Founder @ovrdoseofficial 
Bookings malik@ovrdoseagency.com

House DJ/Producer from the 90’s born in Brazil. He currently resides in Amsterdam, the Netherlands.

He started producing in 2015 at the Cruise Control Studios in Amsterdam. During that time he learned a lot and is very grateful for that. 

His music can be recognized by a combination of funky basslines and percussion groove inspired by Brazilian rhythm and instruments.

With the early beginnings looking very promising for both Menesix and his own OVRDOSE Records, you can expect more quality house music in the foreseeable future!

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

ROUGH MATERIAL ONLY 

MGMT: Thierry@askpixel.am

BOOKINGS: EURASIA: maksim@anna-agency.nl
AMERICAS: lruiz@wmeagency.com

Promo: Info@dionmusic.nl

MGMT: jb@seven7.management
BOOKING NA/SA: achung@wmeagency.com
BOOKING ROW: mdsmith@wmeagency.com

AMÉMÉ’s sound is a living tapestry of Afro-house, tribal percussion, and ethereal vocals, underpinned by the pulse of deep house and tech. It is music that transcends borders, pulling listeners into a communal heartbeat.

This is not just dance music; it is a ritual - a celebration of life, ancestry, and the indomitable human spirit. His works, championed by icons like Black Coffee, Diplo, and having earned his own spotlight on Pete Tong’s iconic ‘Essential Mix’; have now graced the decks of some of the world's most illustrious stages: Coachella, Burning Man, EDC, and Tomorrowland.

Jon Sa Trinxa is an influential figure in the world of electronic music, renowned for his eclectic taste and deep connection with the Balearic sound—a kaleidoscope of genres that include Disco, House, Funk, Indie Dance, Down Tempo, Ambient, and more. His career, spanning over three decades, began in 1987, rooted in the early rave scene and expanding to clubs, festivals, beach parties, and special events worldwide, including Japan, Australia, South America, the USA, SE Asia, and across Europe.

One of Jon's most significant achievements is holding the longest DJ residency on Ibiza at Sa Trinxa, Salinas Beach, from 1993 to 2019. This spot became synonymous with his name, showcasing his ability to create a unique vibe that perfectly encapsulates the spirit of Ibiza. His talent also shone brightly at the legendary Manumission parties, where he played for ten years at Privilege and Space, and was a regular feature at We Love… Sundays at Space, Pacha for Made in Italy, and various nights at Amnesia.

During the winter months, Jon's musical journey takes him to Asia, where he holds a residency at Karma Beach Club in Bali and performs in Thailand, Cambodia, and Sri Lanka, spreading his unique blend of Balearic beats to a global audience.

Jon Sa Trinxa's contribution to the music world extends beyond his live sets. He has produced several compilation CDs for major labels such as Sony and Music for Dreams, and his work on the classic "Naked Ibiza" for Mixmag became one of the magazine's most popular CDs, further cementing his status as a pioneer of the Balearic sound.

For more updates and insights into Jon Sa Trinxa's musical adventures, fans can follow him on his Facebook page: [Jon Sa Trinxa's Facebook](https://www.facebook.com/pages/Jon-Sa-Trinxa/122414664609989?fref=ts).

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