he won the competition "Yello Remix Contest" launched by beatport with the track "Oh Yeah" of legendary band Yello.
in May 2010 He has released "Green Ep"with the remix by Mark Broom on Material Series, very important Greek label Founded and managed by Mihalis Safras with artist like Mark Broom, Butch, Format B, Lee Van Dowski, Mathias Kaden .
he release other tracks for Material Series as "what a funk!" and remixed "don't talk" by Italoboyz,the end of 2010 works with Mihalis Safras to crate Leave / high ep realeased on "Saved Records"label of Nic Fanciulli,having a good response coming in chart and played by international DJs such as Dubfire and Pete tong. late 2010 he release "Habanero" on "Cr2 Underground vol 6 " on Cr2 records one of the best house labels in uk and coming in 12 th on beatport tech house chart.

Owner @deepalmarecords + @deepalmasoul

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Whether it’s releasing on his own Déepalma imprint or collaborating with other respected brands in the scene, Yves Murasca has carved out a respected space in the house music world. Blending elements of deep, organic and soulful house, his sound is as diverse as it is consistent. As a DJ, he’s played from Europe to the Americas, with appearances at Amsterdam Dance Event, Nature One and Street Parade Zurich, as well as Ibiza's iconic Bora Bora. Along the way, he’s shared credits with vocal legends like Ron Carroll and Barbara Tucker, been remixed by the likes of Gorge and Dario D’Attis, and hit the official German sales charts several times with his acclaimed Déepalma compilations. Today, Yves focuses on the growth of his label, helping shape the next wave of talent. www.yvesmurasca.com

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